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Journal Article
Camera Obscura (1992) 10 (2 (29)): 232–239.
Published: 01 May 1992
...; and under
the arm are lymph nodes. White filmy areas represent cancer cells. From Breast
Cancer: Adjuvant Therapy, Dartmouth Interactive Media Laboratory’s Shared
Decision-making Program ( 1992). Graphic by Scott Chesnut.
Camera Inforrnatica: Producing
Interactive Media Programs...
Journal Article
Camera Obscura (1985) 5 (1-2 (13-14)): 215–234.
Published: 01 September 1985
...Lynn Spigel Copyright © 1985 by Camera Obscura 1985 Detours in the Search For Tomorrow:
Tania Modleski’s Loving with a Engeance:
Mass-Prodgced Fantasies for Women
Lynn S’igel
Loving With a Vengeance’ is an attempt to locate a collective feminine
fantasy in ‘mass-produced...
Journal Article
Camera Obscura (2021) 36 (1 (106)): 109–125.
Published: 01 May 2021
...Kelley Conway Relegated to the realm of “artisanal” filmmaking, Varda nevertheless continued to self-produce after the mixed experience of One Sings, the Other Doesn't . Ciné-Tamaris produced many of the films Varda directed in the 1980s, including Mur Murs (France, 1980), Documenteur...
FIGURES
Image
/10.1215_02705346-9561409/2/s_cob9561409figure2.png?Expires=2147483647&Signature=mqyJIPWAoT55KyRp-Og1GK2fmK2CCa3JExLF09EIizlv-14348582UPDlrVb7LpGzgebQKaZBaAtaWRHug24cyvEDmFBOJTxtyi9wTVdYeMuQi9pLJPrVmFgUr8CN~76sD275OOQDmp5dST5XkCd3rPoiUQNi0Sd9j0BR5Gi01TC-ODpHG3-LhhPsn3hjk7tlMye5HsBh8kIYOdhUNjyh~suaH8neWmeW3L-IxTWcCZGLDaeZskjYz-HbqEM7Rx2SJyleCFsuSPqxsQlO05CpfzzjYOtrYUq7tFrZBdHrpV8bhGp4oRzY0dngbsN9Q6lStm3o4owx3-PPALrlxtong__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in The Reserve Army of Affectivity: Unemployed Labor in William Greaves's Psychodramatic Cinéma Vérité
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2022
Figure 2. The cover of a syllabus produced by Newsweek magazine that accompanied William Greaves's film. The syllabus is held in the Greaves Collection, box 1, folder 45.
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Image
/10.1215_02705346-10013590/2/s_cob10013590figure5.png?Expires=2147483647&Signature=zUtk-S2B-GedrG0qx4recH1GgBC6u1KfRdRe6ND7ISeoEsE3ZV-gn~9rnljIsdVGxjNKNYMc7WbtTaYGlxn1Nj5Cdhe7lhyBRMlEEy9CPLgQZ4PiU~XGwP4HwiJ7FFSC3f9JsYS5jkRh6mWhisp7U2~fQ0Z5VIJ-s2j~db89FfKPOFIb53auDrbF8o0HVg-GKym0sJMf6eTBt3bMaaNHGyTBcmJ8N8-jfRRFhMJBv-eL27mdkHPhWjDYMJbcPkxNz9qYkRL7habmVjCrFSCya7vxTNCi8b3IMxJ~swZ~Xkab707pfGUkyyjlhu8EQZeJSMYitlrEx0qfuA82XErOJA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Remixing to Queer the Archives of Diaspora: Qajar Photography and the Persian Carpet
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2022
Figure 5. Digital print on watercolor paper produced in Microsoft Word, edition of 5, 22 × 17 in., 2020. Courtesy of Shaheer Zazai
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Image
/10.1215_02705346-10654913/1/s_cob10654913figure1.png?Expires=2147483647&Signature=UWAnCuvdO1NdlhvDrrG5GSgbzE4G2g1qB4Qve0QL1Ekk736InGdfwej0J5R3GADBzm6iOeyFPptomKrcSMeRiQm6E1NsRIrCoSQBjC9b03-~OqYyWQrbnU-BOL8YpUAG6SjIq719ACOPdqVTsRmBb7euiZscM1uLUOhivf5-ZhtCJM1DJBRDABxLZy5s7kYuH~uoyqKDhFNy53jDeaSekXY9PaO7NO-gmuRYL4QAGCxOzKKy0Wi-pMfI~Su4CQ4nadEVJ6moOGH~kdvx1uQxCbfN~sfHMCSZH1D-yksrJwknQHG-e75ZT4gUhTKUBjFbAP4oJUViLOyRq5uaFSomug__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Nonmaterial Overelaboration: Gender, Casting, and Camouflaged Labor in Pat Rocco's Promotional Travelogue
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 September 2023
Figure 1. From left to right : Unknown individual, Les Akers (executive producer of ONE Adventure ), Dorr Legg (ONE founder and production coordinator for ONE Adventure ), Pat Rocco (director of ONE Adventure ), and Dick Sommers (ONE member), 1972. W. Dorr Legg Personal Papers (Coll2010-004
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Journal Article
Camera Obscura (2018) 33 (1 (97)): 113–137.
Published: 01 May 2018
...China Medel This article examines the role of image culture in producing collective memory and opportunities for transnational solidarity in Alex Rivera’s science fiction film about the US-Mexico borderlands, Sleep Dealer (US/Mexico, 2008). The article shows that the film offers two contrasting...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 141–151.
Published: 01 December 2016
... with these issues has led them to produce several video works derived from their open-form performances. I argue that the videos can be read as projects that foreground and explore an array of interrelated ideas or issues revolving around collectivity. Taking individuals' performative acts as their nodal point...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 73–109.
Published: 01 December 2009
... cannot be understood without examining how allegory produces meaning, and what saves allegory from a nihilistic surplus of meaning in the film is the figure of alterity, which in this film has become an allegorical emblem. The cinematic logic of this film, which stages racial and biopolitical issues...
Journal Article
Camera Obscura (2012) 27 (2 (80)): 61–91.
Published: 01 September 2012
... with more motivation, vision for the future, and sense of personal and domestic power than her husband. This article explores the complexities of Jones's star image in 1955–56 through a series of production memos authored principally by her husband, producer David O. Selznick. To a certain extent, writer...
Journal Article
Camera Obscura (2014) 29 (2 (86)): 119–147.
Published: 01 September 2014
...Tania Modleski This article looks at theories of melancholia to analyze “bromantic” comedies of the kind often associated with film producer, director, and writer Judd Apatow. Taking its title from the references to the film An Affair to Remember (dir. Leo McCarey, US, 1957) that run through...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 61–83.
Published: 01 December 2021
...Małgorzata Radkiewicz Abstract This article examines the career of the Polish film producer Maria Hirszbein (1889–1939/1942) in relation to the development of interwar Polish cinema, including Yiddish films, and the modern idea of a “New Woman.” Investigating Hirszbein's activities...
FIGURES
Journal Article
Camera Obscura (2017) 32 (1 (94)): 33–61.
Published: 01 May 2017
...Christine Cynn In Francophone West Africa, bilateral and multilateral HIV prevention focuses on combating stigma, increasing awareness, and encouraging safer sexual practices, especially through the use of mass media. This approach works in the service of neoliberal mandates to produce African...
Journal Article
Camera Obscura (2017) 32 (3 (96)): 93–119.
Published: 01 December 2017
.... In contradistinction to popular readings that view Yunioshi as a regrettable mark on an otherwise untainted film, the essay shows how the character of Yunioshi served not merely as a comedic stereotype but as a technology of race, sexuality, and gender that helped mediate the problems the producers encountered...
Journal Article
Camera Obscura (2018) 33 (1 (97)): 139–169.
Published: 01 May 2018
...Nguyen Tan Hoang The essay examines a tropical manifestation of camp deployed by queer independent filmmakers in Thailand in response to virulent censorship measures. Through close analysis of performances and films produced between 2000 and 2010 by Michael Shaowanasai and Tanwarin Sukkhapisit...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 175–185.
Published: 01 May 2016
... produced as part of this project, Self-Portrait with Three Women (dir. Zhang Mengqi, China, 2010) and Children's Village (dir. Zou Xueping, China, 2012), the article argues that the project produces a counterhistory through collective film production in a digital format. These films foreground...
Journal Article
Camera Obscura (2008) 23 (3 (69)): 81–109.
Published: 01 December 2008
...Susan Richmond A video produced by Lynda Benglis in 1973, Female Sensibility features the artist in a lesbian liaison with her friend and colleague, Marilyn Lenkowsky. This essay suggests that aspects of the video's content indicate that the artist intended this liaison to be an ironic enactment...
Journal Article
Camera Obscura (2008) 23 (2 (68)): 141–166.
Published: 01 September 2008
... Fleeing by Night and Stanley Kwan's Lan Yu engage gay sexuality through their interactions with Chinese melodramatic conventions, be it moving with or running against the grain of the genre. While Fleeing by Night abides more strictly by these conventions to produce a “hysterical” text of excess, Lan Yu...
Journal Article
Camera Obscura (2010) 25 (2 (74)): 173–181.
Published: 01 September 2010
...Rosa-Linda Fregoso In January 2007 the author interviewed Vicky Funari and Sergio de la Torre about the making of their new documentary Maquilapolis . Produced and developed in partnership with the Chilpancingo Collective, Maquilapolis is filmed in the first “maquilized” city in the Americas...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 131–157.
Published: 01 May 2011
...Irene Gedalof Where do spaces of the home figure in contemporary studies of transnational, migrant, and diasporic cinema? According to Hamid Naficy, “accented,” exilic, and diasporic cinema primarily evokes a state of “permanent deterritorialization,” producing cinematic languages of discontinuity...
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