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museum culture

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Journal Article
Camera Obscura (2024) 39 (1 (115)): 95–126.
Published: 01 May 2024
... users to do. This act of scripting, this issuing of a culturally specific invitation, is itself a historical event—one that can be recovered and then analyzed as a fresh source of evidence.” 26 By virtue of how they come to be exhibited, the museum's historical objects depicted in this scene have...
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Journal Article
Camera Obscura (2024) 39 (3 (117)): 61–93.
Published: 01 December 2024
... role in generating communal values and informing an inquiry into the human condition in the contemporary moment. [email protected] Copyright © 2024 by Camera Obscura 2024 public archaeology Korean TV nostalgia film obsolescence museum culture post-television era remediation...
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Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 103–128.
Published: 01 May 1997
...” history, dinosauric threat was then safely rele- gated to the British investigative gaze. Thus is an exoticized race do- mesticated. It is not purely accidental that museum culture itself was linked to the possibilities opened up by an industrial revolution: they serve...
Journal Article
Camera Obscura (1990) 8 (3 (24)): 216–217.
Published: 01 September 1990
... opened in Fall 1990 at the Centre Georges Pompidou (Beaubourg) in Paris. Passages de l’image is currently at the Wexner Center (Columbus) and will travel to the Museum of Modern Art (San Francisco) in early 1992. His most recent books include L‘Entre-Images (Photo, Cinima, Vidio...
Journal Article
Camera Obscura (2007) 22 (1 (64)): 181–185.
Published: 01 May 2007
...Amelie Hastie Camera Obscura 2007 Amelie Hastie is the author of Cupboards of Curiosity: Women, Recollection, and Film History (2006) and a member of the Camera Obscura editorial collective. She has recently edited a special issue of the Journal of Visual Culture titled...
Journal Article
Camera Obscura (2003) 18 (3 (54)): 99–117.
Published: 01 December 2003
... on a wide range of theoretical, historical, and aesthetic issues in cinema and video, art, cultural studies, feminist and psychoanalytic theory, and comparative literature. Several of these essays have appeared in translation in French and German. She has also written catalog essays for museum...
Journal Article
Camera Obscura (2023) 38 (1 (112)): 81–101.
Published: 01 May 2023
... at the movies or the museum. As part of the Projected Art: Artists at Work series, it hints at the productive force of cultural consumption, a recurring theme of Varian's work with film and media in the exhibition space. [email protected] Copyright © 2023 by Camera Obscura Published by Duke University...
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Journal Article
Camera Obscura (2001) 16 (3 (48)): 113–157.
Published: 01 December 2001
... and which through imagination they come to embody” (“A Collector’s Model of Desire: The House and Museum of Sir John Sloane,” in The Cultures of Collecting, ed. Elsner and Roger Cardinal [London: Reaktion, 1997], 169). Interestingly, in Moore’s case the small doll marketed...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 137–147.
Published: 01 December 2012
... the effects on experimental media wrought by the proliferation of digital technologies, the deterioration of media formats, the migration of the moving image into the museum, the experimental community's greater sense of itself as international, and shifts in the kinds of institutions and informal structures...
Journal Article
Camera Obscura (1991) 9 (3 (27)): 76–87.
Published: 01 September 1991
...Jane Weinstock Copyright © 1992 by The Johns Hopkins University Press 1991 Rear Window (Alfred Hitchcock, 1954). Courtesy Museum of Modern Art Film Stills Archive. 5 Minutes to Alexanderplatz Jane Weinstock I was looking for Christian Boltanski’s Missing House. I didn’t...
Journal Article
Camera Obscura (2013) 28 (3 (84)): 1–31.
Published: 01 December 2013
... ; Imitation of Life ; Cinematernity: Film, Motherhood, Genre ; Sunrise ; Designing Women: Art Deco, Cinema, and the Female Form ; Stars: The Film Reader ; Teaching Film ; and Body Double: The Author Incarnate in the Cinema . She has held curatorial positions at the Museum of Modern Art and the Carnegie...
Journal Article
Camera Obscura (1993) 11 (2 (32)): 124–160.
Published: 01 September 1993
... greater sensitivity to the social rites of power signified by the American icon of the soup can and its selective dissemination in cultural circles.” I begin with this comparison of art from futuristic museums not so much to favor one art project over the other...
Journal Article
Camera Obscura (2004) 19 (3 (57)): 57–91.
Published: 01 December 2004
... the film’s critique of cultural signification and its personal effects. The con- trasts among the iconic, reshot images of American culture, circa 1970, are striking, whereas the dissonance between the degraded footage and its indexical capacity to portray history—and between the rough images...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 145–149.
Published: 01 September 2021
... performance art Stan Brakhage Sondra Perry Figure 1. Robert Haller, Portrait of Carolee Schneemann (1978). Photographic print, Carnegie Museum of Art, Pittsburgh. © Robert Haller. Made available by permission. Photograph © 2021 Carnegie Museum of Art, Pittsburgh Figure 1. Robert Haller, Portrait...
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Journal Article
Camera Obscura (1985) 5 (1-2 (13-14)): 28–49.
Published: 01 September 1985
...Anne-Marie Duguet; Jean Andrews Copyright © 1985 by Camera Obscura 1985 Nostos II (Thietry Kuntzel, 1984) The Luminous Image: Video Installation StedeZth Museum, Amsterdam (1 4 September-28 October 1984) Ame-Mane Dzlgzlet Although most video artists have produced...
Journal Article
Camera Obscura (1988) 6 (2 (17)): 215–216.
Published: 01 May 1988
...- culinity have been shown at the New Museum of Contemporary Art in New York, the Renaissance Society in Chicago, at Riverside Studios in London, and MIT. Scott Bukatman teaches film theory and analysis at the School of Visual Arts in New York. He is presently writing about subjectivity in recent...
Journal Article
Camera Obscura (2011) 26 (2 (77)): 139–146.
Published: 01 September 2011
... of and confrontation with mainstream media culture. The feminist manifestations of vidding range from the creation of deeply felt emotional odes to television and film, to the analytical teasing out and foregrounding of subtextual or secondary meanings, to bitingly critical engagements with the mainstream media's...
Journal Article
Camera Obscura (1991) 9 (1-2 (25-26)): 4–7.
Published: 01 September 1991
...Sharon Willis; Constance Penley Copyright © 1991 by The Johns Hopkins University Press 1991 They’re about to open a Museum of Civil Rights near the site of Martin Luther King’s assassination. And not a minute too soon, it seems, since eventually all that may remain of some people’s...
Journal Article
Camera Obscura (1991) 9 (3 (27)): 148–165.
Published: 01 September 1991
... borrowed from film theory. For example, in order to question modernist art history’s dismissal of mass culture as high art’s antipodal, degraded, feminine “other,” feminist art historians draw on film theory’s recognition of the potentially critical and active spectatorial...
Journal Article
Camera Obscura (2022) 37 (2 (110)): 91–117.
Published: 01 September 2022
.... The Shoah Foundation's production of The Girl and the Picture exemplifies the role of transnational political, economic, and cultural capital in the current memory-making process of the Nanjing Massacre. The Girl and the Picture also received technical support from PRC's Nanjing Massacre Memorial Museum...
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