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Journal Article

Peter (A Young English Girl) : Visualizing Transgender Masculinities

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Melanie Taylor
Camera Obscura (2004) 19 (2 (56)): 1–45.
DOI: https://doi.org/10.1215/02705346-19-2_56-1
Published: 01 September 2004
... was transgender identities and modernism. Figure 1. Romaine Brooks, Una, Lady Troubridge (1924). Courtesy Smithsonian American Art Museum, Gift of the Artist Peter (A Young English Girl) : Visualizing Transgender Masculinities Melanie Taylor “To be myself . . . I need...
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Figure 10. Cast and technicians for Snows (1967). James Tenney, Peter Watts, James Carroll (with glasses), Phoebe Neville (center rear), Tyrone Mitchell (standing with arms crossed), Carolee Schneemann, and Shigeko Kubota (facing left). Photographer unknown

Cast and technicians for Snows (1967). James Tenney, Peter Watts, James C...

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in Carolee Schneemann (1939–2019): Portfolio > Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 September 2021
Figure 10. Cast and technicians for Snows (1967). James Tenney, Peter Watts, James Carroll (with glasses), Phoebe Neville (center rear), Tyrone Mitchell (standing with arms crossed), Carolee Schneemann, and Shigeko Kubota (facing left). Photographer unknown More
Journal Article

The Front Lawn of Heaven: Landscape in Hollywood Melodrama circa 1945

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Jennifer Peterson
Camera Obscura (2010) 25 (2 (74)): 119–159.
DOI: https://doi.org/10.1215/02705346-2010-004
Published: 01 September 2010
.... Melodramatic characteristics outlined by Peter Brooks, such as “the forcing of tone [and] the constant reaching toward sublim- ity of expression,” are well suited to the tradition of landscape rep- resentation. Melodrama’s drive to make the world “morally legible” is just as germane to wilderness...
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Journal Article

Trauma, Shame, and Men's Tears in The Manchurian Candidate

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Joy McEntee
Camera Obscura (2017) 32 (2 (95)): 63–87.
DOI: https://doi.org/10.1215/02705346-3924650
Published: 01 September 2017
... of Tom Lutz, Steve Neale, and Linda Williams. Peter Brooks and Geoffrey Nowell-Smith mobilized ideas expressed here about melodrama. As a melodramatic enactment of masculine roles in the late 1950s and early 1960s, The Manchurian Candidate is both a trauma film and a “male weepy.” Joy McEntee...
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Journal Article

Lucilla Albano

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Peter Brunette
Camera Obscura (1989) 7 (2-3 (20-21)): 82–88.
DOI: https://doi.org/10.1215/02705346-7-2-3_20-21-82
Published: 01 December 1989
...Peter Brunette Copyright © 1990 by The Johns Hopkins University Press 1989 ...
View articletitled, Lucilla Albano View PDF for article titled, Lucilla Albano
Journal Article

“They Can't Do This to Us !”: Alan Alda as (Anti)Feminist Signifier

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Peter Alilunas
Camera Obscura (2011) 26 (3 (78)): 35–61.
DOI: https://doi.org/10.1215/02705346-1415425
Published: 01 December 2011
...Peter Alilunas Alan Alda has an important legacy not only as an actor but also as a feminist activist. This article reexamines his star text from the perspective of his political work as a vocal and very public supporter of the Equal Rights Amendment in the 1970s, as well as explores why his name...
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Journal Article

Tongue Twisters: The Travelogue Videos of Ming-Yuen S. Ma

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Peter X Feng
Camera Obscura (2012) 27 (1 (79)): 69–95.
DOI: https://doi.org/10.1215/02705346-1533448
Published: 01 May 2012
...Peter X Feng Asian diasporic identities exist in a complicated tension with Asian nationalist identity formations, simultaneously affirming and disavowing the nation-state as constitutive of identity. Video maker Ming-Yuen S. Ma's work focuses on problematics of translation as a metaphor...
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Journal Article

“The Stallion Who Became a Gelding Who Became a Mayor”: Georgie Girl

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Peter Limbrick
Camera Obscura (2008) 23 (1 (67)): 184–193.
DOI: https://doi.org/10.1215/02705346-2007-032
Published: 01 May 2008
...Peter Limbrick Camera Obscura 2008 Peter Limbrick is an assistant professor of film and digital media at the University of California, Santa Cruz. His research and teaching interests include histories of colonialism and cinema, postcolonial theory, globalization, and sexuality. He...
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Journal Article

Invisible Adversaries

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Peter Weibel, Valie Export
Camera Obscura (1979) 1-2 (3-1 (3-4)): 219–224.
DOI: https://doi.org/10.1215/02705346-1-2-3-1_3-4-219
Published: 01 May 1979
...Peter Weibel; Valie Export (Valie Export) (1976, 100 min., Color, 16 mm) Copyright © 1979 by Camera Obscura 1979 Women Working Invisible Adversaries (Valie Export) (1976,100min., Color, 16 mm) From the dialogue of the film: She: . . .images penetrate me like psychic...
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Figure 3. Carolee Schneemann, Noise Bodies (1965). Avant- Garde Festival, Judson Hall, New York. Pictured: Carolee Schneemann with James Tenney. Photographs by Peter Moore. Courtesy of the Carolee Schneemann Foundation; P•P•O•W, New York; Galerie Lelong, New York; and Hales Gallery, London. © 2021 Carolee Schneemann Foundation / Artists Rights Society (ARS), New York

Carolee Schneemann, Noise Bodies (1965). Avant- Garde Festival, Judson Ha...

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in Schneemann Sounding: Embodied Sonic Systems > Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 September 2021
Figure 3. Carolee Schneemann, Noise Bodies (1965). Avant- Garde Festival, Judson Hall, New York. Pictured: Carolee Schneemann with James Tenney. Photographs by Peter Moore. Courtesy of the Carolee Schneemann Foundation; P•P•O•W, New York; Galerie Lelong, New York; and Hales Gallery, London. © More
Image
Figure 3. In this engraving, heiress Mary Eleanor Bowles, Countess of Strathmore, is depicted breastfeeding her two cats, Angelica and Jacintha, as her neglected son cries behind her, “I wish I was a cat, my Mama would love me then.” James Gillray, The Injured Count. S—, Harvard Art Museums/Fogg Museum, Gift of Peter G. Neumann. Photo © President and Fellows of Harvard College, 2016

In this engraving, heiress Mary Eleanor Bowles, Countess of Strathmore, is ...

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in Petting the Rabbit: The Favourite (2018), Anti-heritage, and the Search for Lesbians in the Past > Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2024
/Fogg Museum, Gift of Peter G. Neumann. Photo © President and Fellows of Harvard College, 2016 More
Journal Article

Smokin' Tokens: thirtysomething and TV's Queer Dilemma

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Joe Wlodarz
Camera Obscura (1994) 11-12 (3-1 (33-34)): 192–211.
DOI: https://doi.org/10.1215/02705346-11-12-3-1_33-34-192
Published: 01 May 1994
... by numerous textual references to the everydayness of gay identity. For example, both Peter and Russell (the series’ main gay characters played by Peter Frechette and David Marshall Grant respectively) are integrated into the narratives through relations with primary...
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Journal Article

Three Men and Baby M

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Tania Modleski
Camera Obscura (1988) 6 (2 (17)): 68–81.
DOI: https://doi.org/10.1215/02705346-6-2_17-68
Published: 01 May 1988
... with the woman’s part in conception altogether. It is clear that in this film fear of woman, along with the castration anxiety her sight provokes, are not less pronounced than in older classical narrative film, but are, in fact, rather more so. In the film’s opening sequence, Peter (played by Tom...
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Journal Article

Imagining Television as a Vital Queer Medium: Riot

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Susan Potter
Camera Obscura (2024) 39 (3 (117)): 121–147.
DOI: https://doi.org/10.1215/02705346-11365890
Published: 01 December 2024
... arrives at a CAMP meeting with new friend Ron Austin (Josh Quong Tart) just as members of the group are discussing the implications of the decision of two prominent activists, Peter “Bon” Bonsall-Boone (Eden Falk) and Peter de Waal (Luke Mullins), to appear as a “homosexual couple” in a forthcoming...
FIGURES
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Journal Article

Books Received

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Camera Obscura (1989) 7 (2-3 (20-21)): 373–377.
DOI: https://doi.org/10.1215/02705346-7-2-3_20-21-373
Published: 01 December 1989
... by Abbott Gleason, Peter Denez and Richard Stites. Indiana University Press, 1989. The American Film Musical by Rick Altman. Indiana University Press, 1989. Hiding in the Light: On Images and Things by Dick Hebdige. Routledge, 1989. $15.95. Music for Pleasure...
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Journal Article

The Avant-Garde and Its Imaginary

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Constance Penley
Camera Obscura (1977) 1 (2 (2)): 2–33.
DOI: https://doi.org/10.1215/02705346-1-2_2-2
Published: 01 September 1977
... , Catherine Clément, François Gantheret, Bernard Mérigot, 1976 (Larousse). 9. Cottringer , Anne , ‘On Peter Gidal's “Theory and Definition of Structural/Materialist Film”’, Afterimage , no. 6, Summer 1976 , 86 –95. 10. Dusinberre , Deke , ‘St. George in the Forest’, Afterimage , no. 6...
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Journal Article

Books Received

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Camera Obscura (1984) 4 (3 (12)): 166–168.
DOI: https://doi.org/10.1215/02705346-4-3_12-166
Published: 01 December 1984
.... $10.95. Deconstncction Theory and Practice by Christopher Norris. Methuen. New York, 1982. $8.95. Subculture by Dick Hebdige. Methuen. New York, 1979. $6.95. Italian Cinema from Neorealism to the Present by Peter Bondanella. Frederick Ungar Publishing Company...
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Journal Article

Dangerous Spaces: Safe

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Susan Potter
Camera Obscura (2004) 19 (3 (57)): 125–155.
DOI: https://doi.org/10.1215/02705346-19-3_57-125
Published: 01 December 2004
... that belongs to the retreat’s founder, Peter Dunning (Peter Friedman). All of these structures are used to frame, dwarf, or enclose Carol’s body in some way. When Peter visits Carol to talk about her relapses, he stands at a safe distance outside the bounds of her cabin, while the wooden bar of the deck...
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Journal Article

Books Received

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Camera Obscura (2001) 16 (1 (46)): 180–181.
DOI: https://doi.org/10.1215/02705346-16-1_46-180
Published: 01 May 2001
..., 2000. Gras, Vernon, and Marguerite Gras, eds. Peter Greenaway: Interviews. Jackson: University Press of Mississippi, 2000. Hollows, Joanne, Peter Hutchings, and Mark Jancovich, eds. The Film Studies Reader. London: Arnold, 2000...
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Journal Article

Books Received

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Camera Obscura (2001) 16 (3 (48)): 264–265.
DOI: https://doi.org/10.1215/02705346-16-3_48-264
Published: 01 December 2001
.... London: British Film Institute, 2000. Edgerton, Gary R., and Peter C. Rollins, eds. Television Histories: Shaping Collective Memory in the Media Age. Lexington: University of Kentucky Press, 2001. Fainaru, Dan, ed. Theo Angelopoulos Interviews. Jackson: University Press...
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