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Journal Article
Camera Obscura (2014) 29 (3 (87)): 117–147.
Published: 01 December 2014
... very real visual interest. The film opens with Brad Collins (Robert Ryan), an executive vice president at Corn- wall Shipping Company, and his new wife, Nan (Laraine Day), registering — a “honeymoon look” in their eyes — at a luxury resort hotel located somewhere off the coast of California.21...
Journal Article
Camera Obscura (2019) 34 (3): 31–61.
Published: 01 December 2019
... are compromised in Little Girl Lost by technology s intrusion into the home, in The Hitch-Hiker, television desta- 44 Camera Obscura bilizes the family by allowing women the vicarious experience of movement outside the domestic sphere. Serling s voice-over introduces the protagonist, Nan Adams...
Journal Article
Camera Obscura (1985) 5 (1-2 (13-14)): 28–49.
Published: 01 September 1985
... the wind. Finally, Nan Hoover’s installation, Walhing in Any Direction, shows fragments of the spectator’s body as it briefly comes into the camera’s field of vision. With the disappearance of live video, the event disappears from the work and with it the immediacy which...
Journal Article
Camera Obscura (1996) 13 (2 (38)): 132–160.
Published: 01 May 1996
... of Nan Kinney and Debi Sundahl. BlushlFatale Video Productions have produced eleven videos, but Kinney and Sundahl, with the more famous Susie Bright (aka Susie Sexpert) are probably best known for the publication and editorial direction, since 1984, of one of the first...
Journal Article
Camera Obscura (2019) 34 (3): 97–125.
Published: 01 December 2019
... AIDS-ravaged world of 1980s New York and Berlin photographi- cally captured in Nan Goldin s Ballad of Sexual Dependency, High Art reveals that dependency is everywhere, not just in people s reli- ance on drugs but in their reliance on each other, whether through love, friendship, illness, professional...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 1–37.
Published: 01 May 2011
..., and politics are seldom discrete categories of experience. Nan Enstad’s seminal study of the ways in which nineteenth-­century working women used cultural practices like dressing fashionably and reading romance novels “to lay claim to dignified identities as workers . . . [and] to claim formal...
Journal Article
Camera Obscura (2004) 19 (2 (56)): 1–45.
Published: 01 September 2004
... photographers have carved out similar areas. Nan Goldin’s collection The Other Side (1993) pays personal homage to the “gender euphoria” of the transvestite and transsexual women who are her friends and openly acknowledged objects of desire; Mariette Pathy Allen’s “Photographs from a Movement” presents a...
Journal Article
Camera Obscura (2006) 21 (3 (63)): 37–61.
Published: 01 December 2006
... villainous assassins and slave traders; in Once upon a Time in China II (Wong Fei-Hung zhi er: Nan er dang zi Knocking Off Nationalism in Hong Kong Cinema  •  45 qiang, Hong Kong, 1992), their role as invaders has been turned upside down: they are victims of unprovoked xenophobic...
Journal Article
Camera Obscura (2012) 27 (1 (79)): 97–125.
Published: 01 May 2012
Journal Article
Camera Obscura (2014) 29 (2 (86)): 35–57.
Published: 01 September 2014
... tiyan de zhenshi pengzhuang” [The interaction between media construction and real experience — with the example of the real living conditions of the audiences of Dwelling Narrowness], Shanghai Journalism Review, April 2010, 48 – 52. 27. Nan Bocai...
Journal Article
Camera Obscura (1992) 10 (1 (28)): 20–77.
Published: 01 January 1992
Journal Article
Camera Obscura (2000) 15 (1 (43)): 163–191.
Published: 01 May 2000
..., which has been the space of the recording of our film, has thus been identified. The next shot shows Kian crying with her back to the cam- era. In tears, Vida recollects that their father had died and that there was hunger (nan nabud [bread no was...
Journal Article
Camera Obscura (1991) 9 (1-2 (25-26)): 144–180.
Published: 01 September 1991