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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1985) 5 (1-2 (13-14)): 148–157.
Published: 01 September 1985
...Jane Weinstock Copyright © 1985 by Camera Obscura 1985 No Essential Femininity: A Conversation between Mary Kelly and Paul Smith Introduction Mary Kelly, an American living in London, resists definition. An artist, a teacher, a curator, a writer, and a filmmaker, a socialist...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1996) 13 (1 (37)): 31–68.
Published: 01 January 1996
... Paul Verhoeven's Basic In- stinct, a film related to Single White Female in its suggestion of the threat of pathological lesbianism. Douglas's presence here points to a 43 intertextual relationship between Fatal Attraction and Basic Instinct that is overtly borne out in one of Basic Instinct's...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 135–143.
Published: 01 September 2012
... Moufawad-Paul's Nus Enssas / صيصنصن (Canada, 2011) and Raafat Hattab's Hourieh (Palestine, 2011) explore issues ranging from queer diasporic solidarity politics and challenges to out/closeted binaries and to the creative reinscription of nakba narratives. Nadia Awad's Two Adaptations of the Same Novel (US...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2014) 29 (2 (86)): 119–147.
Published: 01 September 2014
... Phillips, US, 2009) and considering the psychic consequences of forgetting that relate to a repudiation of, and simultaneously disavowed identification with, the feminine that characterizes the heterosexual male's melancholia. A coda examines Bridesmaids (dir. Paul Feig, US, 2011), a film about female...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2018) 33 (2 (98)): 105–137.
Published: 01 September 2018
...Paul Flaig This essay offers a feminist critique and correction of media archaeology. Media archaeology has developed over the last two decades as a historiographic response to increasingly advanced contemporary media technologies and, with them, changing accounts and archives of earlier analog...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1988) 6 (2 (17)): 89–111.
Published: 01 May 1988
...Paul Smith Copyright © 1988 by The Johns Hopkins University Press 1988 Vas Paul Smith “It is not going to be easy to write about masculinity” says Anthony Easthope near the beginning of his book about what he calls the “myth” of male sexuality in popular culture.’ It might...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2014) 29 (3 (87)): 93–115.
Published: 01 December 2014
...Paul A. Schroeder Rodríguez Lucrecia Martel is quite possibly the leading filmmaker in Latin America today, thanks to her subtle yet scathing critique of patriarchy's traditional gender roles and normative sexuality through a multilayered and innovative cinematic language that privileges...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1986) 5 (3 (15)): 180–181.
Published: 01 December 1986
.... 87-109. Kaplan, E. Ann The Hidden Agenda: Re-Vision: Essays in Feminist Film Criticism. N0.13-14; pp. 235-249. Kelly, Mary and Paul Smith No Essential Femininity: A Conversation Between Mary Kelly and Paul Smith. No.13-14; pp. 149-157...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 7–11.
Published: 01 December 1982
... in her room in the country for example-are emblematic of some of the ways in which the film represents difference: here, first in terms of living differently-Denise’s decision to leave Paul, the city, her apartment, her work at the television station, in favor of a life in the country; and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1976) 1 (1 (1)): 143.
Published: 01 May 1976
... Screen, vol. 14, no. 3 (Autumn 1973). "The Narrative Text of Shock Corridor", Screen, vol. 15, no. 4 (Winter 1974/5). ] ohnston,Claire. "Femininityand the Masquerade: AnneoftheIndies' '. jacques Tourneur. Claire Johnston and Paul Willeman, eds., London: Edinburgh Film Festival, 1975...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (3 (30)): 58–75.
Published: 01 May 1992
...-produce these “individual” voices. In Misery the body is the locus of production: Paul Sheldon’s body is forced to produce romance fiction under the dominating control of Annie Wilkes. However, this apparent system of control and domination-Annie WilkesRaul Sheldon-is, in fact, subverted or...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2003) 18 (2 (53)): 152–153.
Published: 01 September 2003
... Cinematic Time: Modernity, Contingency, the Archive. Cambridge: Harvard University Press, 2002. Foster, Gwendolyn Audrey. Performing Whiteness: Postmodern Re/Constructions in the Cinema. Albany, NY: State University of New York Press, 2003. Herivel, Tara, and Paul Wright, eds...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 116–123.
Published: 01 December 1982
... analyze between shot and photogram) to the image of Paul’s body as he collapses against the fender of the car, while watching Cecile walk away with her mother. Here, in order, are the fifteen stop-action moments-but I may be mistaken, taken in by the excessive naturalness of these...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1985) 5 (1-2 (13-14)): 158–161.
Published: 01 September 1985
...-October-November 1983 ), pp. 12 –23. Paoletti , John The Critical Eye/I . New Haven: Yale Center for British Art, 1984 . Parker , Rozsika , and Griselda Pollock. Old Mistresses: Women, Art and Ideology . London: Routledge and Kegan Paul: 1981 . Smith , Paul . “Mother as Site of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 20–31.
Published: 01 December 1982
..., Paul Godard, and the function of quotation here (the Duras episode, for example) is only a more pointed use of this extending strategy very familiar from Godard’s earlier films. (This is discussed in Alan Williams’s article in this issue.) From such a description, the film may sound like...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1993) 11 (1 (31)): 149–151.
Published: 01 May 1993
... by Robert J. Corber. Duke University Press, 1994. $16.95. Desire Unlimited: The Cinema of Pedro Almoddvar by Paul Julian Smith. Verso, 1994. $17.95. Audio- Vision: Sound on Screen by Michael Chion. Columbia University Press, 1994. $17.50. Bad Girls. MIT Press, 1994. $19.95. Aesthetics...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 12–19.
Published: 01 December 1982
...Constance Penley Copyright © 1982 by Camera Obscura 1982 Pornography, Eroticism Constance Pen 1e y Near the beginning of Sauve pipeut (la vie), in a scene that has been singled out for accusations of pornography (specifically, pedophilia), “Paul Godard” drops by a sports...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 373–377.
Published: 01 December 1989
...- evision edited by Larry Gross, John Stuart Katz and Jay Ruby. Oxford Uni- versity Press, 1988. $29.95. The Loud Silents: Origins of the Social Problem Film by Kay Sloan. University of Illinois Press, 1988. $24.95. Chinese Cinema: Culture and Politics since 1949 by Paul Clark. Cambridge...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1988) 6 (3 (18)): 156.
Published: 01 September 1988
... the Subject by Paul Smith. University of Minnesota Press, 1988. $13.95. Nonindifferent Nature by Sergei Eisenstein, trans. Herbert Marshall. Cam• bridge University Press, 1988. $37.50. Marilyn Monroe by Graham McCann. Rutgers University Press, 1988. SilentMagic...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 53–67.
Published: 01 December 1989
... Ceylon—A Clash of Cultures.” Third Cinema: Theories and Practices , edited by Pines, Jim, and Paul Willemen (London: British Film Institute, 1989 ). Johnston , Claire . “Towards a Feminist Film Practice: Some Theses.” Edinburgh Magazine 1 ( 1975 ): 50 –59. Kay , Shelley . “Confessions...