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Journal Article
Camera Obscura (2002) 17 (3 (51)): 149–179.
Published: 01 December 2002
... film and fictional representations of the relations of violence and desire in situations of social collapse or extremity. Sam Neill and Nicole Kidman in Dead Calm
(dir. Phillip Noyce, Australia, 1988)
Itsy-Bitsy Spiders and Other
Pieces of the Real in Dead Calm
Nina Schwartz...
Journal Article
Camera Obscura (2019) 34 (1 (100)): 1–11.
Published: 01 May 2019
... of the transnational feminist film culture that Akerman’s work in many ways epitomized. Acknowledging several of the publications, conferences, and curatorial efforts that memorialized Akerman after her death in 2015, the piece underscores collaboration as a feminist practice while introducing contributions...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 84–87.
Published: 01 December 2021
...Patricia White Abstract This introduction to a dossier of short pieces on Barbara Hammer locates the work of the late filmmaker in the context of feminist film culture and the journal Camera Obscura . It briefly reviews several phases of the artist's career before focusing on the output of the last...
Journal Article
Camera Obscura (2012) 27 (2 (80)): 165–175.
Published: 01 September 2012
...elle flanders This piece follows the author's journey of making a film about the segregated roads in Palestine, and the ways in which queer subjectivity and radical politics inform the work we produce regardless of subject matter. Offering a counter-narrative to the Israeli government's...
Journal Article
Camera Obscura (2019) 34 (1 (100)): 91–97.
Published: 01 May 2019
... of working, especially on documentary and installation pieces; her preference for frontal shots; her lack of interest in rules, realism, and character psychology; and her humor. The tribute closes with the filmmaker’s own words on her last film, No Home Movie (Belgium/France, 2015). Copyright © 2019 Camera...
Journal Article
Camera Obscura (2019) 34 (1 (100)): 75–89.
Published: 01 May 2019
...), and the particularities of films from News from Home (France/Belgium, 1976) to Almayer’s Folly (France/Belgium, 2011), the piece finds Akerman’s memory as much in vivid quotidian images as in her indelible artistic contributions. Copyright © 2019 Camera Obscura 2019 Chantal Akerman Georges Perec second...
Journal Article
Camera Obscura (2019) 34 (1 (100)): 13–29.
Published: 01 May 2019
... together, from shooting the stage performance of Letters Home in 1986 to the process of combining images and sounds in Akerman’s final works, the film No Home Movie (France/Belgium) and the multichannel installation piece Now , both 2015. Works mentioned include D’Est ( From the East , France/Belgium, 1993...
Journal Article
Camera Obscura (2019) 34 (2): 209–219.
Published: 01 September 2019
... of these categories, sexual assault and harassment in entertainment industries have paradoxically been both presumed and disavowed, routinized and rejected, made invisible and spectacularized in ways that help to reveal the troubling dynamics of sexual violence and the “troubles” of stardom itself. This piece...
Journal Article
Camera Obscura (2020) 35 (2 (104)): 171–179.
Published: 01 September 2020
... as broken machines. The piece offers a manifesto for the “Broken Machine,” revealing how power operates with a machinelike quality and can therefore offer feminism the possibility to refuse via the disruptive logics of broken technologies. © 2020 by Camera Obscura 2020 feminist technology gender...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 145–149.
Published: 01 September 2021
... kitchen in 1972, during a period in which the artist was living in voluntary exile. She published a performance score for the piece in her artist's book Parts of a Body House (1972) and reprinted it in Cezanne She Was a Great Painter (1974–75). This essay reads Americana I Ching Apple Pie as an unruly...
FIGURES
Journal Article
Camera Obscura (2021) 36 (3 (108)): 141–143.
Published: 01 December 2021
...Rosemary K. J. Davis Abstract This piece examines the transfer of Barbara Hammer's archive to the Beinecke Rare Book and Manuscript Library at Yale University. The archivist working with the collection highlights the complex emotions involved with this process and reflects on how her own archival...
FIGURES
Journal Article
Camera Obscura (2022) 37 (1 (109)): 149–175.
Published: 01 May 2022
.... It argues that Tumblr encourages its users to draw on the fragmentary, potentially incoherent pieces of information they regularly encounter on the site in order to collectively create narratives that can accommodate them. In other words, Tumblr's platform characteristics produce a queer temporality...
FIGURES
Journal Article
Camera Obscura (2016) 31 (3 (93)): 1–2.
Published: 01 December 2016
... of cooperative action proliferated. In the last ten to fifteen years, a growing constellation of collectives, many international, has emerged in response to new social, economic, and technological conditions. This issue explores the potentials and challenges of collectivity through pieces—both full-length...
Journal Article
Camera Obscura (2017) 32 (1 (94)): 129–165.
Published: 01 May 2017
... for movie-loving girls during the 1910s—a decade when popular and scientific sources understood imitative behavior as both a mark of women's intellectual inferiority and a product of female adolescent arrestment. The main goal of this piece is thus to show that adolescent girls contributed significantly...
Journal Article
Camera Obscura (2017) 32 (2 (95)): 175–183.
Published: 01 September 2017
... the audience can see all of its component pieces rather than a finished, curated product. Finally, as Coffee is frequently performed at games conferences and fan conventions, it creates a layer of metacommentary wherein participants have a mediated space in which to explore particular issues brought...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 1–2.
Published: 01 May 2016
... of cooperative action proliferated. In the last ten to fifteen years, a new constellation of collectives, many international, has emerged in response to new social, economic, and technological conditions. This issue explores the potentials and challenges of collectivity through pieces—both full-length analyses...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 167–173.
Published: 01 September 2016
...Nathan Lee This piece reflects on the concept of “undetectable” through the double lens of HIV/AIDS discourse and the metaphysics of Gottfried Wilhelm von Leibniz. With the advent of antiretroviral therapy treatments for HIV infection that effectively reduce one's viral load to levels that elude...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 39–63.
Published: 01 May 2011
... maintain that the archives of the digital age can help us imagine an unruly, incoherent legacy, one in which the women of modernist cinema tear to pieces the enunciation that had initially decided their destiny (Bonvicini) and in which the gleaner's camera reconfigures the path marking the anticipation...
Journal Article
Camera Obscura (2011) 26 (2 (77)): 1–31.
Published: 01 September 2011
... pieces of scholarship that do engage with Clarke's career and with Portrait of Jason share a particular line of argumentation: that this work defies categorization. While this makes for a fundamental and significant insight, it produces an overall portrait of privation that does not sufficiently identify...
Journal Article
Camera Obscura (2012) 27 (2 (80)): 155–160.
Published: 01 September 2012
...Omar Kholeif In this piece I address the construction of male homosexuality in Eytan Fox's The Bubble (Israel, 2006) in contrast with its presentation in the artist Sharif Waked's short film, Chic Point (Palestine, 2003). Examining the tensions between Palestinian and Israeli masculinity...