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in Schneemann Sounding: Embodied Sonic Systems
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 September 2021
Figure 3. Carolee Schneemann, Noise Bodies (1965). Avant- Garde Festival, Judson Hall, New York. Pictured: Carolee Schneemann with James Tenney. Photographs by Peter Moore. Courtesy of the Carolee Schneemann Foundation; P•P•O•W, New York; Galerie Lelong, New York; and Hales Gallery, London. ©
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Journal Article
Camera Obscura (2018) 33 (2 (98)): 105–137.
Published: 01 September 2018
... as cold, timeless bachelor-machine. It concludes by turning to the digital resurrection of Thomas Edison’s phonographic female dolls by a no less gendered technology, an optical scanning system named IRENE (Image, Reconstruct, Erase Noise, Etc.). Tracking “female noise” from Homer’s Sirens to Edison’s...
Journal Article
Camera Obscura (2018) 33 (1 (97)): 29–55.
Published: 01 May 2018
... manifest as unreadable noise, interventions on the print page that produce a technological feminine. Situated alongside ANT (actor-network theory), media theory, and cyborg feminism, the technological feminine gestures at the limits of these attempts to de–black box media, insisting on an irreducible noise...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 151–163.
Published: 01 September 2021
...Figure 3. Carolee Schneemann, Noise Bodies (1965). Avant- Garde Festival, Judson Hall, New York. Pictured: Carolee Schneemann with James Tenney. Photographs by Peter Moore. Courtesy of the Carolee Schneemann Foundation; P•P•O•W, New York; Galerie Lelong, New York; and Hales Gallery, London. ©...
FIGURES
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Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 192–209.
Published: 01 December 1982
... a field where Godard is somewhat more single-minded than in
language or music. The sounds that interest him are, almost without
exception, mechanical in origin: car horns (Weekend), construction
noises (Two or Three Things), traffic noises penetrating cafes or apart-
ments (everywhere),gunfire...
Journal Article
Camera Obscura (1976) 1 (1 (1)): 27–38.
Published: 01 May 1976
... of light,
coming from behind Raynal, creating a halo, and from in front of her face,
all set against an over-exposed or washed-out background.
There is non-synch sound of jungle noise, twittering birds, sounds of
eating and the clatter of dishes and silverware. Raynal's speech has prece-
dence...
Journal Article
Camera Obscura (1976) 1 (1 (1)): 39–41.
Published: 01 May 1976
... •
32 * expressions and soundless xcu m ~
noises.
"Raynal has cut this shot
from the film.
KEY xcu: extreme close-up f: female h: high angle
cu: close-up m: male I: lowangle...
Journal Article
Camera Obscura (1980) 2 (3 (6)): 6–41.
Published: 01 December 1980
... condensation, the patient, a young
woman, claimed to have been photographed while malung love, hear-
mg what she imagined to be the click of a camera while in a com-
promising position with her lover. Freud concludes that she probably
never heard a noise, having projected...
Journal Article
Camera Obscura (2003) 18 (2 (53)): 1–25.
Published: 01 September 2003
... as panorama.
One vivid example concerns Gérard de Nerval’s account of his
first day in Cairo, searching for a preferred point of view from
which to take a picture. Nerval “followed one crowded, twisting
street after another . . . until eventually the profusion of noises
and people subsided and the streets...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 60–73.
Published: 01 December 1982
... holding boom mike; Armand looking through camera.
Studio noises and music)
I’itle: FRANCE/TOUR/DETOUR/
DEUX/ENFANTS
Julien Clerc (sings):
Folk like us are sometimes happy-
When we’re sad the sky clouds over . . .
Our moods veer...
Journal Article
Camera Obscura (2001) 16 (1 (46)): 143–179.
Published: 01 May 2001
... the banlieues as productive sites of contemporary
popular culture has been forecasted in recent studies of urban
and working-class cultural production. In Black Noise, Tricia
Rose expresses the hope that her study of US hip-hop forms will
pave the way...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 3–17.
Published: 01 December 1984
... in commercial television programs)
becomes abstract noise.
This blending of human voice with mechanically reproduced sounds
contributes to the unsettling quality of the Arrival segment referred to
above. When Almy’s character describes the desolation she sees (a
holocaust she tells the computer...
Journal Article
Camera Obscura (2002) 17 (1 (49)): 31–71.
Published: 01 May 2002
..., as it is in unprecedented ways in
the all-black-cast talkies, the narrative and cinematic imperatives
behind the synchronization of race, sense, and memory become
clear.
The recent (critical) discovery that silent cinema, too,
made noise, should not lead us to minimize the degree to which
audiences...
Journal Article
Camera Obscura (2012) 27 (2 (80)): 25–59.
Published: 01 September 2012
... points out, video
has a unique aesthetic of failure that is produced through its con-
tinual use and duplication. Images drop out, develop lines of dis-
tortion (or noise bars), and become jerky or exaggerated. Even
digitized video skips entire frames, is subjected to scratches and
marring...
Journal Article
Camera Obscura (2011) 26 (2 (77)): 131–138.
Published: 01 September 2011
... Obscura 77, Volume 26, Number 2
doi 10.1215/02705346-1301566 © 2011 by Camera Obscura
Published by Duke University Press
131
132 • Camera Obscura
Noise, a letterzine for vidders, wrote an essay in 1993 explaining her
understanding of vidding’s legality:
Perhaps the greatest barrier...
Journal Article
Camera Obscura (1990) 8 (3 (24)): 204–205.
Published: 01 September 1990
... to Terayama
It seems to me that life itself is something beyond just “meaning.”
The sounds of insects, birds are heard. A weather report comes over the radio.
A motorbike drives away. Street noises.
Do you know what there is between “meaning” and “no meaning”? A facade,
an illusion of meaning...
Journal Article
Camera Obscura (2009) 24 (1 (70)): 177–207.
Published: 01 May 2009
..., with his futurist band of merrymakers, bold
strokes of motion where only still life had existed before. We see
with Plastic Construction of Noise and Speed (1915, polymer construc-
tion) a relief painting of chaos. For the artwork Balla harnessed
properties that by definition are formless — noise...
Journal Article
Camera Obscura (1977) 1 (2 (2)): 137–145.
Published: 01 September 1977
... a voluptuous film, because of the noise, because of the
images, because of the colors. Sensual delight-there are a lot of people
who don't know anymore what that is.'
(Quotes from Chantal Akerman are excerpted from 'Le Voyage Ameri-
cain de Chantal Akerman' by LouisMarcorelles, Le Monde...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 124–130.
Published: 01 December 1982
... Cecil B. de Milk: in this Delacroix painting, the en-
semble of cries, tears, noise of armors and horses comes to an end at
these two women on the lower right, bending their backs under the
shock, and later (or earlier) in the real action, one will rediscover...
Journal Article
Camera Obscura (1995) 12 (2 (35)): 223–225.
Published: 01 May 1995
....
University of Chicago Press, 1996. $18.95.
Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot by
Michael Rogin. University of California Press, 1996. $24.95.
Fatal Advice: How Safe-Sex Education Went Wrong by Cindy Patton. Duke
University Press, 1996.
Israel Before Israel:Silent...
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