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Journal Article
Camera Obscura (2019) 34 (1 (100)): 99–111.
Published: 01 May 2019
...Maureen Turim Chantal Akerman’s 2004 art installation Marcher à côté de ses lacets dans un frigidaire vide ( Walking Next to One’s Shoelaces in an Empty Fridge ) explores Akerman’s multigenerational family history as Jewish survivors of the Shoah. The installation is spatially configured so...
Journal Article
Camera Obscura (2013) 28 (3 (84)): 67–101.
Published: 01 December 2013
... (BBC, UK, 1975), Berlin Alexanderplatz does not utilize its extended running time to create an increasingly complex or multigenerational story line. Instead, the extensive breadth of the miniseries allows for an experiment with minor character forms, offering the intimacy often associated with extended...
Journal Article
Camera Obscura (2011) 25 (3 (75)): 29–67.
Published: 01 December 2011
..., provide the template for Hollywood’s future. Luhrmann’s encounter with Bollywood is a back-­to-­the- ­future narrative routed through another cultural space.32 Two points are worth noting about Luhrmann’s curious characterization of Bollywood cinema as multigeneric. First, though...
Journal Article
Camera Obscura (2017) 32 (3 (96)): 33–61.
Published: 01 December 2017
... follows three branches of the multigenerational Pritchett family: senior patriarch Jay Pritchett (Ed O’Neill), his younger Colombian wife Gloria (Sofia Vergara), her child Manuel “Manny” Delgado (Rico Rodriguez), and, as of season 4, their son Fulgencio Joseph Pritchett (Pierce Wallace...
Journal Article
Camera Obscura (2014) 29 (2 (86)): 35–57.
Published: 01 September 2014
... public opinion on the controversial topic of cohabitation and rationalizing its economic practicality for two young people, the drama provides consolation to a multigenerational audience, naturalizing the modern relationship form while preserving tradi- tional values. Regardless...
Journal Article
Camera Obscura (2014) 29 (3 (87)): 93–115.
Published: 01 December 2014
..., Martel would have been Momi’s age during the dictator- ship, Amalia’s age during the first years of democratic rule, and younger than Vero, but an adult nevertheless, during the height of neoliberalism and the Washington Consensus in the 1990s. In this multigenerational story, the double status...