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Image
Published: 01 May 2021
Figure 6. Jacopo Pontormo, Visitation (ca. 1528–30). Oil on panel, 80 × 61 in. The Church of San Michele e San Francesco, Carmignano, Italy
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Image
Published: 01 September 2021
Figure 1. Firelights (1960). Ink, acrylic paint, and collage on Masonite panel, 17 × 23½ in.
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Journal Article
Queer/Palestinian Cinema: A Critical Conversation on Palestinian Queer and Women's Filmmaking
Available to Purchase
Camera Obscura (2012) 27 (2 (80)): 135–143.
Published: 01 September 2012
... organizations, these critiques often fail to consider how queer Palestinians mobilize and understand themselves. This article reports on an October 2011 panel and film screening at Yale University and the Hagop Kevorkian Center for Near Eastern Studies at New York University. “Queer/Palestinian: Critical...
Journal Article
Seeing in Alison Bechdel's Fun Home
Available to Purchase
Camera Obscura (2013) 28 (3 (84)): 103–123.
Published: 01 December 2013
....
Though Bruce Bechdel’s death is described at the beginning of
the book, the narrative returns multiple times to fill out the details,
depicting the truck that hit him and the road on which he was
killed in many different panels. Bechdel, interviewed in advance
of the release of her second graphic...
Journal Article
Conference Report: Conference on Feminist Film Criticism
Available to Purchase
Camera Obscura (1981) 3 (1 (7)): 136–143.
Published: 01 May 1981
... for an open forum
in which diverse voices participate. This goal, an optimum one for
any conference, rigorously informed the planning of this conference
on a structural and philosophical level. The beneficial effects of this
position were obvious in the organization of panels, discussions...
Journal Article
Becoming User: Oracle, Barbara Gordon, and Representations of the User in Popular Culture
Available to Purchase
Camera Obscura (2023) 38 (3 (114)): 141–171.
Published: 01 December 2023
... panels of her hands typing and many panels depicting multiple viewpoints of her in her wheelchair, her body folded in a seated position, tucked into the desk, in front of multiple monitors. Oracle is always Barbara, and vice versa. Because Oracle does not wear a costume, the two aliases are much less...
FIGURES
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Journal Article
The UCLA Gay and Lesbian Media Conference
Available to Purchase
Camera Obscura (1983) 4 (2 (11)): 120–131.
Published: 01 September 1983
... and non-gay women and men. While the parameters of the
panels were widely drawn in order to provide for diverse approaches, such
The conference was organized by a group of graduate students in the Motion
Picture/Television Studies program at UCLA: Claire Aguilar, Chris Berry, Larry
Horne...
Journal Article
A Brief History of the M s in SCMS
Available to Purchase
Camera Obscura (2006) 21 (3 (63)): 159–165.
Published: 01 December 2006
... Ellen Seiter invited me
to contribute to a panel she was organizing on feminist aspects of
Camera Obscura 63, Volume 21, Number 3
doi 10.1215/02705346-2006-017 © 2006 by Camera Obscura
Published by Duke University Press
159
160 • Camera Obscura
West German film. My topic: recent...
Journal Article
Carolee Schneemann (1939–2019): Portfolio
Available to Purchase
Camera Obscura (2021) 36 (2 (107)): 198–210.
Published: 01 September 2021
...Figure 1. Firelights (1960). Ink, acrylic paint, and collage on Masonite panel, 17 × 23½ in. ...
FIGURES
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Journal Article
Looking Back, Moving Forward: Retrospectives at the Melbourne Women in Film Festival
Available to Purchase
Camera Obscura (2020) 35 (2 (104)): 159–169.
Published: 01 September 2020
.... Clare Ferra, 2011 Art & Life was accom- panied by a panel on which filmmakers including Blagg, Blonski, and Waghorn discussed the changes in Australian women s film production from 1975 to 2017. While the panelists concluded that industrial inequity has persisted, they also revealed their ongoing energy...
Journal Article
The Legacy of Representation: International Experimental Media Congress; Toronto, 1989 and 2010
Available to Purchase
Camera Obscura (2012) 27 (3 (81)): 137–147.
Published: 01 December 2012
...
of simultaneous back- to- back panels, workshops, and organized
screenings in to a more modest four days of discussion, with
no media shown.3 In terms of focus, it expanded from an almost
singular focus on lm to the broader category of media. Perhaps
most signi cant, it shifted from a concentration...
Journal Article
Varda's Third Life
Available to Purchase
Camera Obscura (2021) 36 (1 (106)): 187–213.
Published: 01 May 2021
... potatoes. Addressing as it does spectators’ sight, hearing, and smell, Patatutopia is Varda's most immersive video installation. On the center screen the heart-shaped potatoes seem to be breathing, while the side panels display variations of rootlets, sprouts, and offshoots. A complex, disquieting sound...
FIGURES
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Journal Article
Editor's Note on “Dossier on Women and Video: Histories and Practices”
Available to Purchase
Camera Obscura (2003) 18 (3 (54)): 1.
Published: 01 December 2003
...-
tering community. Early versions of the essays collected here were
presented at a panel I organized for the 2002 Society for Cinema
Studies conference. The interview with Patty Chang supplements
the varied critical histories with an example of contemporary
practice that builds on past...
Journal Article
Shaped by Discourse, Dispersed by Desire: Masquerade and Mary Kelly's Interim
Available to Purchase
Camera Obscura (1991) 9 (3 (27)): 134–147.
Published: 01 September 1991
... in different postures that are paired with anecdotal text panels.
Charcot’s practice of documenting photographically his hysterical pa-
tients and his classification of “attitudespassionelles” are invoked but
not uncritically. The objectivizing documents are photographs of ar-
ticles of clothing...
Journal Article
Forme fruste : Introduction to Ray Barrie's Fellowdrama
Available to Purchase
Camera Obscura (1988) 6 (2 (17)): 82–88.
Published: 01 May 1988
... fruste. What is it that defines definition in an image?
(All quotations are from Sigmund Freud, “Charcot” (1983), Stan-
dard Edition vol. 3.)
“Terreur,” panels 1 and 6, 30” x 30”, hand-colored positive, 1985 (Ray Barrie)
“Ironie,” panels5 and 2, 30” x 30”, hand-coloredpositive, 1985...
Journal Article
The Theater of Everyday Life: Ulrike Ottinger's China: The Arts, Everyday Life
Available to Purchase
Camera Obscura (1988) 6 (3 (18)): 42–51.
Published: 01 September 1988
...
as a question of pointof view." And in a panel discussion at the London
Institute for Contemporary Arts, Ottinger described her camera style
in the following way:
In making the film, I was influenced by Chinese nature-painting: by the
use of the scroll, which not only demands...
Journal Article
A Manifesto for the Broken Machine
Available to Purchase
Camera Obscura (2020) 35 (2 (104)): 171–179.
Published: 01 September 2020
... the Broken Machine to work: 1. The Broken Machines know that the gendered and raced head count in which businesses, faculties, panels, advisory boards, and executives convene and conference in a frantic wave of inclusion is too often about showing a good face. Broken Machines snicker a little as the fear...
Journal Article
Communicating With the Dead: Elvis as Medium
Available to Purchase
Camera Obscura (1990) 8 (2 (23)): 176–205.
Published: 01 May 1990
... by Elvis perf~rmers
The Bessettes’ goal to make impersonation into a useful and re-
spectable profession was quite evident at the EPIIA’s 1990 conven-
tion-particularly at a panel entitled “How To Be An Elvis Imper-
sonator.” Moderated by Dave Carlson, D. J. Fontana and band leader
Dan...
Journal Article
Looking Back and Forward: A Conversation about Women Make Movies
Available to Purchase
Camera Obscura (2013) 28 (1 (82)): 147–155.
Published: 01 May 2013
... to stop when equity is reached, but equity
hasn’t been reached by a long shot. Certainly there’s so much to
celebrate. When I came to WMM, I could count on one hand the
150 • Camera Obscura
number of women directors working in Hollywood. I remem-
ber being on a panel with Michelle Parkerson...
Journal Article
Cinema Histories, Cinema Practices Asilomar Conference
Available to Purchase
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 223–233.
Published: 01 December 1982
... 225
unrelated papers succeeded one another on panels whose topics were
unclear or ignored. Workshops during the evening, apparently the
time reserved for pragmatism (“Women in Hollywood,” “Holly-
wood and Politics” (unionization), “The Technology of Special Ef-
fects Cinema remained...
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