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Image
in The Reserve Army of Affectivity: Unemployed Labor in William Greaves's Psychodramatic Cinéma Vérité
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2022
Figure 3. Charles Darby reappears in a workplace training program that is largely made up of black women. Image courtesy of Indiana University Libraries Moving Image Archive
More
Journal Article
Camera Obscura (1988) 6 (1 (16)): 78–116.
Published: 01 January 1988
..., Katrin
Hansen, on the CBS network program Mama. She told the audience about
her memories of her girlhood, her family's house on Steiner Street, and
her experiences there with her big brother Nels, her little sister Dagmar,
her Papa, and her Mama-"most of all," she said, "when I remember that
San...
Journal Article
Camera Obscura (1994) 11-12 (3-1 (33-34)): 212–241.
Published: 01 May 1994
..., demanding a say in what goes
on at “their” network.
It is clear from reading these messages that many viewers believe
Lifetime means to pursue something close to a “feminist agenda.”
Some women offer program suggestions; one requested a special show...
Journal Article
Camera Obscura (2015) 30 (1 (88)): 41–69.
Published: 01 May 2015
... Revolution. The second strategy mobilizes digital media not
to incorporate the viewer into a program of diet and exercise (as
in The Biggest Loser) but rather as a means of fictively rendering the
body of representation transparent — exposing, in a protoeugenic
gesture, the “truth” of its...
Journal Article
Camera Obscura (1992) 10 (2 (29)): 224–232.
Published: 01 May 1992
...Ann Barry Flood Copyright © 1992 by Indiana University Press 1992 Breast Cancer: Adjuvant Therapy, Dartmouth Interactive Laboratory’s
Shared Decision-making Program (1992)
Empowering Patients: Using Interactive
Video Programs To Help Patients Make...
Journal Article
Camera Obscura (1992) 10 (2 (29)): 232–239.
Published: 01 May 1992
...; and under
the arm are lymph nodes. White filmy areas represent cancer cells. From Breast
Cancer: Adjuvant Therapy, Dartmouth Interactive Media Laboratory’s Shared
Decision-making Program ( 1992). Graphic by Scott Chesnut.
Camera Inforrnatica: Producing
Interactive Media Programs...
Image
in Re witched : Retextuality and the Queering of Bewitched
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2021
Figure 4. Channel logos persist over syndicated episodes to remind the viewer where they are watching the program.
More
Image
in “The very palpitation of life!”: “The Leaves Are Stirring” in Context
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2022
Figure 2. Nicole Vedrès in 1964. Portrait de Nicole Vedrès (dir. Jean-Claude Bergeret, France, 1964). Television program
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Journal Article
Camera Obscura (2012) 27 (2 (80)): 135–143.
Published: 01 September 2012
... Strategies in Palestinian Queer and Women's Filmmaking” uniquely focused on questions of queerness and Palestine through a program of eight new Palestinian visual productions. The program brought together Palestinian film scholars, filmmakers, visual artists, and curators for a discussion of queer...
Journal Article
Camera Obscura (2017) 32 (3 (96)): 1–31.
Published: 01 December 2017
.... Modern Family ’s adaptations of sitcom narrativity allow it to advance its progressive ambitions, while the program also plays with the humor of gay stereotypes ultimately to demolish binary assumptions of queer political identity. To read a sitcom through a political lens of conservatism versus...
Journal Article
Camera Obscura (2017) 32 (3 (96)): 33–61.
Published: 01 December 2017
... political economy and liberal politics underwrites the program’s titular modernity, which celebrates its portrayals of sexuality, kinship, and intimacy as progressive, yet bases them in conservative visions of gender. While the program announces its token interest in racial plurality through its core...
Journal Article
Camera Obscura (2011) 26 (2 (77)): 65–89.
Published: 01 September 2011
... roots to a collection of British programs offering advice to parents in the late 1990s and early 2000s, as well as to the longer-standing British tradition of public service broadcasting that sought to “better its audience,” we argue that the program departs from that legacy in its commercialization...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 1–31.
Published: 01 December 2021
...Figure 4. Channel logos persist over syndicated episodes to remind the viewer where they are watching the program. ...
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Journal Article
Camera Obscura (2009) 24 (1 (70)): 109–133.
Published: 01 May 2009
... and racial identity in the television program 24 . Facial recognition systems (FRSs), in particular, participate in earlier visual discourses of privileged facial imaging such as the close-up and the mug shot, and link them with forms of machine envisioning such as automated rapid facial comparison...
Journal Article
Camera Obscura (2023) 38 (2 (113)): 145–171.
Published: 01 September 2023
... with their partner during the interview. This structure is distinct from the more individual and private exploration of sexual styles and desires that a program like IntraCourse encouraged by having users engage more individually during the interview. Lovers or Strangers scores each user on how well...
FIGURES
Journal Article
Camera Obscura (2013) 28 (2 (83)): 151–175.
Published: 01 September 2013
... techniques to AI, which was also central to Brooks and
Minsky’s work.
The great challenge of AI during this period centered on
the issue that while one could try to program a robot with a great
deal of knowledge and information on how to complete tasks, if
Female...
Journal Article
Camera Obscura (2019) 34 (3): 157–167.
Published: 01 December 2019
... around a common cause or shared sense of identity. All these examples also demonstrate how US television relies on female singers work as storytellers through theme-song performance. But while theme songs are an integral part of television music, their brevity often subordinates them to a program s...
Journal Article
Camera Obscura (2019) 34 (3): 31–61.
Published: 01 December 2019
... must be as attentive to program content, textuality, and form as they are to technological and industrial developments. Copyright © 2019 Camera Obscura 2019 historical poetics of television The Twilight Zone The George Burns and Gracie Allen Show The Adventures of Ozzie and Harriet Figure...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 142–153.
Published: 01 December 2020
...Ingrid Ryberg This article provides a critical discussion of the world-famous, much-celebrated gender equality work in the Swedish film industry. Since the Swedish Film Institute launched a program for gender equality in 2013, redesigned in 2016 as the action plan 50/50 by 2020, Sweden has been...
Journal Article
Camera Obscura (2015) 30 (1 (88)): 101–127.
Published: 01 May 2015
...Misha Kavka Perhaps no reality TV program has been as roundly criticized for bad behavior as Jersey Shore (MTV, 2009–12). The libidinal license exhibited by the cast, as well as the early controversy regarding the show's use of the terms guido and guidette to describe the Italian American cast...
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