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Published: 01 December 2021
Figure 2. Group photograph of Maria Hirszbein and her team on the set of 10 Percent for Me ( 10 procent dla mnie , dir. Juliusz Gardan, Poland, 1933). © Filmoteka Narodowa – Instyut Audiowizualny Figure 2. Group photograph of Maria Hirszbein and her team on the set of 10 Percent for Me (10 More
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Published: 01 December 2021
Figure 3. Group photograph of Maria Hirszbein and her team on the set of Dotting the I ( Kropka nad i , dir. Juliusz Gardan, Poland, 1928). © Filmoteka Narodowa – Instyut Audiowizualny Figure 3. Group photograph of Maria Hirszbein and her team on the set of Dotting the I (Kropka nad i, dir More
Image
Published: 01 September 2021
Figure 1. Carolee Schneemann, Newspaper Event (1963). Photograph by Al Giese. © 2020 Hottelet/Giese/Licensed by Artists Rights Society (ARS), NY Figure 1. Carolee Schneemann, Newspaper Event (1963). Photograph by Al Giese. © 2020 Hottelet/Giese/Licensed by Artists Rights Society (ARS), NY More
Image
Published: 01 September 2021
Figure 2. Carolee Schneemann, Meat Joy (1964). Photograph by Al Giese. Courtesy of the Carolee Schneemann Foundation; P•P•O•W, New York; Galerie Lelong, New York; Hales Gallery, London. © 2021 Carolee Schneemann Foundation / Artists Rights Society (ARS), New York Figure 2. Carolee Schneemann More
Image
Published: 01 September 2021
Figure 1. Carolee Schneemann, Interior Scroll (1975). Photograph. Courtesy of the Carolee Schneemann Foundation; P•P•O•W, New York; Galerie Lelong, New York; and Hales Gallery, London. © 2021 Carolee Schneemann Foundation / Artists Rights Society (ARS), New York Figure 1. Carolee Schneemann More
Image
Published: 01 September 2021
Figure 2. Carolee Schneemann, Interior Scroll (1975). Photograph. Courtesy of the Carolee Schneemann Foundation; P•P•O•W, New York; Galerie Lelong, New York; and Hales Gallery, London. © 2021 Carolee Schneemann Foundation / Artists Rights Society (ARS), New York Figure 2. Carolee Schneemann More
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Published: 01 September 2021
Figure 3. Carolee Schneemann with Four Fur Cutting Boards (1962–63). Photograph by Erró Figure 3. Carolee Schneemann with Four Fur Cutting Boards (1962–63). Photograph by Erró More
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Published: 01 September 2021
Figure 5. Meat Joy (1964). Judson Memorial Church, New York. Photograph by Al Giese Figure 5. Meat Joy (1964). Judson Memorial Church, New York. Photograph by Al Giese More
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Published: 01 September 2021
Figure 7. Carolee Schneemann and Yvonne Rainer, March 1965. Photograph by Stan Brakhage Figure 7. Carolee Schneemann and Yvonne Rainer, March 1965. Photograph by Stan Brakhage More
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Published: 01 September 2021
Figure 11. Body Collage (1967). Photograph by Michael Benedikt Figure 11. Body Collage (1967). Photograph by Michael Benedikt More
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Published: 01 September 2021
Figure 12. Carolee Schneemann and Kitch in Cullompton, UK (1972). Photograph by Anthony McCall; collage (detail)by Carolee Schneemann Figure 12. Carolee Schneemann and Kitch in Cullompton, UK (1972). Photograph by Anthony McCall; collage (detail)by Carolee Schneemann More
Journal Article
Camera Obscura (2019) 34 (1 (100)): 59–65.
Published: 01 May 2019
Journal Article
Camera Obscura (2020) 35 (2 (104)): 1–35.
Published: 01 September 2020
...Alanna Beroiza This article examines the visual dynamics underlying wrong-body narratives of gender through Lacanian psychoanalytic readings of Annie Leibovitz’s photographs of Caitlyn Jenner for Vanity Fair (2015) and Pedro Almodóvar’s film La piel que habito (Spain/France, 2011). Leibovitz’s...
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Published: 01 May 2021
Figure 7. Agnès Varda, photographic study for L'Opéra Mouffe ( Diary of a Pregnant Woman , France, 1958). © Agnès Varda, 1958 Figure 7. Agnès Varda, photographic study for L'Opéra Mouffe (Diary of a Pregnant Woman, France, 1958). © Agnès Varda, 1958 More
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Published: 01 May 2021
Figure 8. Agnès Varda, photographic study for L'Opéra Mouffe ( Diary of a Pregnant Woman , France, 1958). © Agnès Varda, 1958 Figure 8. Agnès Varda, photographic study for L'Opéra Mouffe (Diary of a Pregnant Woman, France, 1958). © Agnès Varda, 1958 More
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Published: 01 May 2021
Figure 9. Agnès Varda, photographic study for L'Opéra Mouffe ( Diary of a Pregnant Woman , France, 1958). © Agnès Varda, 1958 Figure 9. Agnès Varda, photographic study for L'Opéra Mouffe (Diary of a Pregnant Woman, France, 1958). © Agnès Varda, 1958 More
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Published: 01 May 2021
Figure 10. Agnès Varda, photographic study for L'Opéra Mouffe ( Diary of a Pregnant Woman , France, 1958). © Agnès Varda, 1958 Figure 10. Agnès Varda, photographic study for L'Opéra Mouffe (Diary of a Pregnant Woman, France, 1958). © Agnès Varda, 1958 More
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Published: 01 September 2021
Figure 1. Robert Haller, Portrait of Carolee Schneemann (1978). Photographic print, Carnegie Museum of Art, Pittsburgh. © Robert Haller. Made available by permission. Photograph © 2021 Carnegie Museum of Art, Pittsburgh Figure 1. Robert Haller, Portrait of Carolee Schneemann (1978 More
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Published: 01 May 2021
Figure 1. Exhibition view of Photographs get moving (potatoes and shells too) , Logan Center Gallery, Chicago, 2015 Figure 1. Exhibition view of Photographs get moving (potatoes and shells too), Logan Center Gallery, Chicago, 2015 More
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Published: 01 May 2021
Figure 6. Still from one of Varda's Instagram videos, with photographs of Jacques Demy near the door to her home (Agnès Varda, 2017) Figure 6. Still from one of Varda's Instagram videos, with photographs of Jacques Demy near the door to her home (Agnès Varda, 2017) More