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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2015) 30 (2 (89)): 157–187.
Published: 01 September 2015
... Bomb (dir. Stanley Kubrick, US/UK, 1964) The Terror  That  Makes One Whatever One Is: Sterling Hayden’s Emotional Testimonies Matt Tierney  Terrifying Problems of Social Commitment Late in his life, the actor Sterling Hayden appeared in fewer mov- ies and devoted more of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 88–115.
Published: 01 December 1982
...Margaret Ganahl; R. S. Hamilton Copyright © 1982 by Camera Obscura 1982 One Plus One: A Look at Six Fois Deux Margaret Ganahl and R. S. Hamilton No one really knows Or cares whether this is the whole of which...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2007) 22 (1 (64)): 43–75.
Published: 01 May 2007
...Varun Begley Camera Obscura 2007 Varun Begley teaches modern drama and cultural studies at the College of William and Mary. He is the author of a book on Harold Pinter and is currently working on a study of props and the problem of reification. The Big Sleep (dir. Howard Hawks, US...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2007) 22 (1 (64)): 137–177.
Published: 01 May 2007
... Have One Daughter and That Is Egyptian Cinema”: ‘Azı¯za Amı¯r amid the Histories and Geographies of National Allegory Kay Dickinson On Tuesday, 1 November 1927, Egypt’s daily newspaper, al-Ahra¯m, proclaimed: Silent acting has finally been born in Egypt. In the Egyptian sky a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1996) 13 (1 (37)): 6–30.
Published: 01 January 1996
...Nina Schwartz Copyright © 1996 by Indiana University Press 1996 The Absent One in Apartment Zero Nina Schwartz The scene is ofa busy Buenos Aires street at night. The sound- ambient noise contaminated by breathing and a strange non-melodic music-is confused, and the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 178–183.
Published: 01 May 2008
...Lucas Hilderbrand Camera Obscura 2008 Lucas Hilderbrand is an assistant professor of film and media studies at the University of California, Irvine. His book Inherent Vice: Bootleg Histories of Videotape and Copyright is forthcoming from Duke University Press. “More Than One Way...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2003) 18 (3 (54)): 1.
Published: 01 December 2003
...Melinda Barlow Camera Obscura 2003 Editor’s Note on “Dossier on Women and Video: Histories and Practices” In North America, video and feminism have shared a history since the heady 1970s. There seems to be an almost “organic rela- tionship,” in contributor Laura Marks’s phrase...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2019) 34 (1 (100)): 163–183.
Published: 01 May 2019
...Edited by Eva Kuhn; Ute Holl In October 2016, we organized a symposium in Basel, Switzerland, in commemoration of Chantal Akerman. Through screenings of her films, as well as talks, presentations, and accounts of friends and collaborators, the event focused on issues of remembering and forgetting...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2006) 21 (2 (62)): 32–73.
Published: 01 September 2006
... Department of English at the University of Nevada, Reno. Senay and Señor Juan’s transaction in Dirty Pretty Things (dir. Stephen Frears, UK, 2002). Courtesy Miramax/Photofest The Intimacies of Globalization: Bodies and Borders On-Screen Emily S. Davis Do you know what it’s like not to be...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2007) 22 (1 (64)): 194–196.
Published: 01 May 2007
... the film department at New York University. A R C H I V E F O R T H E F U T U R E Thoughts on Birth and Brakhage Lynne Sachs From California to Florida to New York, from Maryland to Ten- nessee, I have been making and teaching avant-garde film for twenty years. In my experience...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2008) 23 (2 (68)): 103–139.
Published: 01 September 2008
...Boaz Hagin The article examines the trope of the crying male in contemporary Israeli fiction films as it appears near the end of the 2004 feature film Walk on Water , written by Gal Uchovsky and directed by Eytan Fox. It suggests, employing various accounts of crying, melodrama, and performative...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2010) 25 (2 (74)): 183–195.
Published: 01 September 2010
... governmentality. Shot in real time between 2002 and 2007, And I Do Survive takes as its subject the HIV-positive bisexual activist Michelle Lopez. Born in Trinidad, Lopez has been in the US for close to two decades now but has been unable to acquire citizenship because of a legal ban on HIV-positive immigrants...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 91–121.
Published: 01 September 2011
...Noor Al-Qasimi This article focuses on shampoo advertising for Saudi Arabian Television. It examines the ways in which shampoo advertisements produced for Saudi Arabian Television employ techniques to introduce and maintain codes of modesty in the construction of the Muslim female subject on-screen...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 123–130.
Published: 01 September 2011
... “Women’s Work” (2007). In Practice: Vidding An Editing Room of One’s Own: Vidding as Women’s Work Francesca Coppa Introduction: What Is Vidding? Vidding is a grassroots art form in which fans reedit television or film into music videos called “vids...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 1–23.
Published: 01 September 2012
...Kathleen Collins First appearing on the air in 1947, Dione Lucas was one of the earliest television cooking-show hosts. As a business owner, single mother, influential salesperson, and highly respected professional in her field (Julia Child referred to Lucas as “the mother of French cooking in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2011) 26 (3 (78)): 146–153.
Published: 01 December 2011
...Martha M. Lauzen From the release of The Hurt Locker in October 2008 through the Academy Awards ceremony in March 2010, Kathryn Bigelow and her film garnered substantial press attention. An analysis of articles appearing on Bigelow in major English-language newspapers worldwide during this period...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 135–143.
Published: 01 September 2012
... organizations, these critiques often fail to consider how queer Palestinians mobilize and understand themselves. This article reports on an October 2011 panel and film screening at Yale University and the Hagop Kevorkian Center for Near Eastern Studies at New York University. “Queer/Palestinian: Critical...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 161–163.
Published: 01 September 2012
...Omar Kholeif © 2012 by Camera Obscura 2012 In Practice: The Queer State of Palestinian Media Me and a Rifle (and an IDF Soldier on My Back) Omar Kholeif It is 2 p.m. Saturday afternoon. Or is it Friday night? I am in a state of deep insomnia, as I have been for this whole...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2012) 27 (3 (81)): 39–67.
Published: 01 December 2012
... Invisible (Intellect, 2012). © 2012 by Camera Obscura 2012 Figure . Bad Father. Invaders from Mars (dir. William Cameron Menzies, US, On Film Studies and the Unconscious Chris Dumas I always had the impression, when I was very small, that my father was two people, one good...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2012) 27 (3 (81)): 159–167.
Published: 01 December 2012
... university settings, where it has students organize, market, and host the event. This essay examines the issues attendant with bringing LUNAFEST onto college campuses. On the one hand, LUNAFEST encourages and supports the exhibition of women filmmakers, a laudable endeavor. On the other hand, as a corporate...