...Colleen Jankovic; Nadia Awad While expanding critiques of pinkwashing have drawn increasing attention to how queer issues in Israel and the Occupied Palestinian Territories are perniciously mobilized by a network of lobby groups, Brand Israel initiatives, and international gay and lesbian...

... of Liberating Shahrazad: Feminism, Postcolonialism, and Islam (University of Minnesota Press, 2007) and is currently at work on a book about gender and genre in North African film. Bahia in Nadia’s room, A Door to the Sky, (dir. Farida Benlyazid, Morrocco, 1988) Now You See It, Now You Don’t...

... 2012 Volume Index Volume 27 corresponds to issues 79 – 81 Nadia Awad, see Colleen Jankovic with Nadia Awad Gerda Cammaer How EXPRMNTL Made the Small Coastal Town of Knokke the Scene for Radical Artistic New Waves and Political Sea Changes. No. 81: pp. 169 – 179...

...Nadia Sophia Sanko The story of Carmen (Mérimée 1845, Bizet 1875), the (in)famous Gypsy from Spain, is the second most adapted narrative in the history of world cinema with more than eighty global versions officially recognized to date; however, one significant and critical version has been...

... patriarchy (and thereby feeds that system even while it critiques it), the latter is a project aimed at entirely undoing that system.8 Toni Cade Bambara, bell hooks, Ntongela Masilela, Ally- 130 Camera Obscura son Nadia Field, Jacqueline Najuma Stewart, Samantha N. Shep- pard, and Alessandra Raengo, among...

... by Repetti, Carlo. Genova: Edizioni del Teatro di Genova, 1986 . Detassis , Piera “La valle delle bambole.” DWF 16 (Spring 1981 ). The article appeared in the supplement to the magazine entitled “Luna e I'altro.” Fusini , Nadia . “Pensieri di pace e di guerra.” Rome: Edizioni Centro...

... as a critical aesthetic device signifying that which is rendered opaque, incalculable, or vague within heterofamilial orderings of the world, offering symbolic and aesthetic resonance to a “queered diasporic belonging,” which Nadia Ellis describes as “a persistent sense of the insufficiency of existing modes...

... are realized on film. Most Arab women who make 35mm narrative feature films, such as the Moroccan Farida Ben Lyazid, the Tunisian Nadia Fares, and the Lebanese Randa Chahal Sabbagh, trained and work over- seas. But for the most part, few people in Arab countries have access to the technology, training...

... Manifesto,” in Writing on the Body: Female Embodiment and Feminist Theory, ed. Katie Conboy, Nadia Medina, and Sarah Stanbury (New York: Columbia University Press, 1997), 353. 22. Judith Butler, “Performative Acts and Gender Constitution...

..., no. 1 (2010): 77–120. 23. Strauven, “Media Archaeology,” 68; Gernet Hertz and Jussi Parikka, “CTheory Interview. Archaeologies of Media Art,” CTheory (2010): 6, https://journals.uvic.ca/index.php/ctheory/article/view/14750/5621 . 24. Nadia Atia and Jeremy Davies, “Nostalgia...

... and Feminist Theory, ed. Katie Conboy, Nadia Medina, and Sarah Stanbury (New York: Columbia University Press, 1997), 113 – 28. 26. bell hooks, Killing Rage: Ending Racism (New York: Henry Holt, 1995), 78. 27. bell hooks, Talking Back, 5. 28. bell hooks, Ain’t I a Woman: Black Women...