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Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 253–255.
Published: 01 December 1989
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 28–39.
Published: 01 December 1989
... informed perspective, female spectatorship is positioned within the strategies of reading, and writing about, a filmic text. The issue of female spectatorship has also been addressed by film scholar Giuliana Muscio from an historiographical viewpoint. Although not a dominant...
Journal Article
Camera Obscura (1991) 9 (3 (27)): 179–187.
Published: 01 September 1991
... to Questionnaire on “The Female Spectator.” No. 20-21; pp. 248-252. Muscio, Giuliana Response to Questionnaire on “The Female Spectator.” No. 20-21; pp. 253-25 5. Penley, Constance Response to Questionnaire on “The Female Spectator.” No. 20-21; pp...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 5–27.
Published: 01 December 1989
... or defining a public space for the discussion of feminist issues in film/ television theory and production. Individual essays by Barbara Creed, Meaghan Morris, Lesley Stern (Australia), Claudia Preschl (Austria), Lucilla Albano, Giuliana Muscio (Italy), Annette Forster (The Neth...
Journal Article
Camera Obscura (2006) 21 (2 (62)): 74–107.
Published: 01 September 2006
... of the New Deal, 1933 – 1938 (New York: Creative Age, 1944), 62. 19. These studios made a number of films in this mode; see Guiliana Muscio, Hollywood’s New Deal (Philadelphia: Temple University Press, 1996); Nick Roddick, A New Deal in Entertainment: Warner Bros. in the 1930s (London...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 336–372.
Published: 01 December 1989
... Gurevitch and Janet Woollacott. Beverly Hills: Sage, 1977. 12-43. Muscio, Giuliana. “L‘incubo americano.” I1 mito americano: Origin e crisi di un modello culturale. Padova: CLEUP, 1980. 88-101. -. “Tutto fa cinema.” Dietro lo schermo: Ragionamenti sui modi de...