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nostalgia film
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Journal Article
Camera Obscura (2024) 39 (3 (117)): 61–93.
Published: 01 December 2024
... role in generating communal values and informing an inquiry into the human condition in the contemporary moment. [email protected] Copyright © 2024 by Camera Obscura 2024 public archaeology Korean TV nostalgia film obsolescence museum culture post-television era remediation...
FIGURES
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Journal Article
Camera Obscura (2021) 36 (1 (106)): 41–59.
Published: 01 May 2021
... part of Varda's film corpus and of her feminist investigations of different subjectivities and desires, of the affective worlds of contemporary women and children. It takes shape in her tenderness for Jane Birkin, but also in light of her own clearer thinking about childhood, nostalgia, and fantasy...
FIGURES
Journal Article
Camera Obscura (2008) 23 (3 (69)): 35–79.
Published: 01 December 2008
... of “cover” and “lack” that traverse and structure diverse fields of inquiry from psychoanalysis to architectural theory to dance history to film criticism, this paper argues that there is a profound nostalgia, rather than refutation, between the clean nudity of modern objects and the ornate nakedness of so...
Journal Article
Camera Obscura (2023) 38 (1 (112)): 31–53.
Published: 01 May 2023
... between form and autobiographical dimensions in her films that resonates with my own viewing experience. I would not characterize my avid viewership of Akerman films as first- or second-generation cinephilia, described in Elsaesser's terms of anxious nostalgia or as cult fandom that desires to know...
FIGURES
Journal Article
Camera Obscura (1988) 6 (3 (18)): 67–79.
Published: 01 September 1988
... of a film illustrates his models of schizophrenia and
pastiche. He cites films that take on these themes in a stylistic nostalgia
(Chinatown, The Conformist). But in a larger sense the cinema is an
apparatus which conflates the time of production/the time of the fic•
tion...
Journal Article
Camera Obscura (2006) 21 (2 (62)): 108–143.
Published: 01 September 2006
.../Postmodern?
In addition to the nonlinear narrative elements I have mentioned,
postmodern film style is characterized by formalism, pastiche,
and overcoded citations of filmic and cultural moments that in
Fredric Jameson’s terms engender a “nostalgia for the present.”5
In other words...
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 226–242.
Published: 01 May 1997
... nostalgia film-nostalgia not for a historic era, but for the
prehistoric itself-the film offers comforting showdown scenarios.
Though the team is unable to repair the hard-wiring of the facility (just
as individuals cannot combat the military-industrial complex), Jess, in
his mechanical “bobcat...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 25–59.
Published: 01 December 2007
... of American cinema, worked to silence or
assuage with the resolution of heteronormative romance.
More often than not in the context of 1970s film, crit-
ics confine Badlands within the model of the so-called nostalgia
film. Marsha Kinder compares Badlands with two other films...
Journal Article
Camera Obscura (1999) 14 (3 (42)): 30–49.
Published: 01 September 1999
... the
Best Director Award at the Cannes Film Festival of the same year.
"Let's Start Over Again": Nostalgia for a Mythic Origin 33
Let me begin by suggesting that Happy Together can be seen as a
nostalgic film. This may surprise some readers for the simple fact that
nostalgia is most...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 113–143.
Published: 01 May 2008
...Hiram Perez Building on feminist and queer scholarship on the relationship of film spectatorship to subjectivity, this essay conjectures subaltern spectatorships of the two US film adaptations of Fannie Hurst's 1933 novel Imitation of Life as a means of tracing the impossibly entangled discourses...
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 161–179.
Published: 01 May 1997
...Pat Gill
Technostalgia:
Making the Future Past Perfect
Pat Gill
In Postmodernism, or the Cultural Logic of Late Capitalism, Fredric
Jameson argues that in the postmodern age nostalgia has replaced
history as the way of understanding and responding to our personal...
Journal Article
Camera Obscura (1993) 11 (2 (32)): 4–40.
Published: 01 September 1993
..., nostalgia in the film is
28 an “epiphenomenon” less of postmodernism as such than Reaganism
(where the last epithet indicates a determinate psycho-social content).67
In other words, if the Reagan dream was predicated on the promise-in
the face of a decidedly more competitive version...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 129–167.
Published: 01 December 2007
...Alisa Lebow Camera Obscura 2007 Alisa Lebow teaches film studies and video production at Brunel University in London. Her book, First Person Jewish , on Jewish autobiographical film, is forthcoming in 2008. As a filmmaker her work includes For the Record: The World Tribunal on Iraq...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 73–101.
Published: 01 September 2007
..., and recycled them to her own ends. Hence
Baker’s own iconicity comes to lend itself to cannibalization, to a
reworking of nostalgia for potentially liberatory redeployments.
Karim Ainouz’s film Madame Satã is based on the mem-
oirs of João Francisco dos Santos (1900 – 1976), the son of slaves...
Journal Article
Camera Obscura (1991) 9 (1-2 (25-26)): 274–295.
Published: 01 September 1991
... in critical discussions that consistently elide questions of
race, class and gender under a series of fascinations. These fascinations
fix on the auteur himself, on “psychosexual kicks,” on film historical
references, on urban ethnographic impulses, on collective nostalgia...
Journal Article
Camera Obscura (2001) 15 (3 (45)): 35–69.
Published: 01 December 2001
.... In their reviews of the film, Patricia Leonardi and Martha Gever
charge Last Call at Maud’s with nostalgia as well, though both
associate nostalgia with reactionary politics. See Leonardi, “Last
Call at Maud’s,” Cineaste 20.1 (1993): 46; and Gever, “What...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 69–101.
Published: 01 May 2013
... about the invention of photogra-
phy and film, via a continuity of form that demands our attention
to forms of auratic or affective objecthood that do not stem from
an object’s originality in any given iteration but from precisely its
inimitable reproducibility.3 The copy-image of the beloved...
Journal Article
Camera Obscura (1993) 11 (2 (32)): 41–74.
Published: 01 September 1993
..., that he identifies with
and seeks to attract. l2 Tarantino’s “auteur” status is closely coincident
with his cult status for the following reason: the filmmaker’s persona
and his films embody a nostalgia for a 70s that is continually circu-
lating in television, video...
Journal Article
Camera Obscura (2012) 27 (1 (79)): 69–95.
Published: 01 May 2012
... of English at the University of Delaware. He is the author of Identities in Motion: Asian American Film and Video (Duke University Press, 2002), the editor of Screening Asian Americans (Rutgers University Press, 2002), and a co-editor of Chinese Connections: Critical Perspectives on Film, Identity...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 162–163.
Published: 01 December 1984
...-
uously adheres to the correct positions on family and motherhood, and
unconditionally rejects, without nostalgia or regret, all other positions?
Reisman writes of Keller’s Dazcghters of Chaos: “The film is also unclear
as it suggests a reluctance to negate traditional notions...
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