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Search Results for processuality

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Journal Article
Camera Obscura (2016) 31 (3 (93)): 65–97.
Published: 01 December 2016
... works and the processes behind them contribute to debates on participatory or processual art in the twenty-first century. Hanna Kuusela is a senior research fellow at the Tampere Centre for Journalism, Media, and Communication at the University of Tampere, Finland. © 2016 by Camera Obscura...
Journal Article
Camera Obscura (1990) 8 (3 (24)): 125–138.
Published: 01 September 1990
...), color videotape, stereo, 1989 (4 minutes). 2. Incidence of Catastrophe, color videotape, stereo, 1987-88 (43:51 min- utes). 3. Videograms, excerpts from Videogram 2, b/w videotape, 1980-81 (13:27 minutes). 4. Gary Hill, “Processual Video...
Journal Article
Camera Obscura (2023) 38 (3 (114)): 7–33.
Published: 01 December 2023
... to overwhelm the processual order of cause and effect, enigma and resolution, extending story events and other narrative and textual elements across boundless networks of interconnected possibilities.” 26 In other words, the complex, extended worlds of TV series almost by definition must make themselves...
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Journal Article
Camera Obscura (2023) 38 (3 (114)): 173–201.
Published: 01 December 2023
... of subversion confirming the norm, rather as a loosening. 19 In a loosening of the knots of the woven self, akin to the untying of the bonds of rope we see in close-up throughout the film, space is created. Undoing is processual; coming undone means recovering threads to tie again in different assemblages...
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Journal Article
Camera Obscura (2016) 31 (3 (93)): 5–33.
Published: 01 December 2016
... Affect theory can shift archival study away from the mourning of a lost material object and toward a greater awareness of the relational and processual aspects of alternative feminist media. As affect theory enters the field of media studies, so does the messy realm of contradictory...
Journal Article
Camera Obscura (2022) 37 (1 (109)): 61–89.
Published: 01 May 2022
... with an understanding of cinema's photorealism as a means of beholding the world's objective appearance while being simultaneously resensitized to its incipient, processual, and unrealized dimensions. 24 This phantasmatic invocation of relational alternates extends to 35 Shots 's intertextual domain...
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Journal Article
Camera Obscura (1990) 8 (3 (24)): 11–45.
Published: 01 September 1990
.... Deleuze’s description of regimes of visibility as organized by ma- chines [processus machiniques] or technologies is interesting. What is rendered visible and thus knowable in an epoch derives from a his- torical dispositif in every sense of the word: architectural (the Pan...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 113–143.
Published: 01 May 2008
... through gay subjectivities and that this can then be used as a framework to analyze the processual performativities of gay spectatorship” (11). As instructive and compelling as I find Farm- er’s theoretical framework, I do bring to it one qualification: the necessity for acknowledging the enduring...
Journal Article
Camera Obscura (2002) 17 (1 (49)): 149–187.
Published: 01 May 2002
.... 13. See Joan Scott, “The Evidence of Experience,” in The Lesbian and Gay Studies Reader, ed. Henry Abelove, Michelle Aina Barale, and David M. Halperin (New York: Routledge, 1993), who develops this processual theory of the self by explaining that “it is not individuals who...
Journal Article
Camera Obscura (2006) 21 (3 (63)): 63–101.
Published: 01 December 2006
... these networks’ supersession of subject-object dualisms as a return to, or reconnection with, an intrinsically feminine matrix or medium that has been suppressed by print and other representational — as opposed to processual — technologies. Her work compares the digital medium to weaving and sewing...
Journal Article
Camera Obscura (2012) 27 (2 (80)): 25–59.
Published: 01 September 2012
... be displayed with playback monitors. Because there are no xed pictures, video is an inherently mutable technology. It is therefore processual and constantly in ux, not bound by particular frames or photochemical xing but rather produced through variable and continuously rendered electronic...