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mulvey

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Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 248–252.
Published: 01 December 1989
... University of Southern California Laura Mulvey Under the influence of the Women’s Movement, my experience of cinema changed, and I became aware of the “female spectator” first as a dilemma within myself. Until then, I had loved Hollywood films, more or less...
Journal Article
Camera Obscura (2006) 21 (3 (63)): 167–170.
Published: 01 December 2006
... City, 1980. Appearing from left to right: Roz Baxandall, Cathy Nonas, Yvonne Rainer, B. Ruby Rich, Vanalyne Green, Joan Braderman. Photograph by Jerry Kearns A R C H I V E F O R T H E F U T U R E Mulvey’s Legacy Yvonne Rainer In my performance course at...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 1–23.
Published: 01 December 2007
... Readings (1993). She edited America First: Naming the Nation in US Film (2007) and After Diana (1998), and she coedited (with Chris Townsend) The Art of Tracey Emin (2002) and (with Naomi Segal and Elizabeth Wright) Coming out of Feminism? (1998). Photo courtesy Ron Hagell Mulvey’s Manifesto...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 68–81.
Published: 01 December 1989
...Laura Mulvey Copyright © 1990 by The Johns Hopkins University Press 1989 ...
Journal Article
Camera Obscura (1993) 11 (1 (31)): 48–70.
Published: 01 May 1993
...Laura Mulvey Copyright © 1993 by Indiana University Press 1993 Xala, Ousmane Sembene (1974): The Carapace That Failed Laura Mulvey The film language of Xala can be constructed on the model of an African poetic form called “sem...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 247.
Published: 01 May 1979
... Jacquelyn Suter is engaged in graduate work at the University of Cali- 247 fornia, Berkeley where she studies in the areas of semiotics and theories of discursive structure in both film and literature. She is currently co-authoring an intertextual interview with Laura Mulvey. ERRATA...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 169.
Published: 01 December 2007
...: women’s film practices, ideal teaching encounters, feminist affect, political activism, Laura Mulvey’s legacy, narrative televi- sion, everyday practice, the phallus as a dead object, the closet . . . and more. Our hope is that these reflections will provide for a conjuncture between our historical...
Journal Article
Camera Obscura (1993) 11 (1 (31)): 148.
Published: 01 May 1993
...” that is in process. Laura Mulvey is now Coordinator of Postgraduate Studies at the British Film Institute, London. She is a filmmaker and writer. Her collection of essays, Visual and Other Pleasures was published by Indiana University Press in 1989 and she contributed her volume...
Journal Article
Camera Obscura (1976) 1 (1 (1)): 143.
Published: 01 May 1976
.... "Women's Cinema and Feminist Film Criticism". Screen, vol. 16, no. 3 (Autumn 1975). Mulvey, Laura. "Visual Pleasure and Narrative Cinema". Screen, vol. 16, no. 3 (Autumn 1975). Rose,]acqueline. "Writing as Auto-Visualization: Notes on a Scenario and Film of Peter Pan". Screen, vol. 16...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 332–335.
Published: 01 December 1989
... Metz, Screen published the famous essay by Laura Mulvey, “Visual Pleasure and Narrative Cinema” (1975). Although Mulvey spoke not one word about the difference of the female spectator, everything she wrote about the dominance of the masculine gaze and the fetishistic and...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 115–118.
Published: 01 December 1989
... primarily on texts they obviously hate; I find it far more interesting to figure out how a text attracts and manipulates those who like it.) Influenced by the dominant theoretical work of the time (Mulvey, Bellour), I was quite prepared to find that the texts I was...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 199–204.
Published: 01 December 1989
... saw that tension as leading to a more generative reading, one with transformational power both for the text and the spectator. Laura Mulvey’s (1975) ground-breaking essay and the pioneering work of other British feminists like Claire Johnston (1976) and Chris- tine...
Journal Article
Camera Obscura (1991) 9 (3 (27)): 148–165.
Published: 01 September 1991
...Amelia Jones Vision and Difference: Femininity, Feminism and the Histories of Art , Griselda Pollock. London and New York: Routledge, 1988. Visual and Other Pleasures , Laura Mulvey. Bloomington and Indianapolis: Indiana University Press, 1989. Love for Sale: The Words and Pictures...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 209–212.
Published: 01 December 1989
... my early considerations on the topic. Written in 1978, my essay “Why Women Go to Men’s Films’’ first appeared in 1980 in a collection that included the German translation of Laura Mulvey’s essay on “Visual Pleasure.” In it I argued that the valorization of gender was a social issue and not an...
Journal Article
Camera Obscura (2003) 18 (2 (53)): 125–151.
Published: 01 September 2003
... to light the way the look has been controlled and con- tained not only by film in its practice of representation but by film theory in its application. As a result, the film emphasizes the need, as Laura Mulvey has put it, to free the look of both camera and audience,10 and to do so by revisiting...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 132–137.
Published: 01 December 1989
... stereotypes of mainstream cinema. We saw film as a radical weapon with which we hoped to change women’s view of society and of their place within that society.* My growing fascination/obsession with the question of the female spectator was inspired by Laura Mulvey’s (1975...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 137–141.
Published: 01 December 1989
... killing neorealism; but also: fascism giving birth to neorealism, neorealism generating the modernist art film. Pred- icated as it is on the primal scene, the ancient tale of Oedipus has a heterosexual bias which Italian cinema reroutes into a homoerotic direction. According to Laura Mulvey...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 204–209.
Published: 01 December 1989
... developed in the mid-1970s as a result of encounters with Laura Mulvey’s (1975) watershed essay on visual pleasure and other work employing psychoanalysis as the dominant approach to the cinema (e.g., Bellour 1977). This work introduced me to psycho- analysis as a powerful...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 5–27.
Published: 01 December 1989
... phallocentrism which ignored all questions of female subjectivity. (This was the same issue of Screen in which Metz’s “The Imaginary Signifier” was published.) In the following issue of Screen, Laura Mulvey’s extremely influential essay, “Visual Pleasure and Nar- rative Cinema...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 210–215.
Published: 01 December 1982
...Jacques Aumont; D.N. Rodowick Colin MacCabe, with Mick Eaton and Laura Mulvey, Godard: Images, Sounds, Politics. (Bloomington: Indiana University Press, 1980. BFI Cinema Series. Copyright © 1982 by Camera Obscura 1982 Book Reviews Godard: Images, Sounds, Politics Ja cqu es...