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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1984) 4 (3 (12)): 66–85.
Published: 01 December 1984
...Dana Polan © 1984 by Camera Obscura 1984 ‘ ‘Desire Shifts the DZferance’’ : Figural Poetics and Figural Politics in the Film Theory of Marie-Claire Ropars Dana Polan Polymorphous and perverse the cinema explodes the sign in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1984) 4 (3 (12)): 89–106.
Published: 01 December 1984
... Bible of Saint-Martial, Limoges, 1 lth century Desire in Art and Politics: The Theories of Jean-FranCois Lyotard Maureen Turim When one mentions the juncture of semiotics, psychoanalysis and ideology in French theory, certain names circulate in the American con- sciousness: Roland...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1995) 12 (3 (36)): 134–153.
Published: 01 September 1995
...Marla Shelton Copyright © 1995 by Indiana University Press 1995 Whitney Houston in The Preacher’s Wife (Penny Marshall, 1996). Whitney is Every Woman?: Cultural Politics and the Pop Star Marla Shelton An American pop icon such as Whitney Houston raises questions about the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1995) 12 (3 (36)): 49–65.
Published: 01 September 1995
...Noliwe Rooks Copyright © 1995 by Indiana University Press 1995 By Any Other Name: SweetJustice, Cicely Tyson, and Contemporary Visual Politics Noliwe Rooks The opening credits of NBC’s short lived series, Sweet Justice, almost succeed in visually explicating the show’s...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2011) 26 (1 (76)): 1–37.
Published: 01 May 2011
...Minh-Ha T. Pham This essay closely considers the political limits and possibilities of fashion-themed blogs. Specifically, the author examines the ways in which such blogs are everyday cultural sites that are framed by and can potentially reframe neoliberal relations of culture, technology, and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 65–89.
Published: 01 September 2011
...Karen Orr Vered; John McConchie Inspired by a review of the political theories of Anthony Giddens, particularly his question of whether or not there can be a Third Way politics of family, this essay examines the TV show Supernanny as an example of what we call “Third Way TV.” Tracing the program's...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2012) 27 (3 (81)): 169–179.
Published: 01 December 2012
... designed by Pierre Alechinsky for EXPRMNTL I N PRACTI CE: FESTIVALS, FILM, FEMI N I SM How EXPRMNTL Made the Small Coastal Town of Knokke the Scene for Radical Artistic New Waves and Political Sea Changes Gerda Johanna Cammaer The small Belgian coastal town of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2014) 29 (3 (87)): 33–63.
Published: 01 December 2014
...Matt Delmont This essay examines how housewife and political activist Irene McCabe drew national television news coverage to protests against busing for school desegregation. While thousands of parents across the nation raised their voices against busing, none received the same level of national...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2014) 29 (2 (86)): 149–183.
Published: 01 September 2014
... Camera Obscura 2014 Figure 1. “They can’t tell like we can”: Mignon Dupree (Lonette McKee) and Ester Jeeter (Rosanne Katon) share an ambiguously intimate moment in Julie Dash’s Illusions (US, 1982). The Face Is a Politics: A Close-Up­ View of Julie Dash’s Illusions Nick...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 153–163.
Published: 01 December 2016
... Collective Filmmaking, Coalitional Politics, and a Globalized Arctic Scott MacKenzie and Anna Westerståhl Stenport At first glance, one may not think of the Arctic as the site of one of the world’s leading women-­centered indigenous filmmaking col- lectives. Moreover, the Arctic may not...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2017) 32 (1 (94)): 167–177.
Published: 01 May 2017
.... Her films are aesthetically distinct in the context of the formal histories of social documentary in India, which emerged at a moment of political crisis and subsequently came to be associated with instrumental use in education, advocacy, and public address. For Vohra, the textual stability of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2006) 21 (1 (61)): 53–57.
Published: 01 May 2006
... . Women’s Film Festival in Seoul, 2005. Courtesy of WFFIS A R C H I V E F O R T H E F U T U R E The Future Was Then: Reinvesting in Feminist Media Practice and Politics Alexandra Juhasz The future of feminist media scholarship begins with a return: a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2007) 22 (2 (65)): 73–101.
Published: 01 September 2007
... Fields, 2003. Originally published in harlemworld: Metropolis as Metaphor (New York: Studio Museum of Harlem, 2004) Courtesy of the artist “Of la Baker, I Am a Disciple”: The Diva Politics of Reception Jeanne Scheper The US expatriate performer Josephine Baker (1906 – 75), who lived...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 5–25.
Published: 01 May 2016
... openness to new ideas, new people, and new connections—that makes them sane. This notion provides a way of thinking about the aesthetic and political stakes of a collaborative process of creative production, such as the one employed in the making of Shortbus and made visible in its final form. This essay...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 93–121.
Published: 01 May 2016
... and political, focusing in particular on the work of French activist video collectives Vidéo Out, les Muses s'amusent, and les Insoumuses. Arguing for protoqueer, nomadic, dissident, and performative modes of expression, it demonstrates that collective subjectivity never follows a clear, linear...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 187–193.
Published: 01 September 2016
... contemporary articulations of queerness and queer sex rest on notions of opacity. This mirrors the production of plastic and the ways in which this alienated material has influenced our lives. Given this congruence, what might be borrowed from the figure of plastic for contemporary politics and organizing...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2017) 32 (3 (96)): 1–31.
Published: 01 December 2017
...Tison Pugh Despite the progressive ambitions announced in its title, the sitcom Modern Family (ABC, 2009–) has been excoriated by many viewers for its purported conservatism and reactionary politics. In particular, the program’s treatment of homosexuality, evident in the story line of gay couple...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2018) 33 (2 (98)): 197–207.
Published: 01 September 2018
... between a documentary ethic of emergency (which draws on material forms like immediations that are ready at hand but obscure the path to social change) and a documentary politics of urgency and necessity (which maps the social structures, forces, and institutions that perpetuate structural inequality...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2018) 33 (3 (99)): 49–73.
Published: 01 December 2018
... ( The All-Around Reduced Personality—Redupers , West Germany, 1978), and Berlin School director Angela Schanelec’s Marseille (Germany, 2004). Examining each film’s attitude toward photography through the lens of Siegfried Kracauer’s postwar theory of film realism, this article relates the politics of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2000) 15 (1 (43)): 45–93.
Published: 01 May 2000
... Popular Culture (1993), edited by Paul Smith and Lisa Frank. CO 43-2, 44-93 6/7/00 11:58 AM Page 44 Maude, “Maude’s Musical,” CBS, 1973. CO 43-2, 44-93 6/7/00 11:58 AM Page 45 Quality versus Relevance: Feminism, Race, and the Politics...