Figure 1. Close-up of Abigail (Emma Stone) pressing a rabbit with her foot. The Favourite (dir. Yorgos Lanthimos, Ireland/UK/US, 2018) More

Figure 4. Carolee Schneemann, as she appears in Fantastic Architecture , edited by Dick Higgins and Wolf Vostell (New York: Something Else Press, 1970) More

Figure 3. Fantastic Architecture , edited by Dick Higgins and Wolf Vostell (New York: Something Else Press, 1970). Front cover: Richard Hamilton, Guggenheim Collage , 1967 More

Figure 5. Carolee Schneemann working on Parts of a Body House Book at Beau Geste Press, Cullompton, UK, 1972. From left to right: Allen Fisher, Elaine Fisher (obscured), Matthias Ehrenberg, Carolee Schneemann, and Felipe Ehrenberg. Photograph by Anthony McCall More

Figure 1. Image of Castle of Canossa: “The Lord of the Hills Becomes the Lord of the Plain.” Feudal Society by Marc Bloch, translated by L. A. Manyon (Chicago: University of Chicago Press, 1964), 355. Plate information: The Lord of the Hills Becomes the Lord of the Plain. The Castle of Canossa More

Figure 6. Carolee Schneemann, Parts of a Body House Book (Cullompton, UK: Beau Geste Press, 1972). Front cover. Courtesy of the Carolee Schneemann Foundation; P•P•O•W, New York; Galerie Lelong, New York; and Hales Gallery, London. © 2021 Carolee Schneemann Foundation / Artists Rights Society More

of the film's initial screening at Cannes and its restoration, excerpts from press reviews, and a series of ten still images from the film, the location where they were shot, and the time of day the scene was meant to take place. More