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Journal Article
Camera Obscura (2012) 27 (2 (80)): 155–160.
Published: 01 September 2012
...Omar Kholeif In this piece I address the construction of male homosexuality in Eytan Fox's The Bubble (Israel, 2006) in contrast with its presentation in the artist Sharif Waked's short film, Chic Point (Palestine, 2003). Examining the tensions between Palestinian and Israeli masculinity...
Journal Article
Camera Obscura (1977) 1 (2 (2)): 131–136.
Published: 01 September 1977
...Constance Penley What Maisie Knew by Babette Mangolte CHILDHOOD AS POINT-OF-VIEW Babette Mangolte describes What Maisie Knew as 'a film made around the subjective camera, the vision of a child, and a re-reading of the Henry ]ames novel.' Immediately one can see...
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Published: 01 May 2022
Figure 1. The panoptic point of view. La notte (dir. Michelangelo Antonioni, Italy/France, 1961) More
Journal Article
Camera Obscura (1981) 3 (1 (7)): 144–150.
Published: 01 May 1981
...Rosi Braidotti; Jane Weinstock Book Review New French Feminisms: Some Points Re-viewed Rosi Braidotti andJane Weinstock The text which follows is part of a larger, polyvocal response (forth- coming in the Australian feminist journal, Hecute) to New French Feminisms’ call...
Journal Article
Camera Obscura (2001) 15 (3 (45)): 71–113.
Published: 01 December 2001
... Democracy , Duke University Press. 03-Slane.sh 70-113=44pg 4/18/01 4:00 PM Page 70 03-Slane.sh 70-113=44pg 4/18/01 4:00 PM Page 71 Pressure Points: Political Psychology, Screen Adaptation, and the Management of Racism...
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Published: 01 May 2021
Figure 1. Agnès Varda's scouting photographs for La Pointe Courte (France, 1954). Courtesy of Rosalie Varda More
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Published: 01 May 2021
Figure 2. Agnès Varda's scouting photographs for La Pointe Courte (France, 1954). Courtesy of Rosalie Varda More
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Published: 01 May 2021
Figure 3. Agnès Varda's scouting photographs for La Pointe Courte (France, 1954). Courtesy of Rosalie Varda More
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Published: 01 May 2021
Figure 4. Agnès Varda's scouting photographs for La Pointe Courte (France, 1954). Courtesy of Rosalie Varda More
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Published: 01 May 2021
Figure 5. Agnès Varda's shooting script for La Pointe Courte (France, 1954), with sketches of shots she had photographed (see fig. 4 ) and handwritten notes. Courtesy of Rosalie Varda More
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Published: 01 May 2021
Figure 6. Agnès Varda's shooting script for La Pointe Courte (France, 1954), with sketches of shots she had photographed (see fig. 4 ). Courtesy of Rosalie Varda More
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Published: 01 May 2021
Figure 10. The 2019 Cannes Film Festival Poster featuring Agnès Varda (left); it draws on the historical photograph of Varda filming La Pointe Courte (1954) (right). Courtesy of Rosalie Varda More
Journal Article
Camera Obscura (2010) 25 (1 (73)): 29–67.
Published: 01 May 2010
...Linda Williams This essay's point of departure is the question of how images of death and torture are literally and metaphorically framed by the people who take them and how they are further received by the publics who see them. Beginning with a comparison of two digital headshots of an Arab enemy...
Journal Article
Camera Obscura (2014) 29 (3 (87)): 1–31.
Published: 01 December 2014
... Wen], Hong Kong, 1957), which introduced to Chinese-language cinema the figure of the carefree singing and dancing teenager. The figure she cuts in the film, and in many other of her vehicles, is sunny to the point of relentlessness and wholesome and upright to the point of unbelievability...
Journal Article
Camera Obscura (2018) 33 (2 (98)): 1–39.
Published: 01 September 2018
...Jackie Stacey Sally Potter’s film Yes (UK/US, 2004) stages the political possibilities of cosmopolitanism through the aesthetics of a heterosexual love story whose failures reveal the limit points of such a vision. Read psychoanalytically, cosmopolitan aspirations share with love an idealizing...
Journal Article
Camera Obscura (2019) 34 (1 (100)): 31–57.
Published: 01 May 2019
... scene— Richard Foreman, Robert Wilson, Annette Michelson, Yvonne Rainer, Philip Glass—and some people who were not in New York, such as Marcel Hanoun, Antoinette Fouque, and Jean-Pierre Gorin. Sometimes she pointed out connections with films that Chantal made later. She talked about practical...
Journal Article
Camera Obscura (2019) 34 (1 (100)): 163–183.
Published: 01 May 2019
... of alienation, repetition, and permutation; in inventing shots that point to the lacking and the missing; in transmitting unexpected voices and sounds; and in creating hybrid forms of unadaptable identities, Akerman unflinchingly produces forms of persistent memories. The following short texts...
Journal Article
Camera Obscura (2020) 35 (2 (104)): 1–35.
Published: 01 September 2020
... theorize the relationship between bodies and images with regard to misrecognition and absence point to the continued necessity of considering the influence of scopic relations in formations of gender identity. © 2020 by Camera Obscura 2020 transgender wrong-body narrative Jacques Lacan...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 65–97.
Published: 01 September 2021
...Lisa Åkervall Abstract This essay takes the auto-tuned viral video “Can't Hug Every Cat” as a point of entry for a broader analysis of how modulation decisively shapes politics, aesthetics, and gendering in contemporary digital ecologies. It uncovers how the exaggerated exhibitions of feminine...
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Journal Article
Camera Obscura (2022) 37 (1 (109)): 149–175.
Published: 01 May 2022
... of these multiple provisional pasts, presents, and futures. The article points toward the way that narrative and theories of collective storytelling can be used as frameworks for understanding social media platforms. amecklen@umich.edu Copyright © 2022 by Camera Obscura Published by Duke University Press...
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