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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 146–150.
Published: 01 May 2008
... Movies (2004) and Queer Images: A History of Gay and Lesbian Film in America (2006). Vincent Price and Me: Imagining the Queer Male Diva Harry M. Benshoff I do not know when I first became aware of Vincent Price, but by the age of ten I had developed an intense fixation on him...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 119–147.
Published: 01 September 2016
...Shilyh Warren This article analyzes Performing the Border (dir. Ursula Biemann, Switzerland and Mexico, 1999), Señorita extraviada ( Missing Young Woman , dir. Lourdes Portillo, Mexico, 2001), and The Price of Sex (dir. Mimi Chakarova, US, 2011), three documentaries that focus on the ways that poor...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 151–156.
Published: 01 May 1979
...Freude Copyright © 1979 by Camera Obscura 1979 Bibliography 16mm Distribution, published by Educational Film Library Association, 43 West 61st Street, New York City 10023. Price: $6.00. Non-Theatrical Film Distributors, published by Educational Film Library Association, address above...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2010) 25 (2 (74)): 161–171.
Published: 01 September 2010
.... There are horrible things that you encounter in the DR. For example, one of the jokes repeated among Domini- cans is that “it is easier to replace a Haitian than a farm animal because you can get five Haitians for the price of one ox.” What this means is that, if a Haitian loses a limb or gets...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2007) 22 (2 (65)): 1–9.
Published: 01 September 2007
... Price, Joan Sutherland, Diahann Carroll, and even Shari Lewis — or should I say Shari Lewis as Lambchop? When I look back over this list of women, it strikes me that, as with the Blessed Virgin Mary (who somehow is revered for having had a child who was not her husband’s), their public...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1986) 5 (3 (15)): 176–179.
Published: 01 December 1986
... Press. Sydney, Australia, 1985. The Legend of Maya Deren: A Documentary Biography and Collected Works edited by Veve A. Clark, Millicent Hodson, Catrina Neiman and Francine Bailey Price. Anthology Film Archives. New York, 1985. $22.50. The Light on Her Face by Joseph Walker, ASC, and Juanita...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2006) 21 (1 (61)): 65–68.
Published: 01 May 2006
... to Pearl White, Nell Shipman, and a generally unseen period of film history rife with female action heroes, so be it. In sum, I welcome such pedagogi- cal challenges. Rethinking our syllabi is a small price to pay for the intellectual freedom and diversity we have, indeed, won. God knows...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 1–9.
Published: 01 May 2008
... acting career of rare intensity and carved out a solidary life among family and friends.” On the queer side of all things diva, male divas, drag and/ or transgender divas, and transsexual divas are represented in the remaining appreciations. Reportedly straight in real life, Vincent Price...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2004) 19 (2 (56)): 47–73.
Published: 01 September 2004
... possibilities of irony and sub- version by not using the African American Leontyne Price’s recording of “D’amor sull’ali rosee.” Price’s Leonora is legendary. Critics are unanimous in their unqualified praise of her record- ing of the opera. Equally legendary are Price’s American and black nationalisms, on...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 111–115.
Published: 01 December 1989
... between feminine and masculine positions at the price of not being a subject. As it turned out then, I bought into the negativity of this approach to the female subject to such an extent that I almost avoided questions about female spectatorship. Although my chapter...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 7–11.
Published: 01 December 1982
... price oflived sexual relations. By the end of the film, looking back on those images at the beginning of Denise on her bicycle, at her window writing, talking with Isabelle in the car, the possibility of difference that they seemed to represent looks more like a women’s world...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2014) 29 (2 (86)): 35–57.
Published: 01 September 2014
... year.1 The drama’s success is mainly attributable to the story’s main threads: the skyrocketing price of apartments in the city, mistresses (er nai), and corruption.2 Liu Liu, who wrote the script for Dwelling Narrowness, said that she did not expect the series to become such a hit but that...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (3 (30)): 34–49.
Published: 01 May 1992
... Press, 1974 . Norton , Rictor “An Interview with Eric Bentley.” College English , 36 , 3 (November 1974 ): 291 —302. Price , Theodore Hitchcock and Homosexuality: His 50-Year Obsession with Jack the Ripper and the Superbitch Prostitute—A Psychoanalytic View . Metuchen, NJ: The...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1995) 12 (3 (36)): 12–31.
Published: 01 September 1995
... attempting to get her hair styled at a salon.38 In her article, Grider, who is also an attorney, describes how she sued a salon for discrimination because they charged more to style her hair because she is Black. Grider, who called the salon to get prices for the services she...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2014) 29 (3 (87)): 65–91.
Published: 01 December 2014
... discussion for film and art criticism, as Brian Price, Rosalind Galt, and others observe, to the point where some scholars, such as David Batchelor, posit its neglect as a form of chromophobia.31 Batchelor argues that since antiquity, “color has been the object of extreme prejudice in West- ern...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2007) 22 (2 (65)): 166–172.
Published: 01 September 2007
... Benson, community.livejournal.com/ob_fangrrl/230228.html. 1. Virginia Postrel, “The Scene: Hillary’s Hair,” blog post, 28 May 2001, www.dynamist.com/weblog/archives/2001/may28.html. 2. Michael Kelly, “What Price Beauty? Oh, Say $2,000 or So,” New York Times, 28 May 1993. 3...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 116–123.
Published: 01 December 1982
... being a man and they women, they run away, watched and violated by the image, in the image; and he dies of it. As if one were the revenge of the other, the consequence of a socio-historical obsession and guilt: the price to be paid by the one who speaks, the man who...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 12–19.
Published: 01 December 1982
... in classical film, the women are linked to activity and the man to passivity; in this reversal, femininity becomes the primary term of sexual difference and masculinity its other. Women, then, in this schema, acquire a certain superiority, but it is at the price of a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2003) 18 (2 (53)): 27–55.
Published: 01 September 2003
... values, and then by the mysterious black man, Elijah Price (Samuel L. Jackson), who reasserts David’s dif- ference from his wife in order to confirm a connection between himself and David. Equally important to the logic of the film is the role of David’s young son, Joseph (Spencer Treat Clark...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2004) 19 (2 (56)): 141–169.
Published: 01 September 2004