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palestinian

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 135–143.
Published: 01 September 2012
...Colleen Jankovic; Nadia Awad While expanding critiques of pinkwashing have drawn increasing attention to how queer issues in Israel and the Occupied Palestinian Territories are perniciously mobilized by a network of lobby groups, Brand Israel initiatives, and international gay and lesbian...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2008) 23 (3 (69)): 1–33.
Published: 01 December 2008
...Anna Ball One of the many astonishing traits of Palestinian cinema is the way in which it has embraced the complex relationship between gender and nation as a central concern in its filmmaking. This article explores the ways in which gendered and national identity are negotiated and refigured in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 155–160.
Published: 01 September 2012
...Omar Kholeif In this piece I address the construction of male homosexuality in Eytan Fox's The Bubble (Israel, 2006) in contrast with its presentation in the artist Sharif Waked's short film, Chic Point (Palestine, 2003). Examining the tensions between Palestinian and Israeli masculinity and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2008) 23 (2 (68)): 103–139.
Published: 01 September 2008
... with suffering. Walk on Water 's protagonist, a Mossad assassin, attempts to bask in the suffering of at least three groups as the film unfolds: Israelis as victims of Palestinian terror, Jews as victims of the Nazis, and queers as victims of homophobia. None of these moments, however, make him cry...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 165–175.
Published: 01 September 2012
... dissimulation as a democratic and progressive nation in its advancement of queer-rights (commonly referred to as pinkwashing ), “Notes from the Field” exposes the realities of occupation and its impact on the lives of Palestinians, including queers and their profound interventions. Through a critique of the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2012) 27 (3 (81)): 181–183.
Published: 01 December 2012
... Discipline and Pleasure: Shirley Temple and the Spectacle of Child Loving. No 79: pp. 127 – 155 Colleen Jankovic with Nadia Awad Queer/Palestinian Cinema: A Critical Conversation on Palestinian Queer and Women’s Filmmaking. No. 80: pp. 135 – 143 Omar Kholeif Me and a Rifle (and an IDF...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 145–153.
Published: 01 September 2012
... prints, or an afternoon reception of bubbly and cana- pés. Two examples: San Francisco’s venerable Frameline Festival receives per year, while in Queer Lisboa received the equivalent of a plane ticket. In both cases, local activists and Palestinian Queers for Boycott, Divestment, and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 93–133.
Published: 01 September 2012
... intifada in and after the end of the second intifada, the Israeli new wave focuses not on the trauma of the victimized Palestinian — although clearly this remains an issue of urgent political concern — but rather on that of the Israeli as perpetrator of atrocities. This is not at all to say...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 161–163.
Published: 01 September 2012
...Omar Kholeif © 2012 by Camera Obscura 2012 In Practice: The Queer State of Palestinian Media Me and a Rifle (and an IDF Soldier on My Back) Omar Kholeif It is 2 p.m. Saturday afternoon. Or is it Friday night? I am in a state of deep insomnia, as I have been for this whole...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2003) 18 (3 (54)): 41–69.
Published: 01 December 2003
... Palestinian Mona Hatoum, who lives in London, circulates in the interna- tional art world, and uses video in the context of installation art. What Is That and between Arab Women and Video? • 45 Given the expense of video installation, Hatoum’s superb oeuvre, like that of other Western...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2009) 24 (3 (72)): 41–71.
Published: 01 December 2009
... victimhood of the Holocaust has served to justify and perpetuate the Israeli occupation of the Palestinian people. According to the Israeli historian Idith Zertal, the Israeli discourse of power has been perceived not only as a vital neces- sity in the context of the Israeli-Arab conflict but also as...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2010) 25 (2 (74)): 173–181.
Published: 01 September 2010
... Nichols, Blurred Boundaries: Questions of Meaning in Contemporary Culture (Bloomington: Indiana University Press, 1994). 3. Ronit Avni, “Mobilizing Hope: Beyond the Shame-­Based Model in the Israeli-­Palestinian Conflict,” American Anthropologist 108 (2006): 205 – 14. Rosa...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 93–121.
Published: 01 May 2016
... and the Black Panthers in Genet parle d’Angela Davis. Paul and Carole Roussopoulos were <fig. 5 cap.>Pablo Picasso’s Guernica, active in Palestinian solidarity campaigns, having visited Amman Children of Men (2006) alongside Mahmoud Hamchari (the French...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2006) 21 (1 (61)): 147–182.
Published: 01 May 2006
... feminist-corporeal theory. Her current research focuses on Israeli and Palestinian films on the Intifada. Figure 1. Susanna’s (Winona Ryder) narrative silences the voice of bulimia nervosa in Girl, Interrupted (dir. James Mangold, US, 1999). Not a Dirty Secret: On Some Cases of Bulimia in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1989) 7 (1 (19)): 4–23.
Published: 01 January 1989
... popular film, (think of the narratively incomprehensible appearance of the fantasmatic hybrids, Palestinian-Libyan terrorists, in Back to the Ftiture, for instance). In To Live and Die, this embedded figure of American foreign policy anxiety also allows the film the occasion...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 33–59.
Published: 01 December 1982
...- super-ego is similar in function to thc woman’s voice that comes on over the image of the Palestinian woman in Ici et ailleuvs, accusing Godard of having chosen a young, beautiful woman for the scene and having said nothing about it: “It’s a small step from this kind of omission to fkcism...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2007) 22 (1 (64)): 137–177.
Published: 01 May 2007
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2009) 24 (3 (72)): 73–109.
Published: 01 December 2009
... Theo from the back, they run directly into a scene lifted from news imagery of a Palestinian or possibly Iranian march, complete with a dead body being carried. The loss of the referent here is precisely the point, since what the image represents is Islam, alterity, and threat in a single...