1-20 of 316 Search Results for

paul

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Camera Obscura (1985) 5 (1-2 (13-14)): 148–157.
Published: 01 September 1985
...Jane Weinstock No Essential Femininity: A Conversation between Mary Kelly and Paul Smith Introduction Mary Kelly, an American living in London, resists definition. An artist, a teacher, a curator, a writer, and a filmmaker, a socialist and a feminist, she inhabits...
Journal Article
Camera Obscura (1996) 13 (1 (37)): 31–68.
Published: 01 January 1996
.... The fragile male ego returns five years later in the form of Nick Curran (once again, Michael Douglas) in Paul Verhoeven's Basic In- stinct, a film related to Single White Female in its suggestion of the threat of pathological lesbianism. Douglas's presence here points to a 43 intertextual...
Journal Article
Camera Obscura (2012) 27 (2 (80)): 135–143.
Published: 01 September 2012
... Moufawad-Paul's Nus Enssas / صيصنصن (Canada, 2011) and Raafat Hattab's Hourieh (Palestine, 2011) explore issues ranging from queer diasporic solidarity politics and challenges to out/closeted binaries and to the creative reinscription of nakba narratives. Nadia Awad's Two Adaptations of the Same Novel (US...
Journal Article
Camera Obscura (2014) 29 (2 (86)): 119–147.
Published: 01 September 2014
...) and considering the psychic consequences of forgetting that relate to a repudiation of, and simultaneously disavowed identification with, the feminine that characterizes the heterosexual male's melancholia. A coda examines Bridesmaids (dir. Paul Feig, US, 2011), a film about female-female relations...
Journal Article
Camera Obscura (1988) 6 (2 (17)): 89–111.
Published: 01 May 1988
...Paul Smith Copyright © 1988 by The Johns Hopkins University Press 1988 Vas Paul Smith “It is not going to be easy to write about masculinity” says Anthony Easthope near the beginning of his book about what he calls the “myth” of male sexuality in popular culture.’ It might...
Journal Article
Camera Obscura (2014) 29 (3 (87)): 93–115.
Published: 01 December 2014
...Paul A. Schroeder Rodríguez Lucrecia Martel is quite possibly the leading filmmaker in Latin America today, thanks to her subtle yet scathing critique of patriarchy's traditional gender roles and normative sexuality through a multilayered and innovative cinematic language that privileges...
Journal Article
Camera Obscura (2018) 33 (2 (98)): 105–137.
Published: 01 September 2018
...Paul Flaig This essay offers a feminist critique and correction of media archaeology. Media archaeology has developed over the last two decades as a historiographic response to increasingly advanced contemporary media technologies and, with them, changing accounts and archives of earlier analog...
Journal Article
Camera Obscura (1992) 10 (3 (30)): 58–75.
Published: 01 May 1992
... is the locus of production: Paul Sheldon’s body is forced to produce romance fiction under the dominating control of Annie Wilkes. However, this apparent system of control and domination-Annie WilkesRaul Sheldon-is, in fact, subverted or undermined by the more powerful system of domination...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 7–11.
Published: 01 December 1982
... in her room in the country for example-are emblematic of some of the ways in which the film represents difference: here, first in terms of living differently-Denise’s decision to leave Paul, the city, her apartment, her work at the television station, in favor of a life in the country; and second...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 20–31.
Published: 01 December 1982
..., Paul Godard, and the function of quotation here (the Duras episode, for example) is only a more pointed use of this extending strategy very familiar from Godard’s earlier films. (This is discussed in Alan Williams’s article in this issue.) From such a description, the film may sound like...
Journal Article
Camera Obscura (2003) 18 (2 (53)): 27–55.
Published: 01 September 2003
... in command of their masculinity. Through much of the film, then, John Coffey serves less as a cata- lyst for change than as a conservative presence who helps to obstruct this encroachment of the feminine. It is only after the white male protagonist Paul Edgecomb (Tom Hanks) destroys John Coffey that he...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 116–123.
Published: 01 December 1982
... between shot and photogram) to the image of Paul’s body as he collapses against the fender of the car, while watching Cecile walk away with her mother. Here, in order, are the fifteen stop-action moments-but I may be mistaken, taken in by the excessive naturalness of these breaks...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 12–19.
Published: 01 December 1982
...Constance Penley Copyright © 1982 by Camera Obscura 1982 Pornography, Eroticism Constance Pen 1e y Near the beginning of Sauve pipeut (la vie), in a scene that has been singled out for accusations of pornography (specifically, pedophilia), “Paul Godard” drops by a sports...
Journal Article
Camera Obscura (2010) 25 (2 (74)): 75–117.
Published: 01 September 2010
... lover (Paul Verdayne) at one and the same time. Paul starts out a thoughtless, energetic adolescent: “He analysed nothing. He was sound asleep, you see, to nuances  as yet; he was just a splendid English young animal of the best class.”15 Step-­by-­step, the Queen awakens the young “Sleeping...
Journal Article
Camera Obscura (1985) 5 (1-2 (13-14)): 158–161.
Published: 01 September 1985
... to look again at a document which not only anticipates its own analysis but which also A review of Mary Kelly, Post-Partum Document (London and Boston: Routledge and Kegan Paul: 1983). 160 includes elaborations of that analysis as its appendix? Articles by Jo-Anna Isaak, Margaret...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 373–377.
Published: 01 December 1989
...- evision edited by Larry Gross, John Stuart Katz and Jay Ruby. Oxford Uni- versity Press, 1988. $29.95. The Loud Silents: Origins of the Social Problem Film by Kay Sloan. University of Illinois Press, 1988. $24.95. Chinese Cinema: Culture and Politics since 1949 by Paul Clark. Cambridge...
Journal Article
Camera Obscura (1993) 11 (1 (31)): 149–151.
Published: 01 May 1993
... by Robert J. Corber. Duke University Press, 1994. $16.95. Desire Unlimited: The Cinema of Pedro Almoddvar by Paul Julian Smith. Verso, 1994. $17.95. Audio- Vision: Sound on Screen by Michael Chion. Columbia University Press, 1994. $17.50. Bad Girls. MIT Press, 1994. $19.95. Aesthetics...
Journal Article
Camera Obscura (1988) 6 (2 (17)): 206–214.
Published: 01 May 1988
...Bruce Robbins Copyright © 1988 by The Johns Hopkins University Press 1988 Men in Feminism Bruce Robbins Men in Feminism, Alice Jardine and Paul Smith, eds., New York and London: Methuen, 1987 A number of women have declined to review this book. I think I can understand...
Journal Article
Camera Obscura (1986) 5 (3 (15)): 180–181.
Published: 01 December 1986
.... Kaplan, E. Ann The Hidden Agenda: Re-Vision: Essays in Feminist Film Criticism. N0.13-14; pp. 235-249. Kelly, Mary and Paul Smith No Essential Femininity: A Conversation Between Mary Kelly and Paul Smith. No.13-14; pp. 149-157. Kirby...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 53–67.
Published: 01 December 1989
... of Cultures.” Third Cinema: Theories and Practices , edited by Pines, Jim, and Paul Willemen (London: British Film Institute, 1989 ). Johnston , Claire . “Towards a Feminist Film Practice: Some Theses.” Edinburgh Magazine 1 ( 1975 ): 50 –59. Kay , Shelley . “Confessions of a Splatter Girl...