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in Incestuous Wanderlust: 35 Shots of Rum 's Atmospheres of Circulation
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2022
Figure 2. Joséphine and Noé dance ambivalently in 35 Shots of Rum ( 35 Rhums , dir. Claire Denis, France/Germany, 2009).
More
Journal Article
Rape and the Rectum: Bersani, Deleuze, Noé
Available to Purchase
Camera Obscura (2005) 20 (1 (58)): 33–57.
Published: 01 May 2005
... tous (I Stand Alone, dir. Gaspar Noé, France,
1998). Courtesy Strand Releasing
Rape and the Rectum:
Bersani, Deleuze, Noé
Eugenie Brinkema
The club is called Rectum, and everywhere one thinks of Bersani.
As Marcus and Pierre storm through the darkened red tunnels,
the space before...
Journal Article
Incestuous Wanderlust: 35 Shots of Rum 's Atmospheres of Circulation
Available to Purchase
Camera Obscura (2022) 37 (1 (109)): 61–89.
Published: 01 May 2022
...Figure 2. Joséphine and Noé dance ambivalently in 35 Shots of Rum ( 35 Rhums , dir. Claire Denis, France/Germany, 2009). ...
FIGURES
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Journal Article
Reframing the New French Extremity: Cinema, Theory, Mediation
Available to Purchase
Camera Obscura (2015) 30 (3 (90)): 161–187.
Published: 01 December 2015
... festival circuit highlights
a fundamental level of mediation — to be sure, a mediation that
played a great part in establishing the NFE as a transnational phe-
nomenon. For instance, Gaspar Noé’s I Stand Alone (Seul contre tous,
France, 1998) was selected for the Telluride, Toronto, Rotterdam...
Journal Article
When Are You Going to Catch Up with Me?
Available to Purchase
Camera Obscura (2020) 35 (3 (105)): 116–131.
Published: 01 December 2020
... for independent media: from colleges and universities to microcinemas and indie cinemas. After many noes, Flayr Poppins, festival director at the MIX Queer Experimental Film Festival, organized a welcoming New York screening where the audience could experience collec- tively the raw, uncensored body power...
Journal Article
Lasers for Ladies: Endo Discourse and the Inscriptions of Science
Available to Purchase
Camera Obscura (1992) 10 (2 (29)): 57–90.
Published: 01 May 1992
... -It
xm ik dwase IS showtng up in yuungrr CXCIPC~ thus prercwng Ihe wumrn's re- blood vesels as if noes. (Lager bleeders
woIMn. kllm believes is ihal lky tend produclwe raparily...
Journal Article
Violence and the Gaze in Catherine Breillat's Fat Girl ( À ma sœur! )
Available to Purchase
Camera Obscura (2017) 32 (2 (95)): 117–151.
Published: 01 September 2017
..., and at
the same time disrupts, the codified positions of victimizer and vic-
tim, masculine and feminine, subject and object? Breillat seems to
understand, in a way other members of the new French and Euro-
pean extremism (such as Gaspar Noé and Paul Verhoeven) do not,
that neither Elena nor Fernando...