... identities and modernism. Figure 1. Romaine Brooks, Una, Lady Troubridge (1924). Courtesy Smithsonian American Art Museum, Gift of the Artist Peter (A Young English Girl) : Visualizing Transgender Masculinities Melanie Taylor “To be myself . . . I need the illumination of...

... Tom Lutz, Steve Neale, and Linda Williams. Peter Brooks and Geoffrey Nowell-Smith mobilized ideas expressed here about melodrama. As a melodramatic enactment of masculine roles in the late 1950s and early 1960s, The Manchurian Candidate is both a trauma film and a “male weepy.” Joy McEntee took her...

..., which the film validates at its conclusion. The film’s landscapes articulate this opposition between wilderness and gar- den. Melodramatic characteristics outlined by Peter Brooks, such as “the forcing of tone [and] the constant reaching toward sublim- ity of expression,” are well suited to the...

...Peter Alilunas Alan Alda has an important legacy not only as an actor but also as a feminist activist. This article reexamines his star text from the perspective of his political work as a vocal and very public supporter of the Equal Rights Amendment in the 1970s, as well as explores why his name...

...Peter X Feng Asian diasporic identities exist in a complicated tension with Asian nationalist identity formations, simultaneously affirming and disavowing the nation-state as constitutive of identity. Video maker Ming-Yuen S. Ma's work focuses on problematics of translation as a metaphor for...

...Peter Weibel; Valie Export (Valie Export) (1976, 100 min., Color, 16 mm) Copyright © 1979 by Camera Obscura 1979 Women Working Invisible Adversaries (Valie Export) (1976,100min., Color, 16 mm) From the dialogue of the film: She: . . .images penetrate me like psychic meteors, they...

...Peter Brunette Copyright © 1990 by The Johns Hopkins University Press 1989 ...

...Peter Limbrick Camera Obscura 2008 Peter Limbrick is an assistant professor of film and digital media at the University of California, Santa Cruz. His research and teaching interests include histories of colonialism and cinema, postcolonial theory, globalization, and sexuality. He is working on...

... numerous textual references to the everydayness of gay identity. For example, both Peter and Russell (the series’ main gay characters played by Peter Frechette and David Marshall Grant respectively) are integrated into the narratives through relations with primary...

... University Press, 2000. Gras, Vernon, and Marguerite Gras, eds. Peter Greenaway: Interviews. Jackson: University Press of Mississippi, 2000. Hollows, Joanne, Peter Hutchings, and Mark Jancovich, eds. The Film Studies Reader. London: Arnold...

... Ideology in French Text and Film by Rebecca M. Pauly. Peter Lang, 1993. $41.95. Greenwich Village 1963: Avant-Garde Performance and the Effervescent Body by Sally Banes. Duke University Press, 1993. $17.95. I Was Interrupted: Nicholas Ray on Making Movies by Nicholas Ray. Uni- versity of...

.... London: British Film Institute, 2000. Edgerton, Gary R., and Peter C. Rollins, eds. Television Histories: Shaping Collective Memory in the Media Age. Lexington: University of Kentucky Press, 2001. Fainaru, Dan, ed. Theo Angelopoulos Interviews. Jackson: University Press of...

... of Peter Pan". Screen, vol. 16, no. 3 (Autumn 1975). ...

... Goddess Mut, illustrations from Lanzone (1882-6), plates cxxxvi. 64-65: Frame enlargements from Appetitd'oiseau by Peter Foldes byB. Augst. 75: Photograms from I Confess, Rear Window, North by Northwest, courtesy of the Museum of Modern Art Film Stills Archive. PhotogramfromPsycho, thanks to...

... Copyright © 1982 by Camera Obscura 1982 240 Books Received Fassbinder by Peter Iden, Yaak Karsunke, Ruth McCormick, Hans- Helmut Prinzler, Wilhelm Roth, Wolfram Schutte, Wilfried Wiegand. Tanam Press. New York, 1981. Apparatus (Cinematic Apparatus: Selected...

... 2003 Books Received Barnes, Peter. To Be or Not to Be. London: British Film Institute, 2002. Barrios, Richard. Screened Out: Playing Gay in Hollywood from Edison to Stonewall. New York: Routledge, 2003. Chion, Michel. Eyes Wide Shut. London: British Film Institute, 2002. Dixon...

...: Rediscovering the SilentFilm Era by Ivan Buder. Ungar, 1988. Breathless (directed by [ean-Luc Godard) edited by Dudley Andrew. Rutgers University Press, 1987. $12.00. Rutgers Films in Print Series. LaStrada (directed byFederico Fellini) edited by Peter Bondanella and Manuela...

... York, 1983. $10.95. Deconstncction Theory and Practice by Christopher Norris. Methuen. New York, 1982. $8.95. Subculture by Dick Hebdige. Methuen. New York, 1979. $6.95. Italian Cinema from Neorealism to the Present by Peter Bondanella. Frederick Ungar...

.... Columbia University Press. New York, 1985. $24.95. Readings and Writings: Semiotic Counter-Strategies by Peter Wollen. New Left Books/Schocken. New York, 1983. $8.95. Film History: Theory and Practice by Robert C. Allen and Douglas Gomery. Random House. New York, 1985...

... Interregional Business Relations in the Twilight  Series. No. 79: 31 – 67 Peter X Feng Tongue Twisters: The Travelogue Videos of Ming-Yuen­ S. Ma. No. 79: pp. 69 – 95 elle flanders Road Movie: Notes from the Field. No. 80: pp. 165 – 175 Jennifer Fleeger Deanna Durbin and the Mismatched...