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Journal Article
Camera Obscura (1988) 6 (3 (18)): 42–51.
Published: 01 September 1988
...Janet Bergstrom Copyright © 1988 by The Johns Hopkins University Press 1988 The Theater of Everyday Life: Ulrike Ottinger's China: The Arrs, Everyday Life Janet Bergstrom West Berlin has had a strong documentary filmmaking movement throughout the history of the New German...
Journal Article
Camera Obscura (1990) 8 (1 (22)): 159–166.
Published: 01 January 1990
... above, Anne Wheeler’s Bye Bye Blues (1989, Canada), Carol Law’s The Reincarnation of Golden Lotus (1989, Hong Kong), and Ulrike Ottinger’s Johanna &Arc ofMongolia (1988/89, Federal Republic of Germany) all utilize more or less tra- ditional narrative formats. Wheeler’s film is definitely...
Journal Article
Camera Obscura (1983) 4 (2 (11)): 132–145.
Published: 01 September 1983
..., Ulrike Ottinger, Cristina Perincioli, Margaret Raspe, Helga Reidemeister). One year later the Goethe Institute sponsored a program of films by]utta Brueckner, Ingemo Engstrom, Recha]ungmann, Elfi Mikesch and Helga Reidemeister, accompanied by Claudia Lenssen, one of the editors of the feminist...
Journal Article
Camera Obscura (1980) 2 (3 (6)): 3–5.
Published: 01 December 1980
... of a program of cultural exchange between the cities of Los Angeles and West Berlin, a number of filmmakers from West Berlin wrll be in Los Angeles in Novem- ber: Jutta Brueckner, Petra Haffner, Angelika Kittelhack, Elfie Mikisch, Ulrike Ottinger, Cristina Perincioli, Helge Reidemeister...
Journal Article
Camera Obscura (1988) 6 (3 (18)): 157–159.
Published: 01 September 1988
..., Janet The Theater of Everyday Life: Ulrike Ottinger's China: Daily Life, the Arts. No.18; pp. 43-51. Berry, Chris Chinese "Women's Cinema": Introduction. No.18; pp. 5-7. China's New "Women's Cinema." No.18; pp. 8-19. Interview with Zhang Nuanxin. No.18; pp. 20-25. Interview with Peng...
Journal Article
Camera Obscura (1983) 4 (2 (11)): 120–131.
Published: 01 September 1983
... for their aesthetic investigations. Using a broader historical perspective in which lesbian sexuality was but one component, Janet Bergstrom (UCLA) in her discussion of Ulrike Ottinger's Madame X attempted to bridge theory and history for an understanding of the film's narrative codes and social context...
Journal Article
Camera Obscura (2000) 15 (2 (44)): 41–73.
Published: 01 September 2000
... of Ulrike Ottinger)26 the precarious continuities between tradi- tional and postmodern consumer societies, it also demonstrates that we must see the politics of global identities and local subjec- tivities in relation to the dynamic of capital, that cultural differ...
Journal Article
Camera Obscura (1980) 2 (3 (6)): 122–152.
Published: 01 December 1980
... Doerrie 11. Helke Sander 4. Claudia Holldack 12. Heha Sanders-Brahms 5. Elfie Mikesch 13. U1a Stoeckl 6. Dorothea Neunlurchen 14. Margarethe von Trotta 7. Ulrike Ottinger Distributors The existence of feminist filmmakers in West Germany may be sus...
Journal Article
Camera Obscura (2000) 15 (2 (44)): 151–175.
Published: 01 September 2000
... Herzog, and Ulrike Ottinger. In most of their films, the trope of liminality has functioned to stage an encounter with the Other, and, in that encounter, to negotiate the identity of the German self. We emphasize, however, that Adlon reconfigures...
Journal Article
Camera Obscura (2006) 21 (1 (61)): 1–25.
Published: 01 May 2006
... Duras, Valie Export, Laura Mulvey, Ulrike Ottinger, Sally Potter, Yvonne Rainer, and Trinh T. Minh-ha, among others) worked not only in film but in other arenas as well (dance, performance, photography, music, video, writing), and that work intersected with their films in intriguing ways...
Journal Article
Camera Obscura (2001) 16 (1 (46)): 47–75.
Published: 01 May 2001
...–66. 10. Farocki had already made his first films before he came to work with Filmkritik. Some of the better-known directors who would be included in this group are Helma Sanders-Brahms, Ewin Keusch, Ulrike Ottinger, Bernhard Sinkel...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 101–135.
Published: 01 December 2012
..., Lynda Benglis, Yoko Ono, Valie Export, Ulrike Ottinger, Carolee Schneemann, Barbara Hammer, and many others.”20 By including Hammer in their eclectic list, Burns and Steiner invite us to redis- cover the sexual excitement that infused cultural feminism...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 111–151.
Published: 01 December 2009
... Mehta, Márta Mészáros, Trinh T. Minh-ha, Tracey Moffatt, Mira Nair, Maria Novaro, Ulrike Ottinger, Euzhan Palcy, Pratibha Parmar, Lourdes Portillo, Sally Potter, Dana Rotberg, Patricia Rozema, Valeria Sar­miento, Guita The World and the Soup  •  121 Schyfter...