... repertoire of photographic works by Wendy Ewald, Susan Meiselas, and myself includes many such projects, but we put them side by side with projects in which, for example, the relationship between the different protagonists is less clear, the intentions behind the acts of photography are less favorable for...

... Dunye's film The Watermelon Woman (US, 1996), and You see I am here after all (2008), a gridded concatenation of vintage postcards depicting views of Niagara Falls. Zoe Leonard lives and works in New York. An artist who works primarily with photography and sculpture, she has exhibited extensively...

... ( The All-Around Reduced Personality—Redupers , West Germany, 1978), and Berlin School director Angela Schanelec’s Marseille (Germany, 2004). Examining each film’s attitude toward photography through the lens of Siegfried Kracauer’s postwar theory of film realism, this article relates the politics of...

... specifically positioned as an artifact of our contemporary moment in technology and culture, addressing some of the more widely held assumptions about selfies and selfie culture today. Copyright © 2019 Camera Obscura 2019 Anne Collier selfie Woman with a Camera mirror photography appropriation...

...Carol A. Stabile Copyright © 1992 by Indiana University Press 1992 Figure 1. Shooting the Mother: Fetal Photography and the Politics of Disappearance Carol A. Stabile what name shall we call our selves now our mother is gone...

... feminism and terrorism, and on the representation of car crashes in photography, film, and literature. Figure 1. Protestors at Tucker’s execution Dead Woman Glowing: Karla Faye Tucker and the Aesthetics of Death Row Photography Karen Beckman On 3 February 1998, the state of Texas...

... directly inspired by that article, Osucha links the doctrine's fundamental concern with privacy-as-property to new understandings of subjectivity, commodification, and the image produced at the nexus of an emergent commercial mass media and technological and social transformations of photography in the...

... a reading of Born into Brothels , an award-winning film documenting the codirector and photojournalist Zana Briski's humanitarian project to emancipate the children of prostitutes in India by training them in photography and creating avenues for them to sell their own photographs of brothel life. A...

... analyses and short-form reflections—that address such topics as collaboration in photography, cinema, and video; utopias and dystopias; history and memory; modes of singleness and of togetherness; technology, embodiment, and intimacy; and feminist and queer collective practices in media and activism in...

... and short-form reflections—that address such topics as collaboration in photography, cinema, and video; utopias and dystopias; history and memory; modes of singleness and of togetherness; technology, embodiment, and intimacy; and feminist and queer collective practices in media and activism in various...

... hope that it will help to fill the gap in a neglected area of feminist thinking about film. In all three cases - Trinh T. Minh-ha’s filmic investigation of the ethnographic I /eye, Connie Hatch’s polemical reconstruction of conventional docu- mentary photography, Mary Kelly’s exhaustive...

... Copyright © 1994 by Indiana University Press 1994 264 Books Received Male Masochism: Modern Revisions of the Story of Love by Carol Siegel. Indiana University Press, 1995. $29.95. Picturing Modernism: Moholy Nagy and Photography in Weimar Germany by...

... other profession not identified as a feminine one. Thus, in noting that throughout the history of photography women have rarely functioned as professional photographers, although frequently employed in entrepreneurial concerns as “operators,’ ’ assistants or assembly...

... filmmaking, working closely with Marcel Hanoun, Yvonne Rainer, Chantal Aker- man, Richard Foreman, Trisha Brown, Lucinda Childs, Michael Snow and Joan Jonas. She has recently had an exhibition of her photography in New York at P.S. 1 and has just completed shooting Richard Fore- man’s new film...

... of Barbara Kruger , Kate Linker. New York: Harry N. Abrams, 1990. Photography at the Dock: Essays on Photographic History, Institutions, and Practices , Abigail Solomon-Godeau. Minneapolis: University of Minnesota Press, 1991. Copyright © 1992 by The Johns Hopkins University Press 1991...

... made by Salvador Dali, Luis Buñuel, Man Ray, and the like truly exploit to the fullest what many theorists have called the photographic principle of Surrealism. This principle contends that only photography embodies the Surrealist notions of the cou- pling of two realities—a principle noted by...

... structuralist and post-structuralist theory. Amelia Jones, Assistant Professor in Contemporary Art and the History of Photography at the University of California, Riverside, has published articles on feminism, film, and the visual arts. Her book on Marcel Duchamp and postmodernism is forthcoming...

... Social Networking Technologies. No. 83: pp. 151 – 75 Huey Copeland Photography, the Archive, and the Question of Feminist Form: A Conversation with Zoe Leonard. No. 83: pp. 177 – 89 Kristen Fallica More Than “Just Talk”: The Chelsea Picture Station in the 1970s. No. 82: pp. 125...

... Photography by Melody D. Davis. Temple University Press, 1991. Female Spectators: Looking at Film and Television edited by E. Deidre Pribram. Verso, 1988. BioPics: How Hollywood Constructed Public History by George F. Custen. Rutgers University Press, 1992. $14.95. Make Room for TV: Television...

... representation, we hope in future issuesto publish 5 articles on video, television, photography, and art in connection with many different kinds of films. ...