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Figure 1. Production photograph, Portrait d'une jeune fille de la fin des années 60 à Bruxelles (dir. Chantal Akerman, Belgium, 1994). Collections Cinematek / Chantal Akerman Foundation. © Jean-Michel Vlaeminckx / Cinergie More

Figure 2. Production photograph, P ortrait d'une jeune fille de la fin des années 60 à Bruxelles (dir. Chantal Akerman, Belgium, 1994). Collections Cinematek / Chantal Akerman Foundation. © Jean-Michel Vlaeminckx / Cinergie More

Figure 5. Three-dimensional model of the Munsell Color Tree. Photograph by Hannes Grobe More

Figure 1. Carolee Schneemann, Newspaper Event (1963). Photograph by Al Giese. © 2020 Hottelet/Giese/Licensed by Artists Rights Society (ARS), NY More

Figure 2. Carolee Schneemann, Meat Joy (1964). Photograph by Al Giese. Courtesy of the Carolee Schneemann Foundation; P•P•O•W, New York; Galerie Lelong, New York; Hales Gallery, London. © 2021 Carolee Schneemann Foundation / Artists Rights Society (ARS), New York More

Figure 1. Carolee Schneemann, Interior Scroll (1975). Photograph. Courtesy of the Carolee Schneemann Foundation; P•P•O•W, New York; Galerie Lelong, New York; and Hales Gallery, London. © 2021 Carolee Schneemann Foundation / Artists Rights Society (ARS), New York More

Figure 2. Carolee Schneemann, Interior Scroll (1975). Photograph. Courtesy of the Carolee Schneemann Foundation; P•P•O•W, New York; Galerie Lelong, New York; and Hales Gallery, London. © 2021 Carolee Schneemann Foundation / Artists Rights Society (ARS), New York More

Figure 3. Carolee Schneemann with Four Fur Cutting Boards (1962–63). Photograph by Erró More

Figure 5. Meat Joy (1964). Judson Memorial Church, New York. Photograph by Al Giese More

Figure 7. Carolee Schneemann and Yvonne Rainer, March 1965. Photograph by Stan Brakhage More

Figure 11. Body Collage (1967). Photograph by Michael Benedikt More

Figure 12. Carolee Schneemann and Kitch in Cullompton, UK (1972). Photograph by Anthony McCall; collage (detail)by Carolee Schneemann More

Figure 2. Group photograph of Maria Hirszbein and her team on the set of 10 Percent for Me ( 10 procent dla mnie , dir. Juliusz Gardan, Poland, 1933). © Filmoteka Narodowa – Instyut Audiowizualny More

Figure 3. Group photograph of Maria Hirszbein and her team on the set of Dotting the I ( Kropka nad i , dir. Juliusz Gardan, Poland, 1928). © Filmoteka Narodowa – Instyut Audiowizualny More

Figure 1. Robert Haller, Portrait of Carolee Schneemann (1978). Photographic print, Carnegie Museum of Art, Pittsburgh. © Robert Haller. Made available by permission. Photograph © 2021 Carnegie Museum of Art, Pittsburgh More

Figure 7. Agnès Varda, photographic study for L'Opéra Mouffe ( Diary of a Pregnant Woman , France, 1958). © Agnès Varda, 1958 More

Figure 8. Agnès Varda, photographic study for L'Opéra Mouffe ( Diary of a Pregnant Woman , France, 1958). © Agnès Varda, 1958 More

Figure 9. Agnès Varda, photographic study for L'Opéra Mouffe ( Diary of a Pregnant Woman , France, 1958). © Agnès Varda, 1958 More