1-20 of 36 Search Results for

potter

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Camera Obscura (1980) 2 (2 (5)): 98–99.
Published: 01 September 1980
... © 1980 by Camera Obscura 1980 Sally Potter on Thriller Thriller works from and with the opera La Bohhe by Puccini, re- reading it as a text in terms of its narrative, imagistic and musical content. Why choose an opera rather than any other form to work from? Opera...
Journal Article
Camera Obscura (1995) 12 (2 (35)): 186–221.
Published: 01 May 1995
...Scott MacDonald Mimi (Collette Lafont), the protagonist of Thriller (1979), receives a visitation from her alter ego (Rose English). Frame enlargement courtesy of Sally Potter. Interview with Sally Potter Scott MacDonald Introduction Sally Potter is that unusual filmmaker who has made...
Journal Article
Camera Obscura (2018) 33 (2 (98)): 1–39.
Published: 01 September 2018
...Jackie Stacey Sally Potter’s film Yes (UK/US, 2004) stages the political possibilities of cosmopolitanism through the aesthetics of a heterosexual love story whose failures reveal the limit points of such a vision. Read psychoanalytically, cosmopolitan aspirations share with love an idealizing...
Journal Article
Camera Obscura (2004) 19 (3 (57)): 125–155.
Published: 01 December 2004
...Susan Potter Camera Obscura 2004 Susan Potter is a postgraduate student and tutor in the Film, Television, and Media Studies Department at the University of Auckland, New Zealand. A former lawyer and queer film festival programmer, she also works part-time as production manager...
Journal Article
Camera Obscura (1980) 2 (2 (5)): 100–110.
Published: 01 September 1980
... Potter’s most obvious theoretical source. Thriller may laugh at Kristeva and others’ theories of the avant- garde, but its first position is that of the avant-garde text. Is this laughter a mere pretext, a play without words in the larger mise-en-scene of Lacan’s sliding subject? Is “she” still...
Journal Article
Camera Obscura (2003) 18 (3 (54)): 177–211.
Published: 01 December 2003
..., and is editing a collection on Eastern and Central European cinemas in new perspectives in the AFI's Film Readers series. Orlando (dir. Sally Potter, UK/Russia/France/Italy/Netherlands, 1992) Twin Pleasures of Feminism: Orlando Meets My Twentieth Century Anikó Imre Spectatorship...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 126–129.
Published: 01 December 1984
...Jonathan Rosenbaum © 1984 by Camera Obscura 1984 The GoldDzggers (Sally Potter, 1984) The Gold Dzgg en: A Preview Jonathan Rosen baum Sally Potter’s much heralded British Film Institute production has been encountering a lot of resistance since it premiered at the London Film...
Journal Article
Camera Obscura (1980) 2 (3 (6)): 154.
Published: 01 December 1980
.... Marguerite Duras: BibliographylFilmography. Vol. 2, no. 6; pp. 50-53. Penley, Constance The Story ofAnna 0.; A Study on Hyrteriu (Terrel Seltzer). Vol. 2, no. 5; pp. 73-79. Potter, Sally On Thriller. Vol. 2, no. 5; p. 99. Rodowick, D. N. Vision, Desire...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 1–37.
Published: 01 December 2012
... to online communities about the Harry Potter book series repetitively downplay, vilify, and ridicule the characters’ quest for the enfranchisement and emancipation of feminized magical crea- tures called “house elves.”15 The striking repetition of arguments made before the American Civil War...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 235–241.
Published: 01 December 1989
... to late 1970s and 1980s to include women and virtually star feminist film theory in, for example, Sally Potter’s The Gold Diggers (1983) and Yvonne Rainer’s The Man Who Envied Women (1986). In these critical works, along with Potter’s 1979 Thriller, the enunciation is for, by and about women...
Journal Article
Camera Obscura (1980) 2 (3 (6)): 155.
Published: 01 December 1980
... read: The Apparatus: An Introduction. Vol. 1, no. 1; pp. 97-101. The entry under Jean-Louis Baudry should read: The Apparatus: Me tapsychological Approaches to the Impression of Reality. Vol. 1, no. 1; pp. 104-126. Addenda Thriller (Sally Potter) is distributed by Serious Business...
Journal Article
Camera Obscura (1980) 2 (3 (6)): 155.
Published: 01 December 1980
... read: The Apparatus: An Introduction. Vol. 1, no. 1; pp. 97-101. The entry under Jean-Louis Baudry should read: The Apparatus: Me tapsychological Approaches to the Impression of Reality. Vol. 1, no. 1; pp. 104-126. Addenda Thriller (Sally Potter) is distributed by Serious Business...
Journal Article
Camera Obscura (2006) 21 (1 (61)): 1–25.
Published: 01 May 2006
... included an essay on Dorothy Arzner’s Christopher Strong (US, 1933);6 and the fifth con- tained work on Sally Potter.7 Alongside this attention to women’s filmmaking practices, the second issue of the journal inaugurated a section titled “Women Working,” which highlighted ongoing work by women...
Journal Article
Camera Obscura (1995) 12 (3 (36)): 158–160.
Published: 01 September 1995
.... MacDonald, Scott Interview with Sally Potter. No. 35; pp.187-221. MacDonald, Scott Interview with Cauleen Smith. No. 36; pp. 119-134 McPherson, Tara Disregarding Romance and Refashioning Femininity: Getting Down and Dirty with the Designing Women. No. 32; pp. 103-124. Meehan...
Journal Article
Camera Obscura (1983) 4 (2 (11)): 120–131.
Published: 01 September 1983
... Potter's Thnller as an exemplary film in which a lesbian aesthetic is at work, as opposed to the other two films. She claimed that Thnller figures the erotic bonding of two female characters to the exclusion of its male characters, a scenario attributed to Sally Potter's informing lesbian sensibility...
Journal Article
Camera Obscura (2012) 27 (1 (79)): 31–67.
Published: 01 May 2012
... franchise, announced on Decem- ber that he would portray Edward Cullen. Pattinson had had a modeling career as a teenager, and he had appeared in two of the Harry Potter lms, Harry Potter and the Goblet of Fire (dir. Mike Newell, UK/US, and Harry Potter and the Order of the Phoe- nix (dir...
Journal Article
Camera Obscura (2006) 21 (3 (63)): 153–156.
Published: 01 December 2006
... 1. When feminist scholars considered experimental work, it tended to be by such filmmakers as Yvonne Rainer, Sally Potter, or Chantal Akerman, whose concerns coincided with those of feminist film theory. Scholars who have attended to a broader range of women in the avant...
Journal Article
Camera Obscura (2006) 21 (3 (63)): 167–170.
Published: 01 December 2006
... Sander, Rabina Rose, Ana Carolina, Marguerite Duras, Doris Dörrie, Chantal Akerman, Sally Heckel, Sally Potter, Joan Brader- man, Marlene Gorris, Su Friedrich, and Valie Export. Whether or not these film/videomakers were influenced directly by Mulvey’s essay is moot; its effects had already entered...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 121–127.
Published: 01 December 1989
... Rainer, Sally Potter, Marguerite Duras have been my pri- mary points of reference. Most of what I have asserted here is argued in detail in my forth- coming book Apparatus and Umbra. I suspect that this will not be the end of my “theory phase,” that I will continue...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 147–155.
Published: 01 May 2013
... at the same time? I think about The Gold Diggers (dir. Sally Potter, UK, 1983) as the end of something — it was about pushing theory into practice as far as it could go until it was devoid of pleasure for many people — though not for me! Or me! If there is another film that encapsulates...