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Journal Article
Camera Obscura (2013) 28 (2 (83)): 151–175.
Published: 01 September 2013
...Jonathan Cohn This article focuses on the birth of social networking and digital recommendation technologies and their relationship to current cultures of postfeminism and neoliberalism. These technologies, primarily designed to bring users in touch with other people and consumer goods, are tied to...
Journal Article
Camera Obscura (2006) 21 (2 (62)): 170–176.
Published: 01 September 2006
...' Stories: Military Women in Cinema and Television since WWII . Together with Diane Negra she is the editor of Interrogating Postfeminism: Gender and the Politics of Popular Culture (forthcoming). Diane Negra is a senior lecturer in the School of Film and Television Studies at the University of...
Journal Article
Camera Obscura (2018) 33 (3 (99)): 103–127.
Published: 01 December 2018
... awkwardness to give affective expression to cruel optimism. Finally, she reworks the chick flick to implicitly reject certain postfeminist, neoliberal premises. Maren Ade chick flick representability postfeminism precarity awkwardness Copyright © 2018 Camera Obscura 2018 ...
Journal Article
Camera Obscura (2018) 33 (3 (99)): 129–145.
Published: 01 December 2018
... on her work, and her resistance to postfeminist trends prevalent in contemporary visual media. film collectives gender equity feminist film German film industry postfeminism Tatjana Turanskyj Copyright © 2018 Camera Obscura 2018 ...
Journal Article
Camera Obscura (2013) 28 (3 (84)): 169–170.
Published: 01 December 2013
... 2013 Volume Index Volume 28 corresponds to issues 82 – 84 Catherine L. Benamou and Bienvenida Matías Remembering “Punto de Vista: Latina” in Two Voices. No. 82: pp. 135 – 45 Jonathan Cohn Female Labor and Digital Media: Pattie Maes, Postfeminism, and the Birth of...
Journal Article
Camera Obscura (2006) 21 (3 (63)): 145–151.
Published: 01 December 2006
... 150 11/13/06 12:05:45 PM Archive for the Future   •  151 10. Cameron Bailey, telephone interview, 1 October 2005. Angela McRobbie describes postfeminism as...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 160–164.
Published: 01 May 2008
... experience spoke to the bravery, generosity, and risk missing from contemporary female stardom in an era of homogenized postfeminism. There is indeed something cosmically right about your return to the public eye with My Life So Far — a feminist classic if there ever was one...
Journal Article
Camera Obscura (2020) 35 (2 (104)): 159–169.
Published: 01 September 2020
... the individual s relationship to and interpretations of feminism. Shelley Budgeon, The Contradictions of Successful Femininity: Third- Wave Feminism, Postfeminism and New Femininities, in New Femininities: Postfeminism, Neoliberalism, and Subjectivity, ed. Rosalind Gill and Christina Scharff...
Journal Article
Camera Obscura (2015) 30 (1 (88)): 11–39.
Published: 01 May 2015
... scholarship has elu- cidated the way that postfeminist television culture often involves and indeed calls for “the pathologization of women — single women especially — through a disciplinary gaze that revels in their moral failings, vulnerabilities, and excesses.”27 Postfeminism, notes Diane Negra...
Journal Article
Camera Obscura (1989) 7 (1 (19)): 134–141.
Published: 01 January 1989
... the powers that be. Fighting against an “ism” that would make her like men, a “Postfeminism,” this Wacky One would rather remain out of joint, loony but not deluded, at least as far as feminism is concerned. These three films do not paint a pretty picture, but they do picture a place...
Journal Article
Camera Obscura (2007) 22 (1 (64)): 186–193.
Published: 01 May 2007
... mis- understanding of the phallus as fully reducible to the object on which it is dependent and serve as a warning against, in this age of “postfeminism,” failing to see the difference between the erasure or burial of symptoms and actual structural transformation. As a place not only of...
Journal Article
Camera Obscura (2007) 22 (1 (64)): 197–208.
Published: 01 May 2007
... passions and sheer joy of these many years of feminisms, though it is hard to measure our successes in the jungle of gender signs out there. However, one measure of the impact of our project can be seen in the very fury of the backlash against it and its ugly daughter, postfeminism. These forces...
Journal Article
Camera Obscura (1991) 9 (1-2 (25-26)): 296–320.
Published: 01 September 1991
.... Written into articles that discuss postfeminism (and implied by the term “post” itself, which determines the surpassing of the term it prefixes) is the suggestion that feminism is either ending apocalyptically, or just fizzling out, because of its self-generated failure or its...
Journal Article
Camera Obscura (2006) 21 (1 (61)): 1–25.
Published: 01 May 2006
.... While the journal’s original context “evolved from the recognition of a need for theoretical study of film in this country from a feminist and socialist perspec- tive” (3), these goals remain current not only in the face of the threat of so-called postfeminism (a sense that our work has...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 131–157.
Published: 01 May 2011
Journal Article
Camera Obscura (2014) 29 (2 (86)): 59–83.
Published: 01 September 2014
... the population is induced to govern itself” (89). Weber is careful not to construct “those who participate in makeover culture” as “wholly docile bodies” (52). Rather, she situates the self-­ discipline that characterizes makeover television and that it incites in a climate of postfeminism...
Journal Article
Camera Obscura (2019) 34 (3): 97–125.
Published: 01 December 2019
Journal Article
Camera Obscura (2021) 36 (1 (106)): 61–85.
Published: 01 May 2021
... postfeminism as akin to postmodernism or poststructuralism is useful to consider in this article's approach to Varda's works. See Colebrook, “Modernism without Women: The Refusal of Becoming-Woman (and Post-feminism),” Deleuze Studies 7, no. 4 (2013): 427–55. I am indebted to Rebecca DeRoo...
Journal Article
Camera Obscura (1994) 11-12 (3-1 (33-34)): 42–75.
Published: 01 May 1994
... effect, she embodied a popularized “postfeminist” fem- inine consciousness. As Radner describes it, ‘“Postfeminism’ in the terms of the culture at large, including the fashion industry, becomes a way of integrating certain demands by women for economic auton- omy without rocking the boat of...
Journal Article
Camera Obscura (1992) 10 (2 (29)): 150–176.
Published: 01 May 1992
... capitalism. It is about postmodernism, postfeminism, and (dare I say it) posttrans- sexualism. Throughout, the paper owes a large debt to the work of Donna Haraway. “All of reality in late capitalist culture lusts to become an image for 155 its own security” 11 Let’s...