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Search Results for ottinger
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Journal Article
The Theater of Everyday Life: Ulrike Ottinger's China: The Arts, Everyday Life
Available to Purchase
Camera Obscura (1988) 6 (3 (18)): 42–51.
Published: 01 September 1988
...Janet Bergstrom Copyright © 1988 by The Johns Hopkins University Press 1988
The Theater of Everyday Life: Ulrike Ottinger's
China: The Arrs, Everyday Life
Janet Bergstrom
West Berlin has had a strong documentary filmmaking movement
throughout the history of the New German...
Journal Article
Remembering History: Films by Women at the 1989 Toronto Film Festival
Available to Purchase
Camera Obscura (1990) 8 (1 (22)): 159–166.
Published: 01 January 1990
... above, Anne Wheeler’s Bye Bye Blues
(1989, Canada), Carol Law’s The Reincarnation of Golden Lotus
(1989, Hong Kong), and Ulrike Ottinger’s Johanna &Arc ofMongolia
(1988/89, Federal Republic of Germany) all utilize more or less tra-
ditional narrative formats. Wheeler’s film is definitely...
Journal Article
Women Filmmakers in West Germany: A Catalog (Part 2)
Available to Purchase
Camera Obscura (1983) 4 (2 (11)): 132–145.
Published: 01 September 1983
..., Ulrike Ottinger, Cristina Perincioli,
Margaret Raspe, Helga Reidemeister). One year later the Goethe Institute
sponsored a program of films by]utta Brueckner, Ingemo Engstrom,
Recha]ungmann, Elfi Mikesch and Helga Reidemeister, accompanied by
Claudia Lenssen, one of the editors of the feminist...
Journal Article
Editorial
Available to Purchase
Camera Obscura (1980) 2 (3 (6)): 3–5.
Published: 01 December 1980
... of a program of cultural exchange between the cities of Los Angeles and West
Berlin, a number of filmmakers from West Berlin wrll be in Los Angeles in Novem-
ber: Jutta Brueckner, Petra Haffner, Angelika Kittelhack, Elfie Mikisch, Ulrike
Ottinger, Cristina Perincioli, Helge Reidemeister...
Journal Article
Index to Camera Obscura/16, 17, 18 (volume 6)
Available to Purchase
Camera Obscura (1988) 6 (3 (18)): 157–159.
Published: 01 September 1988
..., Janet
The Theater of Everyday Life: Ulrike Ottinger's China: Daily Life, the
Arts. No.18; pp. 43-51.
Berry, Chris
Chinese "Women's Cinema": Introduction. No.18; pp. 5-7.
China's New "Women's Cinema." No.18; pp. 8-19.
Interview with Zhang Nuanxin. No.18; pp. 20-25.
Interview with Peng...
Journal Article
The UCLA Gay and Lesbian Media Conference
Available to Purchase
Camera Obscura (1983) 4 (2 (11)): 120–131.
Published: 01 September 1983
... for their aesthetic investigations.
Using a broader historical perspective in which lesbian sexuality was but
one component, Janet Bergstrom (UCLA) in her discussion of Ulrike
Ottinger's Madame X attempted to bridge theory and history for an
understanding of the film's narrative codes and social context...
Journal Article
Consuming the Other: Identity, Alterity, and Contemporary German Cinema
Available to Purchase
Camera Obscura (2000) 15 (2 (44)): 41–73.
Published: 01 September 2000
...
of Ulrike Ottinger)26 the precarious continuities between tradi-
tional and postmodern consumer societies, it also demonstrates
that we must see the politics of global identities and local subjec-
tivities in relation to the dynamic of capital, that cultural differ...
Journal Article
Women Filmmakers in West Germany: A Catalog
Available to Purchase
Camera Obscura (1980) 2 (3 (6)): 122–152.
Published: 01 December 1980
... Doerrie 11. Helke Sander
4. Claudia Holldack 12. Heha Sanders-Brahms
5. Elfie Mikesch 13. U1a Stoeckl
6. Dorothea Neunlurchen 14. Margarethe von Trotta
7. Ulrike Ottinger Distributors
The existence of feminist filmmakers in West Germany may be sus...
Journal Article
In a Desert Somewhere between Disney and Las Vegas: The Fantasy of Interracial Harmony and American Multiculturalism in Percy Adlon's Bagdad Cafe
Available to Purchase
Camera Obscura (2000) 15 (2 (44)): 151–175.
Published: 01 September 2000
... Herzog, and Ulrike Ottinger. In most of their films, the
trope of liminality has functioned to stage an encounter with the
Other, and, in that encounter, to negotiate the identity of the
German self. We emphasize, however, that Adlon reconfigures...
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Journal Article
Camera Obscura (2006) 21 (1 (61)): 1–25.
Published: 01 May 2006
... Duras, Valie Export, Laura
Mulvey, Ulrike Ottinger, Sally Potter, Yvonne Rainer, and Trinh
T. Minh-ha, among others) worked not only in film but in other
arenas as well (dance, performance, photography, music, video,
writing), and that work intersected with their films in intriguing
ways...
Journal Article
History Is Not a Matter of Generations: Interview with Harun Farocki
Available to Purchase
Camera Obscura (2001) 16 (1 (46)): 47–75.
Published: 01 May 2001
...–66.
10. Farocki had already made his first films before he came to work
with Filmkritik. Some of the better-known directors who would be
included in this group are Helma Sanders-Brahms, Ewin Keusch,
Ulrike Ottinger, Bernhard Sinkel...
Journal Article
Performing Essentialism: Reassessing Barbara Hammer's Films of the 1970s
Available to Purchase
Camera Obscura (2012) 27 (3 (81)): 101–135.
Published: 01 December 2012
...,
Lynda Benglis, Yoko Ono, Valie Export, Ulrike Ottinger, Carolee
Schneemann, Barbara Hammer, and many others.”20 By including
Hammer in their eclectic list, Burns and Steiner invite us to redis-
cover the sexual excitement that infused cultural feminism...
Journal Article
The World and the Soup: Historicizing Media Feminisms in Transnational Contexts
Available to Purchase
Camera Obscura (2009) 24 (3 (72)): 111–151.
Published: 01 December 2009
... Mehta, Márta Mészáros,
Trinh T. Minh-ha, Tracey Moffatt, Mira Nair, Maria Novaro, Ulrike
Ottinger, Euzhan Palcy, Pratibha Parmar, Lourdes Portillo, Sally
Potter, Dana Rotberg, Patricia Rozema, Valeria Sarmiento, Guita
The World and the Soup • 121
Schyfter...