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Journal Article
Camera Obscura (2017) 32 (1 (94)): 1–31.
Published: 01 May 2017
... model for collectivity is analyzed in tandem with a reading of Pier Paolo Pasolini's 1965 essay “The Cinema of Poetry.” The article examines several of the film's formal strategies, such as the mobilization of the female authorial voice, in discussing how the film engages with and expands on the notion...
Journal Article
Camera Obscura (2017) 32 (1 (94)): 167–177.
Published: 01 May 2017
... documentary address, representational regimes, and cinematic and verbal language are important areas of political interrogation. Each film is a complex construction in which the “real” is only one element in an affective and reflexive architecture of performance, fiction, poetry, and the intuitive. In this...
Journal Article
Camera Obscura (1990) 8 (3 (24)): 195–203.
Published: 01 September 1990
.... Long-time friends, their collaboration began in the early 1960s when they wrote their first poetry together. Tanikawa has worked with such traditional forms as “renga” (the linked poem) and “haiku” since the 19.50~~as well as with sonnets and free verse. His writing has also been closely...
Journal Article
Camera Obscura (2001) 16 (1 (46)): 180–181.
Published: 01 May 2001
... in Baudelaire’s Poetry, Truffaut’s Cinema, and Freud’s Psychoanalysis. Ann Arbor: University of Michigan Press, 2000. Eberwein, Robert. Sex Ed: Film, Video, and the Framework of Desire. New Brunswick, NJ: Rutgers University Press...
Journal Article
Camera Obscura (1990) 8 (3 (24)): 216–217.
Published: 01 September 1990
...: Criticism and Ideology in Contemporary Film Theory (University of Illinois Press, 1988), and The Difficulty of Difference: Psychoanalysis, Sexual Dif- ference, and Film Theory (Routledge, 1990). Alison Rowe is currently living in Paris and researching the status of contem- porary French poetry...
Journal Article
Camera Obscura (2004) 19 (2 (56)): 105–139.
Published: 01 September 2004
... I will argue that such decentered structures of enuncia- tion place many of John Cassavetes’ films in the tradition of what Pier Paolo Pasolini has called “the cinema of poetry” and that Cassavetes’ cinema explores the related parameters of “free indi- rect subjectivity.”2 Pasolini defines the...
Journal Article
Camera Obscura (2012) 27 (1 (79)): 69–95.
Published: 01 May 2012
... (US) as a “deconstructed music video featuring Asian drag queens, Chinese and Japanese poetry, and house music.”7 By Ma had produced seven tapes and several performance pieces and multichannel video installations and had curated or directed a number of lm festivals and exhibi- tions...
Journal Article
Camera Obscura (1992) 10 (3 (30)): 51–56.
Published: 01 May 1992
... sight of their black and white shirts filling the bases. He admired the large cursive letters that spelled ARAGON, the bar that sponsored them; though someone had asked if it meant the poet. He liked poetry. He liked to think they could still win by...
Journal Article
Camera Obscura (1988) 6 (3 (18)): 120–126.
Published: 01 September 1988
... the equivocation of language always speaks, an instantaneous and dazzling event pursues itself-that event where the Univocality of sense suddenly emerges from a poetry freed of figures, maintaining the trace of the deepest sonorities, primary and adjacent to language. This...
Journal Article
Camera Obscura (2007) 22 (1 (64)): 1–41.
Published: 01 May 2007
... vertical. In 1953, the American avant- garde filmmaker Maya Deren took part in a symposium on poetry and film, along with some of the patriarchs of twentieth-century American literature.10 During the symposium, Deren outlined her conception of poetic cinema by distinguishing between what she...
Journal Article
Camera Obscura (2013) 28 (3 (84)): 1–31.
Published: 01 December 2013
... At Land to a recitation of the poem “Diving into the Wreck” by Adrienne Rich.53 This mashup reminds us that Deren, too, was a poet. As she told former Geneva classmate Shirley Lyons, “I have been writing poetry lately, and have begun to think in verse...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 179–184.
Published: 01 December 2007
...- sis, and comment — to reanimate it in the hope of producing a more promising future. Like the apostrophe of lyric poetry, Cam- era Obscura’s call to fantasize seeks to animate this scholarly com- munity’s consideration of our influence on film studies’ future generations, many of whom today...
Journal Article
Camera Obscura (1976) 1 (1 (1)): 97–103.
Published: 01 May 1976
... spiritual presence that I propose to you to look for poetry. ' , However. aside from the effects obtained by the optical construct, the mechanical design of the movie camera, unlike that of the still camera, records series of fixed images. It is at this point that another instrument...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 89–111.
Published: 01 May 2008
... older mode of composition, however, “could never succeed, on account of standing in a fundamentally wrong relation to that element of poetry which was alone capable of bearing fruit; having, in his unnatural and usurping situation, robbed it, in a certain sense, of its productive...
Journal Article
Camera Obscura (2017) 32 (2 (95)): 117–151.
Published: 01 September 2017
... experience of these scenes in important ways. One way of understanding the significance of Anaïs’s pres- ence in these two central scenes is through Pier Paolo Pasolini’s notion of the free indirect subjective. In “The Cinema of Poetry” (1965), he describes free indirect subjective in the...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 65–97.
Published: 01 December 2016
... of New Collaborative Poetry.14 In many projects, the end result is a printed book, and its marketing follows traditional paths, with the exception that the name of the author is replaced with the name of the collective or its members. In addition to these collective projects, a growing...
Journal Article
Camera Obscura (2003) 18 (1 (52)): 129–155.
Published: 01 May 2003
...-day-ness. But he also uses the sounds of poetry: the origin story for the Nias, contempo- rary Indonesian protest poetry by authors such as Rendra, and startlingly revolutionary Javanese songs called tembang, tradition- ally associated with picturesque dance but here shown to have tremendous...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 47–67.
Published: 01 May 2008
... vehicle and companion) to an editor who has cut short one of the scenes in the Brooklyn fighting sequence. “My fight- ing is poetry,” the actor explains. “You don’t edit Russell Crowe’s poetry, you teeesticle.” This episode keenly references a notorious and heavily publicized act of...
Journal Article
Camera Obscura (2004) 19 (3 (57)): 157–185.
Published: 01 December 2004
... apropos of poetry’s impossibility or barbarity after Auschwitz, that this is because of historic events such as the Shoah.4 But there is no particular measurable reason not to claim that the particular historic watershed is not the Armenian geno- cide or the firebombing of Dresden or Hiroshima or...
Journal Article
Camera Obscura (1983) 4 (2 (11)): 72–85.
Published: 01 September 1983
...Linda Reisman © 1983 by Camera Obscura 1983 Interview with Marjorie Keller LindaReisman LR: How did you get started in filmmaking? MK: In 1968I was in college at Tufts University and interested in writing poetry. I was reading, going to hear poets, and trying to write. It was...