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painting

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Journal Article
Camera Obscura (1988) 6 (3 (18)): 95–105.
Published: 01 September 1988
...Lynne Kirby Pascal Bonitzer, Décadrages: Peinture et cinéma (Paris: Cahiers du Cinéna/Éditions de l'Étoile, 1985) Copyright © 1988 by The Johns Hopkins University Press 1988 Painting and Cinema: The Frames of Discourse Lynne Kirby Pascal Bonitzer, Decadrages: Peinture...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 110–125.
Published: 01 December 1984
...Jean-François Lyotard; Maria Minich Brewer; Daniel Brewer © 1984 by Camera Obscura 1984 Ler Bazgneuzez (Claude-Joseph Vernet , 1771) Philosophy and Painting in the Age of Their Experimentation: Contribution to an Idea of Postmodernity Jean-FranGotj- LYO~UT~ I imagine you...
Image
Published: 01 September 2021
Figure 1. Firelights (1960). Ink, acrylic paint, and collage on Masonite panel, 17 × 23½ in. More
Image
Published: 01 December 2023
Figure 8. “Character Analysis through Color,” Paint Merchandising Council, 1956. Box 7, Folder 1, Faber Birren Papers, Robert B. Haas Family Arts Library, Yale University More
Journal Article
Camera Obscura (2021) 36 (2 (107)): 129–133.
Published: 01 September 2021
... select works produced by Schneemann at Judson, including Lateral Splay (1962) and Meat Joy (1964). The essay reflects on the relation between the dance workshops and Schneemann's work in painting. It gives particular focus to Schneemann's canonic “solo” Interior Scroll (1975) and the author's experience...
FIGURES
Journal Article
Camera Obscura (2023) 38 (3 (114)): 35–75.
Published: 01 December 2023
...Figure 8. “Character Analysis through Color,” Paint Merchandising Council, 1956. Box 7, Folder 1, Faber Birren Papers, Robert B. Haas Family Arts Library, Yale University ...
FIGURES | View All (13)
Journal Article
Camera Obscura (2014) 29 (3 (87)): 117–147.
Published: 01 December 2014
... contemporary sociocultural notions about marriage, which receives its most charged expression in the film's figuration of femininity (the femme fatale) and homosexuality (the queer “commie”). Just as Diego Rivera's painting The Flower Carrier (1935) illustrates the ideological ambiguity of The Woman on Pier 13...
Journal Article
Camera Obscura (2022) 37 (3 (111)): 31–57.
Published: 01 December 2022
... of Strand's film in relation to the transnational, cross-cultural, and affective ranges that go unnoticed when the scope of 1970s feminisms is painted in broad brushstrokes. Accordingly, the article emphasizes that Strand's nonteleological approach to history and ethnography in her film at once challenges...
FIGURES
Journal Article
Camera Obscura (2021) 36 (1 (106)): 187–213.
Published: 01 May 2021
... up and expand on her lifelong passion for still and moving images, painting, photography, and cinema. The author also shows how Varda has rethought and reworked certain subjects that mattered to her throughout her career, by means proper to this new medium. Varda always had the gift to give us...
FIGURES | View All (8)
Image
Published: 01 May 2021
Figure 9. Pablo Picasso, Bowl of Fruit, Violin, and Wineglass (1913). Charcoal, black chalk, watercolor, oil paint, coarse black wash, and collage of printed and colored papers on board, 25 11/16 × 19 3/4 in. © 2021 Estate of Pablo Picasso / Artists Rights Society (ARS), New York More
Journal Article
Camera Obscura (1990) 8 (3 (24)): 88–97.
Published: 01 September 1990
... of interpretations of the Renais- sance painting, The Ideal City (in the National Gallery in Urbino, Italy) about which little positive empirical information is known but about which art historians have offered endless hypotheses as to authorship, patronage, subject matter, iconographic...
Journal Article
Camera Obscura (1983) 4 (2 (11)): 111–119.
Published: 01 September 1983
... never heard of the American painter, Mary Cassatt. The extent to which reproductions of Cassatt 's paintings increasingly adorn the covers of feminist publications in all fields would seem to suggest the opposite. The potential legacy of this turn-of-the-century female painter is not lost...
Journal Article
Camera Obscura (1985) 5 (1-2 (13-14)): 3–27.
Published: 01 September 1985
... atten- tion to the reproduction. Defined overwhelmingly by its predominant foreground, the space of the represented painting divides into two major domains, each anchored in a figure constituted as the opposite of the other. The left-hand side features an ecstatic bacchante stretched out...
Journal Article
Camera Obscura (2004) 19 (1 (55)): 77–111.
Published: 01 May 2004
... of the spiraling dancer was 86 • Camera Obscura in fact a popular subject in primitive film, most famously in Edison’s Serpentine Dances (US, 1895). One of these fifty-second reels consists entirely of a dancer’s spiraling dress, which, with the addition of painted stencils, changes color as she turns...
Journal Article
Camera Obscura (1983) 4 (2 (11)): 28–59.
Published: 01 September 1983
..., for example, Mallarrne, Blanchot, Barthes. For the cinema, which lacks neither representations nor words (as music does), nor discursive temporality (as painting does), the possibility of analyzing itself is an ever-present temptation and obsession. There are two ways it can do this: from the outside...
Journal Article
Camera Obscura (2005) 20 (1 (58)): 185–207.
Published: 01 May 2005
... realist lens of docu- mentary.5 Velvet Dreams originally aired as part of the Work of Art series (1993–98) that explored New Zealand fine art and art- ists.6 Directed by New Zealand Samoan director Sima Urale, Vel- vet Dreams superficially aimed to recuperate velvet painting from its...
Journal Article
Camera Obscura (2006) 21 (2 (62)): 144–167.
Published: 01 September 2006
...). This is a film about laughter, about laughter’s re- lation to manners, and about cinema’s relation to both. A pivotal scene will serve as our point of entry into the film: One of the two characters (both are named Marie) is stretched out on a bar along- side a painting on the adjacent wall...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 124–130.
Published: 01 December 1982
... Godard’s original treatment was illustrated with a number of classical paintings which we wert‘ unable to reproduce here. 126 diary every evening in the midst of the smoke and drunken con- versations. It seems that the girlfriend of the factory boss is already in love...
Journal Article
Camera Obscura (2021) 36 (1 (106)): 9–39.
Published: 01 May 2021
...Figure 9. Pablo Picasso, Bowl of Fruit, Violin, and Wineglass (1913). Charcoal, black chalk, watercolor, oil paint, coarse black wash, and collage of printed and colored papers on board, 25 11/16 × 19 3/4 in. © 2021 Estate of Pablo Picasso / Artists Rights Society (ARS), New York ...
FIGURES | View All (17)
Journal Article
Camera Obscura (1990) 8 (3 (24)): 11–45.
Published: 01 September 1990
... in the “plastic7’ arts - architecture, painting, sculpture, and subsequently, photography, cinema and video-had to be understood either as reducible to linguistic sense or valorized as exceeding “rational” thought. What philosophical resources could accomplish the excavation and dismantling...