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Journal Article
Camera Obscura (2017) 32 (1 (94)): 1–31.
Published: 01 May 2017
...Sara Saljoughi This article examines the problem of collectivity in Forugh Farrokhzad's The House Is Black ( Khaneh siah ast , Iran, 1962), an experimental film set in a leper colony in northwestern Iran. Focusing on the film's experiments with form, the article explores how the development of new...
Journal Article
Camera Obscura (2003) 18 (3 (54)): 3–38.
Published: 01 December 2003
... Volkes
Feminism 101:
The New York Women’s Video
Festival, 1972–1980
Melinda Barlow
From 1972 to 1980, the New York Women’s Video Festival was the
primary showcase for work by American women videomakers. A
landmark annual event founded by Steina Vasulka in 1972 to
address the dearth...
Journal Article
Camera Obscura (2011) 25 (3 (75)): 69–99.
Published: 01 December 2011
... of Africa in two celebrated twenty-first century films, The Constant Gardener and Blood Diamond , and questions whether problematic archetypes still hold in the new millennium. By reading both films as noir thrillers with humanitarian agendas, the article highlights their subversive potential to “enlighten...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 149–157.
Published: 01 December 2012
... courtesy of the Sundance Institute
I N PRAC TICE: FESTIVALS, F I L M, FE MIN I S M
Evolving Narrative Structures
Forge New Cine-Love at the 2012
Sundance Film Festival
Roya Rastegar
As a young admirer of cinema, I yearned for that mythical experi-
ence...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 169–179.
Published: 01 December 2012
...
I N PRACTI CE: FESTIVALS, FILM, FEMI N I SM
How EXPRMNTL Made the Small
Coastal Town of Knokke the
Scene for Radical Artistic New
Waves and Political Sea Changes
Gerda Johanna Cammaer
The small Belgian coastal town of Knokke- le- Zoute once set the
scene for one...
Journal Article
Slaves of the House and Victims of Love: New Life and Relationship Challenges in Dwelling Narrowness
Camera Obscura (2014) 29 (2 (86)): 35–57.
Published: 01 September 2014
.... © 2014 by Camera Obscura 2014 Figure 1. Haizao (Li Nian) and her older sister Haiping
(Hai Qing) talk about Haizao’s future in the big city in the
small room that Haiping rents. Dwelling Narrowness (Wo ju,
syndicated [China], 2009)
Slaves of the House and
Victims of Love: New Life...
Journal Article
Camera Obscura (2015) 30 (3 (90)): 161–187.
Published: 01 December 2015
...Mauro Resmini This article examines a recent tendency in contemporary art cinema—the New French Extremity (NFE)—and focuses specifically on a critique of the scholarly discourse that has flourished around it in recent years. The fundamental argument of this discourse can be summarized as follows...
Journal Article
Camera Obscura (2024) 39 (2 (116)): 189–218.
Published: 01 September 2024
...Clare O'Gara Abstract This article uses three coming-out YouTube videos to narratively map the emergence of “New Queer YouTube,” a phrase used in this article to describe the evolving tactics and styles deployed by LGBTQ+ microcelebrity YouTubers over the previous decade. Encapsulated by Ingrid...
FIGURES
| View All (6)
Journal Article
Camera Obscura (1999) 14 (3 (42)): 30–49.
Published: 01 September 1999
...Rey Chow Copyright © 1999 by Indiana University Press 1999
Nostalgia of the New Wave: Structure In
Wong Kar-wai's Happy Together
Rey Chow
In one of the earliest discussions of poststrueturalism to appear in
English, "Of Structure as an Inmixing of an Otherness...
Journal Article
Camera Obscura (1988) 6 (1 (16)): 154–168.
Published: 01 January 1988
...Robert H. Deming Copyright © 1988 by The Johns Hopkins University Press 1988 Kate and Allie
Kate and Allie: "New Women" and the
Audience's Television Archive
Robert H. Deming
Network television rediscovered the "new woman" again in the Fall 1984
season. Several prime...
Journal Article
Camera Obscura (1988) 6 (1 (16)): 191–202.
Published: 01 January 1988
...Dana Polan Copyright © 1988 by The Johns Hopkins University Press 1988 ij I
Complexity and Contradiction in Mass-Culture
Analysis: On len Ang's Watching Dallas
(New York: Methuen, 1985)
Dana Polan
There seem to be two very different books in len Ang's...
Journal Article
Camera Obscura (1989) 7 (1 (19)): 134–141.
Published: 01 January 1989
...Jane Weinstock Copyright © 1989 by The Johns Hopkins University Press 1989 Women on the Verge of a Nervous Breakdown (Pedro Almodovar, 1988)
Out of Her Mind: Fantasies of the 26th
New York Film Festival
by Jane Weinstock
You could say it was the Year of the Other at the New...
Journal Article
Camera Obscura (1988) 6 (3 (18)): 8–19.
Published: 01 September 1988
...Chris Berry Copyright © 1988 by The Johns Hopkins University Press 1988 China's New "Women's Cinema"
Chris Berry
"Women's cinema" ~1 '€l-J5 ) is a term that has come into common
critical usage in the People's Republic of China over the last year or
two. Certainly, Chinese...
Journal Article
Camera Obscura (2000) 15 (2 (44)): 105–149.
Published: 01 September 2000
... Page 105
Turkish Cinema in the New Europe:
Visualizing Ethnic Conflict in
Sinan Çetin’s Berlin in Berlin
Angelica Fenner
The Turkish media landscape underwent sweeping changes in
the 1990s...
Journal Article
Camera Obscura (2005) 20 (3 (60)): 129–157.
Published: 01 December 2005
... openly rebels
against the unreasonable patriarchal rigidity of her father
and her religion. Courtesy Margaret Herrick Library
The Americanization of Tsuru
Aoki: Orientalism, Melodrama,
Star Image, and the New Woman
Sara Ross
The film career of Tsuru Aoki in the teens and twenties...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 59–79.
Published: 01 May 2014
...”
in the New Russian Cinema:
Youth and Valeria Gai Germanika’s
Films and Television
Julia Vassilieva
When five members of Pussy Riot, a Russian feminist punk rock
protest group, staged a performance in Moscow’s Cathedral of
Christ the Savior on 12 February 2012, the world was offered...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 27–63.
Published: 01 May 2016
...Marc Francis This article examines a series of recent films that seeks to represent the often conflated categories of asexuality and singlehood. The films (A)sexual (dir. Angela Tucker, US, 2011), Year of the Dog (dir. Mike White, US, 2007), and Bill Cunningham New York (dir. Richard Press, US...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 153–163.
Published: 01 May 2016
...Elizabeth Coffman; Erica Stein New Day Films was formed in 1972 as a feminist media collective to distribute films addressing gender issues. Forty years later, New Day boasts close to two hundred members and yearly distribution profits of $1 million. This article uses New Day's history...
Journal Article
Camera Obscura (2018) 33 (1 (97)): 57–81.
Published: 01 May 2018
...Farshid Kazemi Though proscriptions on the gaze in the New Iranian Cinema have been analyzed to some degree, similar proscriptions on the female voice have remained a virtual terra incognita. This article theorizes the unique structure of the voice operative in the New Iranian Cinema through what...
Journal Article
Camera Obscura (2019) 34 (1 (100)): 31–57.
Published: 01 May 2019
...Janet Bergstrom For this interview, cinematographer, photographer, and filmmaker Babette Mangolte agreed to focus on her collaborations as cinematographer with Belgian filmmaker Chantal Akerman on her 1970s New York films. Besides Jonas Mekas and Anthology Film Archives, Mangolte brought in the art...
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