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participatory art
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1
Journal Article
Camera Obscura (2016) 31 (3 (93)): 65–97.
Published: 01 December 2016
... works and the processes behind them contribute to debates on participatory or processual art in the twenty-first century. Figure 1. A screenshot of the crowdsourcing campaign Web
page for Daniel Perlmutter’s “Unwritten Masterpiece” project,
first launched in 2012
Collective Writing Projects...
Journal Article
Camera Obscura (2020) 35 (1 (103)): 39–75.
Published: 01 May 2020
... thresholds between body and mind, self and other, nature and culture. Copyright © 2020 Camera Obscura 2020 Nina Sobell biofeedback cybernetics feminist art nonverbal communication participatory art Figure 1. Nina Sobell, EEG: Video Telemetry Environment (also known as Brainwave Drawings, 1975...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 141–151.
Published: 01 December 2016
... that would fictionally sublimate the politics of
memory into an aesthetic play. These collaborative open projects,
which aimed to create a dynamic exchange between past and pres-
ent, private and public, and art and life, testify to what Grant H.
Kester considers to be central to contemporary...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 35–63.
Published: 01 December 2016
... University Press,
2011); Claire Bishop, Artificial Hells: Participatory Art and the Politics
of Spectatorship (New York: Verso, 2012); and Claire Bishop, “The
Social Turn: Collaboration and Its Discontents,” ArtForum,
February 2006, 178 – 83.
8. Donna J. Haraway, When Species...
Journal Article
Camera Obscura (1991) 9 (1-2 (25-26)): 321–322.
Published: 01 September 1991
...
of “What Made Pistachio Nuts Anarchistic Comedy and the Vaudeville
Aesthetic (forthcoming, Columbia University Press) and Textual Poachers:
Television Fans and Participatory Culture (forthcoming, Routledge). With
322 Kristine Karnick (Indiana University), he is currently editing an anthology...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 194–199.
Published: 01 December 1989
... involved.) The very idea of the
“spectator” refers back to the Romantic concept of the art work as
an aesthetic object for contemplation by individual subjects. But in
the electronic age, in both the leisure and work spheres, we are no
longer such distanced observers...
Journal Article
Camera Obscura (2006) 21 (2 (62)): 184–191.
Published: 01 September 2006
... of the digital database
and its public dissemination for remapping feminisms within the
avant-garde and for introducing an enormous body of narrative,
expanded, technological, and participatory moving-image work
that does not fit easily into categories. For example, one of the
outcomes of the Arts...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 195–203.
Published: 01 September 2016
...Jasmina Tumbas In this interview, the author and Australian artist Jemima Wyman discuss the position of art and activism in Wyman's artistic practice. Focusing on opacity as a political position in the conception and production of her artwork, Wyman comments on her use of patterns, performance...
Journal Article
Camera Obscura (2017) 32 (2 (95)): 89–115.
Published: 01 September 2017
... of participatory culture with which the new series is associated. Despite the apparent transgression of men enjoying a television show clearly coded as being for young girls, the article argues that Brony practices reproduce many male-centered aspects of fan media consumption in a manner that recuperates...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 154–165.
Published: 01 December 2020
... and scholar who creates live art, performances, digital and electronic works, participatory workshops, experimental lectures, and publications. Her work can be seen at www.prabapilar.com. 9. From the artist s website: www.prabapilar.com/larval-rock-stars/. 10. From the artist s website: tejalshah.in. 164...
Journal Article
Camera Obscura (2010) 25 (1 (73)): 97–129.
Published: 01 May 2010
.... As an early precursor to our current
participatory culture of fandom, the Sons of the Desert emerged as
a direct tongue-in-cheek response to heterocentric classifications of
maleness. As such, fans developed their own alternative community
to celebrate something wonderfully queered in the art...
Journal Article
Camera Obscura (2017) 32 (2 (95)): 175–183.
Published: 01 September 2017
... under 30 in Games,” and they received an MFA in digital arts and new media from the University of California, Santa Cruz, that same year. They are currently living in Montreal, where they are working on a research-creation PhD on autobiographical games at Concordia University. © 2017 by Camera...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 5–33.
Published: 01 December 2016
...
video collective in Canada, the primary record of this work — the
videos themselves — is rapidly disintegrating and, with it, a piece of
the intersecting histories of Canadian broadcasting, media art, and
Second-Wave Feminist Video Collectives in Canada • 7
the second...
Journal Article
Camera Obscura (2017) 32 (1 (94)): 63–91.
Published: 01 May 2017
... take place with-
out libidinal satisfaction.”37 How are we to read the self-destructive
element of moral masochism in the context of The Artist Is Pres-
ent? It would be a stretch to claim that attending an art exhibition
(even one as participatory and effective as the one under discus-
sion...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 153–163.
Published: 01 May 2016
... on US author Flannery O'Connor. Erica Stein is an assistant professor of communication arts at Marymount Manhattan College, where she teaches film and television studies. Her work explores the relationship between space and narrative in both popular and experimental cinema and has been published...
Journal Article
Camera Obscura (2004) 19 (1 (55)): 181–197.
Published: 01 May 2004
... (1998) and The Swan Tool (2001), the participatory
elements are reminiscent of the art of Yoko Ono, while her por-
trayal of multiple characters brings to mind the theatricality
of Cindy Sherman. But such comparisons are strained, not only
because July does so much but also because her art...
Journal Article
Camera Obscura (2003) 18 (3 (54)): 99–117.
Published: 01 December 2003
...), and The Films of Oshima Nagisa: Images of a Japanese Iconoclast (Berkeley: University of California Press, 1998). She has also published over seventy essays in anthologies and journals on a wide range of theoretical, historical, and aesthetic issues in cinema and video, art, cultural studies, feminist...
Journal Article
Camera Obscura (2022) 37 (2 (110)): 149–159.
Published: 01 September 2022
... in and critique of their favorite films. [email protected] Copyright © 2022 by Camera Obscura Published by Duke University Press 2022 feminism social media popular culture hashtags participatory culture Figure 1. A square of nine posts related to the screening of The Craft...
FIGURES
Journal Article
Camera Obscura (2023) 38 (3 (114)): 7–33.
Published: 01 December 2023
... “fracturing” effects on culture everywhere they look: “the devil, everywhere you turn,” as Joe Pitt says to his Valium-addicted wife, Harper, in Tony Kushner's Angels in America . 19 Under the spell of queer theory, art and culture become disfigured by the reader's incessantly paranoid vision. Mr. Green...
FIGURES
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Journal Article
Camera Obscura (1992) 10 (2 (29)): 4–17.
Published: 01 May 1992
..., but an experimental video distrib-
uted through art and alternative media venues. Like a number of recent
videos about sexuality and the politics of reproduction (Shari Frilot’s
1992 A Cosmic Demonstration of Sexuality, Kathy High’s 1993 Un-
derexposed: Temple of the Fetus),Aline Mare’s 1991 S’Aline’s...
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