1-20 of 298

Search Results for painting

Save search
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article

Painting and Cinema: The Frames of Discourse

Available to Purchase
Lynne Kirby
Camera Obscura (1988) 6 (3 (18)): 95–105.
DOI: https://doi.org/10.1215/02705346-6-3_18-95
Published: 01 September 1988
...Lynne Kirby Pascal Bonitzer, Décadrages: Peinture et cinéma (Paris: Cahiers du Cinéna/Éditions de l'Étoile, 1985) Copyright © 1988 by The Johns Hopkins University Press 1988 Painting and Cinema: The Frames of Discourse Lynne Kirby Pascal Bonitzer, Decadrages: Peinture...
View articletitled, <span class="search-highlight">Painting</span> and Cinema: The Frames of Discourse View PDF for article titled, <span class="search-highlight">Painting</span> and Cinema: The Frames of Discourse
Journal Article

Philosophy and Painting in the Age of Their Experimentation: Contribution to an Idea of Postmodernity

Available to Purchase
Jean-François Lyotard, Maria Minich Brewer, Daniel Brewer
Camera Obscura (1984) 4 (3 (12)): 110–125.
DOI: https://doi.org/10.1215/02705346-4-3_12-110
Published: 01 December 1984
...Jean-François Lyotard; Maria Minich Brewer; Daniel Brewer © 1984 by Camera Obscura 1984 Ler Bazgneuzez (Claude-Joseph Vernet , 1771) Philosophy and Painting in the Age of Their Experimentation: Contribution to an Idea of Postmodernity Jean-FranGotj- LYO~UT~ I imagine you...
View articletitled, Philosophy and <span class="search-highlight">Painting</span> in the Age of Their Experimentation: Contribution to an Idea of Postmodernity View PDF for article titled, Philosophy and <span class="search-highlight">Painting</span> in the Age of Their Experimentation: Contribution to an Idea of Postmodernity
Image
Figure 1. Firelights (1960). Ink, acrylic paint, and collage on Masonite panel, 17 × 23½ in.

Firelights (1960). Ink, acrylic paint, and collage on Masonite panel, 17 ×...

Available to Purchase
in Carolee Schneemann (1939–2019): Portfolio > Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 September 2021
Figure 1. Firelights (1960). Ink, acrylic paint, and collage on Masonite panel, 17 × 23½ in. More
Image
Figure 8. “Character Analysis through Color,” Paint Merchandising Council, 1956. Box 7, Folder 1, Faber Birren Papers, Robert B. Haas Family Arts Library, Yale University

“Character Analysis through Color,” Paint Merchandising Council, 1956. Box ...

Available to Purchase
in What's Your Color? Mood Conditioning the Postwar Domestic Interior > Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 8. “Character Analysis through Color,” Paint Merchandising Council, 1956. Box 7, Folder 1, Faber Birren Papers, Robert B. Haas Family Arts Library, Yale University More
Journal Article

On Carolee

Available to Purchase
Yvonne Rainer
Camera Obscura (2021) 36 (2 (107)): 129–133.
DOI: https://doi.org/10.1215/02705346-9052844
Published: 01 September 2021
... select works produced by Schneemann at Judson, including Lateral Splay (1962) and Meat Joy (1964). The essay reflects on the relation between the dance workshops and Schneemann's work in painting. It gives particular focus to Schneemann's canonic “solo” Interior Scroll (1975) and the author's experience...
FIGURES
View articletitled, On Carolee View PDF for article titled, On Carolee
Journal Article

What's Your Color? Mood Conditioning the Postwar Domestic Interior

Available to Purchase
Lida Zeitlin-Wu
Camera Obscura (2023) 38 (3 (114)): 35–75.
DOI: https://doi.org/10.1215/02705346-10772575
Published: 01 December 2023
...Figure 8. “Character Analysis through Color,” Paint Merchandising Council, 1956. Box 7, Folder 1, Faber Birren Papers, Robert B. Haas Family Arts Library, Yale University ...
FIGURES | View All (13)
View articletitled, What's Your Color? Mood Conditioning the Postwar Domestic Interior View PDF for article titled, What's Your Color? Mood Conditioning the Postwar Domestic Interior
Journal Article

The Red and the Black: Gender, Genre, and the Romance of (Anti)Communism in The Woman on Pier 13

Available to Purchase
Robert Miklitsch
Camera Obscura (2014) 29 (3 (87)): 117–147.
DOI: https://doi.org/10.1215/02705346-2801540
Published: 01 December 2014
... contemporary sociocultural notions about marriage, which receives its most charged expression in the film's figuration of femininity (the femme fatale) and homosexuality (the queer “commie”). Just as Diego Rivera's painting The Flower Carrier (1935) illustrates the ideological ambiguity of The Woman on Pier 13...
View articletitled, The Red and the Black: Gender, Genre, and the Romance of (Anti)Communism in The Woman on Pier 13 View PDF for article titled, The Red and the Black: Gender, Genre, and the Romance of (Anti)Communism in The Woman on Pier 13
Journal Article

Varda's Third Life

Available to Purchase
Dominique Bluher
Camera Obscura (2021) 36 (1 (106)): 187–213.
DOI: https://doi.org/10.1215/02705346-8838601
Published: 01 May 2021
... up and expand on her lifelong passion for still and moving images, painting, photography, and cinema. The author also shows how Varda has rethought and reworked certain subjects that mattered to her throughout her career, by means proper to this new medium. Varda always had the gift to give us...
FIGURES | View All (8)
View articletitled, Varda's Third Life View PDF for article titled, Varda's Third Life
Journal Article

Temporal Surfacing: Mosori Monika (1970) and Chick Strand's Cross-Cultural Explorations

Available to Purchase
Ekin Pinar
Camera Obscura (2022) 37 (3 (111)): 31–57.
DOI: https://doi.org/10.1215/02705346-10013604
Published: 01 December 2022
... of Strand's film in relation to the transnational, cross-cultural, and affective ranges that go unnoticed when the scope of 1970s feminisms is painted in broad brushstrokes. Accordingly, the article emphasizes that Strand's nonteleological approach to history and ethnography in her film at once challenges...
FIGURES
View articletitled, Temporal Surfacing: Mosori Monika (1970) and Chick Strand's Cross-Cultural Explorations View PDF for article titled, Temporal Surfacing: Mosori Monika (1970) and Chick Strand's Cross-Cultural Explorations
Image
Figure 1. The publicity poster for the film Together Together (dir. Nikole Beckwith, US, 2021) showcases the two protagonists sitting against a blue-green background stippled with paint swatches.

The publicity poster for the film Together Together (dir. Nikole Beckwith...

Available to Purchase
in Aromantic Comedy: The Aro/Ace Aesthetics of Together Together > Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 September 2024
Figure 1. The publicity poster for the film Together Together (dir. Nikole Beckwith, US, 2021) showcases the two protagonists sitting against a blue-green background stippled with paint swatches. More
Image
Figure 9. Pablo Picasso, Bowl of Fruit, Violin, and Wineglass (1913). Charcoal, black chalk, watercolor, oil paint, coarse black wash, and collage of printed and colored papers on board, 2511/16 × 193/4 in. © 2021 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Pablo Picasso, Bowl of Fruit, Violin, and Wineglass (1913). Charcoal, bla...

Available to Purchase
in Floating Roots: Agnès Varda's Uncle Yanco > Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 9. Pablo Picasso, Bowl of Fruit, Violin, and Wineglass (1913). Charcoal, black chalk, watercolor, oil paint, coarse black wash, and collage of printed and colored papers on board, 25 11/16 × 19 3/4 in. © 2021 Estate of Pablo Picasso / Artists Rights Society (ARS), New York More
Journal Article

History in Perspective, Perspective in History: A Commentary on L'Origine de la perspective by Hubert Damisch

Available to Purchase
Dana Polan
Camera Obscura (1990) 8 (3 (24)): 88–97.
DOI: https://doi.org/10.1215/02705346-8-3_24-88
Published: 01 September 1990
... of interpretations of the Renais- sance painting, The Ideal City (in the National Gallery in Urbino, Italy) about which little positive empirical information is known but about which art historians have offered endless hypotheses as to authorship, patronage, subject matter, iconographic...
View articletitled, History in Perspective, Perspective in History: A Commentary on L'Origine de la perspective by Hubert Damisch View PDF for article titled, History in Perspective, Perspective in History: A Commentary on L'Origine de la perspective by Hubert Damisch
Journal Article

Mary Cassatt

Available to Purchase
Nancy Wood
Camera Obscura (1983) 4 (2 (11)): 111–119.
DOI: https://doi.org/10.1215/02705346-4-2_11-111
Published: 01 September 1983
... never heard of the American painter, Mary Cassatt. The extent to which reproductions of Cassatt 's paintings increasingly adorn the covers of feminist publications in all fields would seem to suggest the opposite. The potential legacy of this turn-of-the-century female painter is not lost...
View articletitled, Mary Cassatt View PDF for article titled, Mary Cassatt
Journal Article

Fassbinder's Debt to Poussin

Available to Purchase
Lynne Kirby
Camera Obscura (1985) 5 (1-2 (13-14)): 3–27.
DOI: https://doi.org/10.1215/02705346-5-1-2_13-14-3
Published: 01 September 1985
... atten- tion to the reproduction. Defined overwhelmingly by its predominant foreground, the space of the represented painting divides into two major domains, each anchored in a figure constituted as the opposite of the other. The left-hand side features an ecstatic bacchante stretched out...
View articletitled, Fassbinder's Debt to Poussin View PDF for article titled, Fassbinder's Debt to Poussin
Journal Article

Beyond the Gaze: Visual Fascination and the Feminine Image in Silent Hitchcock

Available to Purchase
Jessica Brent
Camera Obscura (2004) 19 (1 (55)): 77–111.
DOI: https://doi.org/10.1215/02705346-19-1_55-77
Published: 01 May 2004
... of the spiraling dancer was 86 • Camera Obscura in fact a popular subject in primitive film, most famously in Edison’s Serpentine Dances (US, 1895). One of these fifty-second reels consists entirely of a dancer’s spiraling dress, which, with the addition of painted stencils, changes color as she turns...
View articletitled, Beyond the Gaze: Visual Fascination and the Feminine Image in Silent Hitchcock View PDF for article titled, Beyond the Gaze: Visual Fascination and the Feminine Image in Silent Hitchcock
Journal Article

Thierry Kuntzel and the Return of Writing

Available to Purchase
Raymond Bellour
Camera Obscura (1983) 4 (2 (11)): 28–59.
DOI: https://doi.org/10.1215/02705346-4-2_11-28
Published: 01 September 1983
..., for example, Mallarrne, Blanchot, Barthes. For the cinema, which lacks neither representations nor words (as music does), nor discursive temporality (as painting does), the possibility of analyzing itself is an ever-present temptation and obsession. There are two ways it can do this: from the outside...
View articletitled, Thierry Kuntzel and the Return of Writing View PDF for article titled, Thierry Kuntzel and the Return of Writing
Journal Article

Darkness and Light: Dusky Maidens and Velvet Dreams

Available to Purchase
Sarina Pearson
Camera Obscura (2005) 20 (1 (58)): 185–207.
DOI: https://doi.org/10.1215/02705346-20-1_58-185
Published: 01 May 2005
... realist lens of docu- mentary.5 Velvet Dreams originally aired as part of the Work of Art series (1993–98) that explored New Zealand fine art and art- ists.6 Directed by New Zealand Samoan director Sima Urale, Vel- vet Dreams superficially aimed to recuperate velvet painting from its...
View articletitled, Darkness and Light: Dusky Maidens and Velvet Dreams View PDF for article titled, Darkness and Light: Dusky Maidens and Velvet Dreams
Journal Article

Passion (Love and Work)

Available to Purchase
Jean-Luc Godard
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 124–130.
DOI: https://doi.org/10.1215/02705346-3-4-2-3-1_8-9-10-124
Published: 01 December 1982
... Godard’s original treatment was illustrated with a number of classical paintings which we wert‘ unable to reproduce here. 126 diary every evening in the midst of the smoke and drunken con- versations. It seems that the girlfriend of the factory boss is already in love...
View articletitled, Passion (Love and Work) View PDF for article titled, Passion (Love and Work)
Journal Article

“So We Will Go Bad”: Cheekiness, Laughter, Film

Available to Purchase
Anca Parvulescu
Camera Obscura (2006) 21 (2 (62)): 144–167.
DOI: https://doi.org/10.1215/02705346-2006-005
Published: 01 September 2006
...). This is a film about laughter, about laughter’s re- lation to manners, and about cinema’s relation to both. A pivotal scene will serve as our point of entry into the film: One of the two characters (both are named Marie) is stretched out on a bar along- side a painting on the adjacent wall...
View articletitled, “So We Will Go Bad”: Cheekiness, Laughter, Film View PDF for article titled, “So We Will Go Bad”: Cheekiness, Laughter, Film
Journal Article

Floating Roots: Agnès Varda's Uncle Yanco

Available to Purchase
Homay King
Camera Obscura (2021) 36 (1 (106)): 9–39.
DOI: https://doi.org/10.1215/02705346-8838517
Published: 01 May 2021
...Figure 9. Pablo Picasso, Bowl of Fruit, Violin, and Wineglass (1913). Charcoal, black chalk, watercolor, oil paint, coarse black wash, and collage of printed and colored papers on board, 25 11/16 × 19 3/4 in. © 2021 Estate of Pablo Picasso / Artists Rights Society (ARS), New York ...
FIGURES | View All (17)
View articletitled, Floating Roots: Agnès Varda's Uncle Yanco View PDF for article titled, Floating Roots: Agnès Varda's Uncle Yanco