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1
Journal Article
Camera Obscura (1990) 8 (3 (24)): 88–97.
Published: 01 September 1990
...Dana Polan Copyright © 1991 by The Johns Hopkins University Press 1990 Idtes et Recherches-
Hammarion
History in Perspective, Perspective in History
A Commentary on L‘Origine de la perspective
by Hubert Damisch
Dana Polan
Part of what is so intriguing about Hubert...
Journal Article
Camera Obscura (2007) 22 (1 (64)): 77–111.
Published: 01 May 2007
... University Press. From X Marks the Spot: Chicago Gang Wars in Pictures
(Chicago: Spot Publishing, 1930); Georges Bataille, review,
Documents 2 (1930): 52 – 53
Undoing the Scene of the Crime:
Perspective and the Vanishing
of the Spectator
Domietta Torlasco
Un beau film: the crime...
Image
/10.1215_02705346-11207802/2/s_cob11207802figure2.png?Expires=2147483647&Signature=C96N-dBB753JptRWJTzhqaYf6aEEn-WHC5Ut9GesdvYioE9JmiWxxp2Y3kJXUuswBtkSoyZtQnOXJyMx9qNLqF2QmP~VkvqX7GiBQXDnLMad3s7bhbaG1Zik0Nludr4vnNXBn4PqyGmKjt1xYl5HlV~w2ZLywh7DVaLt1NmRZS1QfGcBolYAJs~W4UDgBi9oPPdgGiVySoGKEUfI7qfn7jfGpmb6LiX~7psz4L6WvhrfiRxe6FWr93hTCcxsDRCqieowm~EiIbJ-FwFSvvlr2Oia~7UV0jWe6PSqBxztTv-KRSOGbFXqGepHpPJqRbubcekYmtwjrhY1UDUI0sbd2A__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Regretting Nothing, or Regretting Everything? Postfeminism, Femininity, and Regret in Miss Austen Regrets
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 September 2024
Figure 2. Left to right: Fanny Austen Knight (Imogen Poots), Jane Austen (Olivia Williams), Cassandra Austen (Greta Scacchi). This image exemplifies the perspective that the titular “Miss Austen” refers to each of the characters. ( Miss Austen Regrets , dir. Jeremy Lovering, UK, 2007)
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Journal Article
Camera Obscura (2014) 29 (3 (87)): 93–115.
Published: 01 December 2014
... nonlinearity over causality, sound over sight, and suspense over closure. This article argues that Martel's trilogy of life in the province of Salta, Argentina, examines the country's incomplete transition to democracy from the perspective of strong, intelligent, and socially privileged female protagonists who...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 153–163.
Published: 01 December 2016
... engages in collective media production from Inuit women's perspectives with an explicit focus on gender. Arnait's video art, animation, fiction features, television programs, and documentaries address issues faced by women struggling for the recognition of indigenous and minoritarian cultures. The success...
Journal Article
Camera Obscura (2024) 39 (2 (116)): 41–69.
Published: 01 September 2024
...Figure 2. Left to right: Fanny Austen Knight (Imogen Poots), Jane Austen (Olivia Williams), Cassandra Austen (Greta Scacchi). This image exemplifies the perspective that the titular “Miss Austen” refers to each of the characters. ( Miss Austen Regrets , dir. Jeremy Lovering, UK, 2007) ...
FIGURES
Journal Article
Camera Obscura (2011) 26 (1 (76)): 1–37.
Published: 01 May 2011
.... Such democratization, proponents argue, negates and thus frees us from the embodied particulars of race, ethnicity, gender, and sexuality. This perspective is rooted in and reproduces neoliberal assumptions about bodily transcendence and freedom. Drawing on several Asian American and British Asian blogs, Pham analyzes...
Journal Article
Camera Obscura (2010) 25 (2 (74)): 173–181.
Published: 01 September 2010
... factories along the Mexico-US border began relocating to China, leaving behind thousands of unemployed workers and a chaotic urban milieu devastated by faulty infrastructure and toxic industrial waste. The story is told from the perspective of resilient workers-activists ( promotoras ), dauntless women like...
Journal Article
Camera Obscura (2011) 26 (3 (78)): 35–61.
Published: 01 December 2011
...Peter Alilunas Alan Alda has an important legacy not only as an actor but also as a feminist activist. This article reexamines his star text from the perspective of his political work as a vocal and very public supporter of the Equal Rights Amendment in the 1970s, as well as explores why his name...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 149–157.
Published: 01 December 2012
... are happening on two interconnected fronts. Directors otherwise marginalized within the larger film industry are refiguring narrative conventions by not only allowing for a multiplicity of experiences and perspectives among characters and story lines, but also mobilizing their storytelling structure...
Journal Article
Camera Obscura (2013) 28 (2 (83)): 177–189.
Published: 01 September 2013
... lens, Leonard works from an implicitly queer and feminist perspective that puts pressure on both hegemonic modes of seeing and our ways of narrating them. Such concerns have similarly animated the work of art historian Huey Copeland, whose writing explores the ways in which forms of cultural difference...
Journal Article
Camera Obscura (2018) 33 (2 (98)): 197–207.
Published: 01 September 2018
... that the urgent, devastating, and nonetheless conventional images of confined black bodies that circulate in prison documentaries consolidate the racialized consensus around innocence and criminality. Drawing these perspectives into conversation, moderator and commentator Paige Sarlin differentiates between...
Journal Article
Camera Obscura (2019) 34 (1 (100)): 1–11.
Published: 01 May 2019
...Patricia White This introduction to the hundredth issue of Camera Obscura , on filmmaker, writer, and installation artist Chantal Akerman, establishes the importance of Akerman’s work to the history and perspective of the journal, as well as the journal’s central role in the history and concerns...
Journal Article
Camera Obscura (2019) 34 (2): 71–101.
Published: 01 September 2019
... that feature female detectives, this essay argues that Campion reworks the genre’s fascination with victimized women from her auteurist and Antipodean perspective. While the characterization and actions of the female detective resonate with other programs’ protagonists, Campion challenges dominant discourses...
Journal Article
Camera Obscura (2019) 34 (2): 163–193.
Published: 01 September 2019
...Arnika Fuhrmann This essay investigates Buddhist-Muslim intimacies and coexistence in Thailand in order to complicate recent discussions of the relation of religion to gender and sexual freedoms. It is concerned with contributing a new, Southeast Asian perspective to a prominent strain...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 1–31.
Published: 01 September 2021
... perspectives with production studies, film studies, and dance and performance studies, the essay unites often disconnected gendered and racial analyses of the film by emphasizing the gendered forms of labor and the multiracial genealogies through which dance is reproduced. It also shows how the guise of white...
FIGURES
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Journal Article
Camera Obscura (2021) 36 (2 (107)): 65–97.
Published: 01 September 2021
.... In this perspective, techniques of voice modulation and social modulation are tandem technologies. The voice modulation that has figured prominently in media cultures in recent decades—from the music of Cher to T-Pain and beyond—is not merely a consequence of digital media and control societies but is also integral...
FIGURES
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Journal Article
Camera Obscura (2021) 36 (3 (108)): 105–117.
Published: 01 December 2021
...Ronald Gregg Abstract Lesbian filmmaker Barbara Hammer turned from experimental filmmaking to feature-length documentaries in the early 1990s. These late documentaries illustrate her distinct perspective on queer history and affect, which was influenced by 1970s lesbian feminism and queer...
FIGURES
Journal Article
Camera Obscura (2015) 30 (3 (90)): 161–187.
Published: 01 December 2015
...: by way of extremity, the new film trend foregrounds sensation, which in its aesthetic immediacy provides the point of access to a more authentic reality. This article argues that such a perspective forecloses the complex formal strategies that characterize the films, thus neglecting the crucial role...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 141–151.
Published: 01 December 2016
... perspectives. Such issues include the process of urban redevelopment in Seoul, the global environmental crisis, utopian aspirations in the neoliberal economy, and the Korean authorities' ideological control of citizenship. The collective's imperative to engender sensory and affective engagement...
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