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Journal Article
Camera Obscura (2021) 36 (3 (108)): 1–31.
Published: 01 December 2021
... is the story with most of the kids on Drag Race . It's definitely my story.” 1 Bewitched television syndication queer broadcast history retextuality flow Copyright © 2021 by Camera Obscura Published by Duke University Press 2021 31. Robrt Pela, “The Legend of Lizzie,” The Advocate...
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Journal Article
Camera Obscura (2024) 39 (3 (117)): 121–147.
Published: 01 December 2024
... capacity to broadcast queer life and history. Third, and finally, I read the climactic sequence of Riot for how it mobilizes a reportage-style aesthetic similar to that of the only activist documentary to have recorded some of the police brutality of the first Mardi Gras. Between its opening framing...
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Journal Article
Camera Obscura (2024) 39 (2 (116)): 189–218.
Published: 01 September 2024
..., they're queer, get hip to them” (18). This “Homo Pomo” attitude also pervaded NQC philosophically, “definitively breaking with older humanist approaches” to identity politics while keeping “a reworking of history with social constructionism very much in mind” (18). In this way, NQC also aligned...
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Journal Article
Camera Obscura (1994) 11-12 (3-1 (33-34)): 262–263.
Published: 01 May 1994
...
published in Critical Studies in Mass Communication, Media, Culture and
Society, Journal of Communication, and Broadcasting and Electronic Media.
With Jackie Byars, she is currently writing a book on Lifetime that synthesizes
the theories and methods of political economy...
Journal Article
Camera Obscura (2011) 25 (3 (75)): 1–27.
Published: 01 December 2011
... with challenges to gender and sexual normativity, specifically, to the masculinity of the working-class miners. But this is made possible through the film's problematic and schematic treatment of history, since it suppresses any consciousness of the solidarities with the miners that were formed, or attempted...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 184–193.
Published: 01 May 2008
...
Broadcasting Corporation (NZBC), at that time the country’s sole
public television broadcaster. This footage does more than simply
provide a context for Georgina’s early life as a woman; it constructs
a local transgender history and thus makes visible for a contem-
porary New Zealand public...
Journal Article
Camera Obscura (1994) 11-12 (3-1 (33-34)): 192–211.
Published: 01 May 1994
... a considerable influence on the
networks’ willingness to address queer issues. An article in Broadcasting
stated that more and more agencies were becoming “gun shy” when it
came to programs dealing with queer issues (Mike Freeman, “Ad Pull-
outs Making Agencies More ‘Gun-shy...
Journal Article
Camera Obscura (2001) 15 (3 (45)): 151–193.
Published: 01 December 2001
... justified in order to
claim a history that many antigays claim does not even exist. Fun-
damentalists attack queer readings as crazy interpretations, yet, I
would argue, they are no more convoluted than fundamentalist
readings. According to fundamentalist...
Journal Article
Camera Obscura (2012) 27 (1 (79)): 69–95.
Published: 01 May 2012
... Vision ) and its interrogation of language and translation, the Xin Lu series offers a queer diasporic critique of nationalism and globalization. Situating Ma's video practice in relation to the theoretical work of Rosalind Krauss, David Joselit, Richard Fung, Aihwa Ong, Pheng Cheah, and others, Feng...
Journal Article
Camera Obscura (1994) 11-12 (3-1 (33-34)): 6–11.
Published: 01 May 1994
... of “it’s the same old story”-popular media’s
vampiric pursuit and creation of the female consumer; and exaspera-
tions about the knotty conundrums both the slogan and the network
present. This after all is a cable service that commemorated Black
History and Women’s History Months in 1995...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 33–57.
Published: 01 May 2014
... University Press
33
34 • Camera Obscura
mopolitan style, and dismiss the significance of gender and alter-
native histories.”1
Queer cinema constitutes a more politicized international
dimension of contemporary Asian cinema, and some of the most
vibrant and interesting work currently...
Journal Article
Camera Obscura (2013) 28 (2 (83)): 45–75.
Published: 01 September 2013
..., Irvine, and the author of Inherent Vice: Bootleg Histories of Videotape and Copyright (Duke University Press, 2009) and Paris Is Burning (Queer Film Classics series, Arsenal Pulp, 2013). © 2013 by Camera Obscura 2013 Christmas on Earth (dir. Barbara Rubin, US, 1963).
Photo documentation...
Journal Article
Camera Obscura (2006) 21 (1 (61)): 47–51.
Published: 01 May 2006
...Heather Hendershot Camera Obscura 2006 Heather Hendershot is an associate professor of media studies at Queens College and at the CUNY Graduate Center. She is the editor of Nickelodeon Nation: The History, Politics, and Economics of America's Only TV Channel for Kids (2004...
Journal Article
Camera Obscura (2017) 32 (2 (95)): 89–115.
Published: 01 September 2017
... of fan
audiences through such broadcasting strategies.
Situating MLPFIM fandom in relation to cult film consump-
tion helps contextualize the gender dimensions of Brony activities.
As numerous academics have noted, fan practices, as applied to
cult cinema, frequently resonate...
Journal Article
Camera Obscura (2002) 17 (1 (49)): 107–147.
Published: 01 May 2002
..., their “queerness.” They address particular
versions of the determination to “never forget” that gives archives
of traumatic history their urgency. That gay and lesbian history
even exists has been a contested fact, and the struggle to record
and preserve it is exacerbated by the invisibility that often sur...
Journal Article
Camera Obscura (2004) 19 (2 (56)): 47–73.
Published: 01 September 2004
..., and other cinematic devices employed in order to
gain a broad, international audience. For instance, all three films
are calculated to attract heterosexual audiences despite their
queer content. The only explicit homosexual acts in The Shaw-
shank Redemption result from forcible rape, so they require...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 5–33.
Published: 01 December 2016
... of the first women’s
video collective in Canada, the primary record of this work — the
videos themselves — is rapidly disintegrating and, with it, a piece of
the intersecting histories of Canadian broadcasting, media art, and
Second-Wave Feminist Video Collectives in Canada • 7...
Journal Article
Camera Obscura (2004) 19 (3 (57)): 57–91.
Published: 01 December 2004
... the film’s
critique of cultural signification and its personal effects. The con-
trasts among the iconic, reshot images of American culture, circa
1970, are striking, whereas the dissonance between the degraded
footage and its indexical capacity to portray history—and between
the rough images...
Journal Article
Camera Obscura (2017) 32 (3 (96)): 33–61.
Published: 01 December 2017
... of Intimacy in North American History, ed.
Laura Ann Stoler (Durham, NC: Duke University Press, 2006),
191 – 212. I depart from David L. Eng’s The Feeling of Kinship: Queer
Liberalism and the Racialization of Intimacy (Durham, NC: Duke
University Press, 2010) when he argues...
Journal Article
Camera Obscura (2024) 39 (1 (115)): 95–126.
Published: 01 May 2024
... 2024 by Camera Obscura 2024 queer of color trans of color dominant histories AIDS politics of representation The title of Jon Bernstein's profile on Pose (FX, 2018–2021) in The Guardian , “‘Nothing Like This Has Ever Happened’: How TV Drama Pose Breaks New Ground,” calls attention...
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