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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2018) 33 (2 (98)): 105–137.
Published: 01 September 2018
... as cold, timeless bachelor-machine. It concludes by turning to the digital resurrection of Thomas Edison’s phonographic female dolls by a no less gendered technology, an optical scanning system named IRENE (Image, Reconstruct, Erase Noise, Etc.). Tracking “female noise” from Homer’s Sirens to...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2018) 33 (1 (97)): 29–55.
Published: 01 May 2018
... manifest as unreadable noise, interventions on the print page that produce a technological feminine. Situated alongside ANT (actor-network theory), media theory, and cyborg feminism, the technological feminine gestures at the limits of these attempts to de–black box media, insisting on an irreducible noise...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1976) 1 (1 (1)): 39–41.
Published: 01 May 1976
... • 32 * expressions and soundless xcu m ~ noises. "Raynal has cut this shot from the film. KEY xcu: extreme close-up f: female h: high angle cu: close-up m: male I: lowangle...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 192–209.
Published: 01 December 1982
... broadly termed “sound effects,” we en- counter a field where Godard is somewhat more single-minded than in language or music. The sounds that interest him are, almost without exception, mechanical in origin: car horns (Weekend), construction noises (Two or Three Things), traffic noises...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1990) 8 (3 (24)): 204–205.
Published: 01 September 1990
... conversation goes on. . . . Vol. 9. Tanikawa to Terayama It seems to me that life itself is something beyond just “meaning.” The sounds of insects, birds are heard. A weather report comes over the radio. A motorbike drives away. Street noises. Do you know what there is between “meaning” and “no...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1995) 12 (2 (35)): 223–225.
Published: 01 May 1995
.... University of Chicago Press, 1996. $18.95. Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot by Michael Rogin. University of California Press, 1996. $24.95. Fatal Advice: How Safe-Sex Education Went Wrong by Cindy Patton. Duke University Press, 1996. Israel Before Israel:Silent...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 60–73.
Published: 01 December 1982
... holding boom mike; Armand looking through camera. Studio noises and music) I’itle: FRANCE/TOUR/DETOUR/ DEUX/ENFANTS Julien Clerc (sings): Folk like us are sometimes happy- When we’re sad the sky clouds over . . . Our moods veer with...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1976) 1 (1 (1)): 27–38.
Published: 01 May 1976
... complex mediation of light, coming from behind Raynal, creating a halo, and from in front of her face, all set against an over-exposed or washed-out background. There is non-synch sound of jungle noise, twittering birds, sounds of eating and the clatter of dishes and silverware. Raynal's speech has...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2003) 18 (2 (53)): 1–25.
Published: 01 September 2003
... noises and people subsided and the streets became ‘more silent, more dusty, more deserted, the mosques fallen in decay and here and there a building in collapse.’ In the end they found themselves outside the city, ‘somewhere in the suburbs, on the other side of the canal from the main sections of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 124–130.
Published: 01 December 1982
.... Not like Cecil B. de Milk: in this Delacroix painting, the en- semble of cries, tears, noise of armors and horses comes to an end at these two women on the lower right, bending their backs under the shock, and later (or earlier) in the real action, one will rediscover not...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1977) 1 (2 (2)): 122–130.
Published: 01 September 1977
...- screen sound: before the first image begins, during the tides, we hear the sound of pounding-relentless, rhythmical, to which Duras refers in the scenarioasa 'batternentcardiaque"; in the third and fourth shots, we heara woman's voice humming a tune, 'India Song'. There is also diegetic noise: the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1980) 2 (3 (6)): 6–41.
Published: 01 December 1980
...). In a remarkable condensation, the patient, a young woman, claimed to have been photographed while malung love, hear- mg what she imagined to be the click of a camera while in a com- promising position with her lover. Freud concludes that she probably never heard a noise...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1984) 4 (3 (12)): 3–17.
Published: 01 December 1984
... fashion, advertising and gossip) till the grating female news announcer’s voice becomes a constant roar. The human voice (the central focus in commercial television programs) becomes abstract noise. This blending of human voice with mechanically reproduced sounds contributes to the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 131–138.
Published: 01 September 2011
... Obscura 77, Volume 26, Number 2 doi 10.1215/02705346-­1301566  © 2011 by Camera Obscura Published by Duke University Press 131 132  •  Camera Obscura Noise, a letterzine for vidders, wrote an essay in 1993 explaining her understanding of vidding’s legality: Perhaps the greatest barrier...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2001) 16 (1 (46)): 143–179.
Published: 01 May 2001
... toward the banlieues as productive sites of contemporary popular culture has been forecasted in recent studies of urban and working-class cultural production. In Black Noise, Tricia Rose expresses the hope that her study of US hip-hop forms will pave the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1977) 1 (2 (2)): 137–145.
Published: 01 September 1977
... voluptuous film, because of the noise, because of the images, because of the colors. Sensual delight-there are a lot of people who don't know anymore what that is.' (Quotes from Chantal Akerman are excerpted from 'Le Voyage Ameri- cain de Chantal Akerman' by LouisMarcorelles, Le Monde...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2002) 17 (1 (49)): 31–71.
Published: 01 May 2002
... become clear. The recent (critical) discovery that silent cinema, too, made noise, should not lead us to minimize the degree to which audiences and filmmakers saw the “talkie” as a break from what had come before. What was new, as the instantly popular term for the sound cinema made clear, was...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 178–183.
Published: 01 May 2008
... wonderful noise. When I introduce friends to the duo’s recordings, I often say something along the lines of “Kiki and Herb will change your life.” But I actually feel more strongly than that: Kiki and Herb make life worth living. Notes For Richard Dyer, for “Judy Garland and Gay Men” 1...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2017) 32 (3 (96)): 121–154.
Published: 01 December 2017
... foregrounds its sensu- ous register and the tactile engagement it invites. The cold, metal- lic hardness of the wire conjures a tangible contrast with the soft, lush greenery surrounding it, while the loudly screeching static noise adds a visceral sense of discomfort and eerie suspense that is likely...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1980) 2 (2 (5)): 80–85.
Published: 01 September 1980
.... Again, the sound track for Gordon’s 1976 film, Noyes, (noise, ndyes) is a fragmented sentence repeated over and over again-“drink- ing a glass of water”-while the woman on screen smokes a cigarette and as the optically printed image flips every third frame, screen left...