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1
Journal Article
Camera Obscura (2017) 32 (2 (95)): 89–115.
Published: 01 September 2017
... of participatory culture with which the new series is associated. Despite the apparent transgression of men enjoying a television show clearly coded as being for young girls, the article argues that Brony practices reproduce many male-centered aspects of fan media consumption in a manner that recuperates...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 65–97.
Published: 01 December 2016
... the product has demon-
strated its potential.
By analyzing the economies of promise that underwrite cre-
ative collaborations, this article contributes to growing debates on
participatory or processual art. Notions of social art, social poet-
ics, participatory culture, and process-based...
Journal Article
Camera Obscura (1991) 9 (1-2 (25-26)): 321–322.
Published: 01 September 1991
...
of “What Made Pistachio Nuts Anarchistic Comedy and the Vaudeville
Aesthetic (forthcoming, Columbia University Press) and Textual Poachers:
Television Fans and Participatory Culture (forthcoming, Routledge). With
322 Kristine Karnick (Indiana University), he is currently editing an anthology...
Journal Article
Camera Obscura (2022) 37 (2 (110)): 149–159.
Published: 01 September 2022
... in and critique of their favorite films. [email protected] Copyright © 2022 by Camera Obscura Published by Duke University Press 2022 feminism social media popular culture hashtags participatory culture Figure 1. A square of nine posts related to the screening of The Craft...
FIGURES
Journal Article
Camera Obscura (2010) 25 (1 (73)): 97–129.
Published: 01 May 2010
... not mentioned in Henry Jenkins’s Textual Poachers, the Sons
of the Desert as an appreciation society for Laurel and Hardy
clearly exists as an early exercise in “participatory culture,” pos-
sibly predating the television series – based fandom outlined in
120 • Camera Obscura
that landmark work...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 141–151.
Published: 01 December 2016
...Jihoon Kim This article examines a series of video works by Okin Collective, a group of three Korean artists (Jin Shiu, Kim Hwayong, and Yi Joungmin) who have over the past few years been productively concerned with an array of political, social, and cultural issues from both local and global...
Journal Article
Camera Obscura (2023) 38 (3 (114)): 7–33.
Published: 01 December 2023
...: Television Fans and Participatory Culture (New York: Routledge, 1992), 1. Another influential ethnographic approach to fan culture is Camille Bacon-Smith, Enterprising Women: Television Fandom and the Creation of Popular Myth (Philadelphia: University of Pennsylvania Press, 1992). 4. In addition...
FIGURES
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Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 194–199.
Published: 01 December 1989
... Copyright © 1990 by The Johns Hopkins University Press 1989 194 that is postmodern American life, we can continue to intervene effec-
tively within contemporary cultural and sexual politics.
It is impossible to provide a complete list of all the scholarship that
I...
Journal Article
Camera Obscura (2024) 39 (2 (116)): 189–218.
Published: 01 September 2024
... was once a chapter. 1. Jean Burgess and Joshua Green, YouTube: Online Video and Participatory Culture , 2nd ed. (Cambridge: Polity Press, 2018). 2. Stuart Cunningham and David Craig, Social Media Entertainment: The New Intersection of Hollywood and Silicon Valley (New York: NYU Press...
FIGURES
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Journal Article
Camera Obscura (2024) 39 (3 (117)): 61–93.
Published: 01 December 2024
..., and musical competitions. 41 Reply 1988 , set in the late 1980s, reflects this ambivalence surrounding Korean television culture of that decade, particularly in its depiction of communal viewing and, later, the participatory reception of the medium. At Jeonghwan's house (his family is wealthy) a TV...
FIGURES
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Journal Article
Camera Obscura (2020) 35 (1 (103)): 39–75.
Published: 01 May 2020
... thresholds between body and mind, self and other, nature and culture. Copyright © 2020 Camera Obscura 2020 Nina Sobell biofeedback cybernetics feminist art nonverbal communication participatory art Figure 1. Nina Sobell, EEG: Video Telemetry Environment (also known as Brainwave Drawings, 1975...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 103–107.
Published: 01 December 1989
.... Just as in film spectatorship,
my cultural voyeurism is not a passive “looking at.” I also, like the
104 film spectator, am incorporated in the text of that cultural production
that I came to see. It (re)defines me while I (re)define it. The act of
looking is a participatory...
Journal Article
Camera Obscura (2018) 33 (2 (98)): 197–207.
Published: 01 September 2018
... meanings of humanity. Popular among contemporary participatory documentary interventions aiming to empower dehumanized subjects such as impoverished children, disaster victims, disabled individuals, and endangered animals, immediations include tropes such as the photographic aesthetic of innocence...
Journal Article
Camera Obscura (2006) 21 (2 (62)): 184–191.
Published: 01 September 2006
..., intangible language?
Archive for the Future • 187
Although Western feminisms emerged alongside the
visual culture, film, and media studies that endeavored to shift the
perception about how meaning is shaped, contemporary experi-
mental-film and video...
Journal Article
Camera Obscura (2015) 30 (1 (88)): 71–99.
Published: 01 May 2015
...).
20. See Suzanne Scott, “Who’s Steering the Mothership? The
Role of the Fanboy Auteur in Transmedia Storytelling,” in The
Participatory Cultures Handbook, ed. Aaron Delwiche and Jennifer
Jacobs Henderson (New York: Routledge, 2013), 43 – 52.
21. Mittell, “Cultural Power...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 195–203.
Published: 01 September 2016
... and activism, the politics of contemporary visual culture, and critical theory. Her research has been published in ArtMargins and Sztuka i dokumentacja ( Art and Documentation ). © 2016 by Camera Obscura 2016 opacity performance art camouflage resistance art and activism Figure 1. Jemima...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 175–185.
Published: 01 May 2016
... the filmmaking process and the filming subjects, demonstrating self-reflexive performativity more than transparent authenticity. It is such performativity that mediates between the past and the present, between the individual and the collective. As a participatory performance of filmmaking, the Folk Memory...
Journal Article
Camera Obscura (1994) 11-12 (3-1 (33-34)): 102–131.
Published: 01 May 1994
...,”
Diss., University of Wisconsin-Madison, 1995; Henry Jenkins, Textual
Poachers: Television Fans and Participatory Culture (New York:
Routledge, 1992); Chad Dell, “‘Lookit That Hunk of Man Subversive
Pleasures, Female Fandom and Professional Wrestling...
Journal Article
Camera Obscura (2004) 19 (3 (57)): 187–219.
Published: 01 December 2004
...: Television Fans and Participatory
Culture (London: Routledge, 1992); and Ien Ang, Living Room
Wars: Rethinking Media Audiences for a Postmodern World (London:
Routledge, 1996).
19. Lynne Joyrich, “All That Television Allows: TV Melodrama,
Postmodernism, and Consumer Culture,” Camera...
Journal Article
Camera Obscura (2017) 32 (2 (95)): 175–183.
Published: 01 September 2017
... with the conversations about greater inclusivity in the
traditionally insular game industry that QGCon facilitates, forms
the important context for Coffee: A Misunderstanding, which com-
bines video game with participatory live theater and was inspired
by social experiences taken from both video game conference...
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