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Image
in Remixing to Queer the Archives of Diaspora: Qajar Photography and the Persian Carpet
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2022
Figure 5. Digital print on watercolor paper produced in Microsoft Word, edition of 5, 22 × 17 in., 2020. Courtesy of Shaheer Zazai
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Journal Article
Camera Obscura (2005) 20 (2 (59)): 196–197.
Published: 01 September 2005
... 2005 Call for Papers
Camera Obscura continues to invite our readers to compose statements
of 500–1000 words that would contribute to a conceptual “archive
for the future” of feminism, culture, and media studies. Selected
submissions will appear serially in consecutive issues...
Journal Article
Camera Obscura (2005) 20 (2 (59)): 198–199.
Published: 01 September 2005
... 2005 Call for Papers
Camera Obscura continues to invite our readers to compose statements
of 500–1000 words that would contribute to a conceptual “archive
for the future” of feminism, culture, and media studies. Selected
submissions will appear serially in consecutive issues...
Journal Article
Camera Obscura (2005) 20 (3 (60)): 234–235.
Published: 01 December 2005
... 2005 Call for Papers
Camera Obscura continues to invite our readers to compose statements
of 500–1000 words that would contribute to a conceptual “archive
for the future” of feminism, culture, and media studies. Selected
submissions will appear serially in consecutive issues...
Journal Article
Camera Obscura (2005) 20 (3 (60)): 236–237.
Published: 01 December 2005
... 2005 Call for Papers
Camera Obscura continues to invite our readers to compose statements
of 500–1000 words that would contribute to a conceptual “archive
for the future” of feminism, culture, and media studies. Selected
submissions will appear serially in consecutive issues...
Journal Article
Camera Obscura (2006) 21 (1 (61)): 183–184.
Published: 01 May 2006
... 2006 Call for Papers
Camera Obscura is planning a special issue titled Fabulous! The Diva
Issue. From actual goddesses to twenty-first century divinities in film,
television, and popular music, the figure of the diva has captivated,
inspired, and appalled. She (and, maybe, he...
Journal Article
Camera Obscura (1990) 8 (3 (24)): 162–167.
Published: 01 September 1990
...Thierry Kuntzel; Elisabeth Lyon Copyright © 1991 by The Johns Hopkins University Press 1990
Working Papers
Thierry Kuntzel
And you my heart why do you beat
Like a melancholy watchman
I observe night and death...
Journal Article
Camera Obscura (1995) 12 (2 (35)): 226.
Published: 01 May 1995
... CALL FOR PAPERS
Post Script invites submissions for a special issue on Shakespeare and
film. The editors seek papers that offer fresh and innovative approaches
to films of Shakespeare's plays. All contemporary critical perspectives
are welcome and encouraged, especially...
Journal Article
Camera Obscura (1992) 10 (3 (30)): 76–91.
Published: 01 May 1992
... the role of the academic analyst
This paper was presented at the Brisbane Center for Psychoanalytic Studies conference,“Psychoanal-
ysis, Perversions, and the Cinema” in September, 1991.
78 (she who reads and interprets the text, in this case, the film) and the
psychoanalyst (she who...
Image
in What's Your Color? Mood Conditioning the Postwar Domestic Interior
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 8. “Character Analysis through Color,” Paint Merchandising Council, 1956. Box 7, Folder 1, Faber Birren Papers, Robert B. Haas Family Arts Library, Yale University
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Image
in What's Your Color? Mood Conditioning the Postwar Domestic Interior
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 1. “What's Your Color?,” American Magazine 146, no. 3 (September 1948). Box 7, Folder 1, Faber Birren Papers, Robert B. Haas Family Arts Library, Yale University
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Image
in What's Your Color? Mood Conditioning the Postwar Domestic Interior
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 6. “The Color Kit.” From “A Catalogue of Books on Color by Faber Birren” (Westport, CT: Crimson, 1942). Box 1, Faber Birren Papers, Manuscripts and Archives Division, New York Public Library
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Image
in What's Your Color? Mood Conditioning the Postwar Domestic Interior
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 7. “The Gloray Prism.” From “A Catalogue of Books on Color by Faber Birren” (Westport, CT: Crimson, 1942). Box 1, Faber Birren Papers, Manuscripts and Archives Division, New York Public Library
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Image
in What's Your Color? Mood Conditioning the Postwar Domestic Interior
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 13. “What's Your Color?” American Magazine 146, no. 3 (September 1948). Box 7, Folder 1. Faber Birren Papers, Robert B. Haas Family Arts Library, Yale University
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Image
in What's Your Color? Mood Conditioning the Postwar Domestic Interior
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 9. “Meet Your Color Mate,” Woman 47, no. 1219 (October 15, 1960). Box 7, Folder 1. Faber Birren Papers, Robert B. Haas Family Arts Library, Yale University
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Image
in What's Your Color? Mood Conditioning the Postwar Domestic Interior
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 10. “Meet Your Color Mate,” Woman 47, no. 1219 (October 15, 1960). Box 7, Folder 1. Faber Birren Papers, Robert B. Haas Family Arts Library, Yale University
More
Journal Article
Camera Obscura (2008) 23 (3 (69)): 35–79.
Published: 01 December 2008
... of “cover” and “lack” that traverse and structure diverse fields of inquiry from psychoanalysis to architectural theory to dance history to film criticism, this paper argues that there is a profound nostalgia, rather than refutation, between the clean nudity of modern objects and the ornate nakedness of so...
Journal Article
Camera Obscura (2012) 27 (2 (80)): 93–133.
Published: 01 September 2012
..., the paper addresses the questions of whether the trauma of the perpetrator indeed exists; how we might understand the somatic and epistemological conditions of guilt; how we should define the perpetrator's trauma in contrast to the victim's; and whether this cinematic trend indeed paves the way for Israelis...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 125–133.
Published: 01 May 2013
... special “In Practice” dossier on WMM sheds light on the formation and early history of the organization and its origins as a community-based filmmaking workshop called the Chelsea Picture Station. Exploring materials such as old newsletters, brochures, notes, and other ephemera from the WMM papers...
Journal Article
Slaves of the House and Victims of Love: New Life and Relationship Challenges in Dwelling Narrowness
Camera Obscura (2014) 29 (2 (86)): 35–57.
Published: 01 September 2014
...Huike Wen Dwelling Narrowness ( Wo ju , translated literally as “snail dwelling”) became Chinese netizens' “favorite TV drama” in 2009. In this paper, I focus on a complex of issues in contemporary Chinese society about which Dwelling Narrowness provoked extensive discussion: love, sex...
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