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Journal Article
A Taste for Shrinking: Movie Miniatures and the Unreal City
Available to Purchase
Camera Obscura (2001) 16 (2 (47)): 1–35.
Published: 01 September 2001
... Obscura 40-41. She is currently coediting an anthology of essays on The Blair Witch Project . Bardo Town Series. Reprinted from Galaxy Magazine
(1994) by permission of E. J. Gold.
A Taste for Shrinking: Movie
Miniatures and the Unreal City
Sarah L. Higley
Discrepancy of size is a form...
Journal Article
Swimming Pools, Movie Stars: The Celebrity Body in the Post-War Marketplace
Available to Purchase
Camera Obscura (1996) 13 (2 (38)): 4–28.
Published: 01 May 1996
...Catherine Williamson Copyright © 1995 by Indiana University Press 1996
Swimming Pools, Movie Stars:
The Celebrity Body in the Post-War Marketplace
Catherine Williamson
In the minds of many people, Esther Williams...
Journal Article
Road Movie : Notes from the Field
Available to Purchase
Camera Obscura (2012) 27 (2 (80)): 165–175.
Published: 01 September 2012
... of the impact of neoliberalism on current queer politics, the piece winds its way toward a suturing of queer identity and questions of nation. Road Movie installation at Toronto International Film
Festival (TIFF) Photo by Tom Blanchard,
courtesy O’Born Contemporary
I N PRACTICE: THE QU EER ST A T...
Journal Article
Looking Back and Forward: A Conversation about Women Make Movies
Available to Purchase
Camera Obscura (2013) 28 (1 (82)): 147–155.
Published: 01 May 2013
...Debra Zimmerman; Patricia White Debra Zimmerman, executive director of Women Make Movies, talks about the organization on the occasion of its fortieth anniversary with Camera Obscura editorial collective member and Women Make Movies board chair Patricia White. Women Make Movies was formed in 1972...
Journal Article
Is Film Theory Queer Theory? Or, Everything I Know about Queerness I Learned at the Movies
Available to Purchase
Camera Obscura (2013) 28 (3 (84)): 159–167.
Published: 01 December 2013
...
In Practice
Is Film Theory Queer Theory?
Or, Everything I Know about
Queerness I Learned at the Movies
Theresa L. Geller
Lately I have been spending a lot of time thinking about time, par-
ticularly time passing and, with it, the passing of people who have
shaped my thinking. I...
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Journal Article
Made in Movieland: Imitation, Agency, and Girl Movie Fandom in the 1910s
Available to Purchase
Camera Obscura (2017) 32 (1 (94)): 129–165.
Published: 01 May 2017
...Diana W. Anselmo This article employs the concept of imitation as a lens through which the author explores the complex relationship established between the fledgling Hollywood film industry and the first generation of girls to be culturally construed as “adolescent” and “movie fans” in the US...
Journal Article
Valencia: The Movie/s : A New Collectivity
Available to Purchase
Camera Obscura (2016) 31 (3 (93)): 165–175.
Published: 01 December 2016
...Liz Clarke; S. Topiary Landberg In this article, the authors argue that the 2013 omnibus film Valencia: The Movie/s (US) presents a unique approach to collective filmmaking in its adaptation of Michelle Tea's queer coming-of-age memoir Valencia (2000). This approach creates a sense of cultural...
Journal Article
The Matrixial Borderspace: The Complex Inscription of Trauma in Chantal Akerman’s No Home Movie
Available to Purchase
Camera Obscura (2019) 34 (1 (100)): 113–137.
Published: 01 May 2019
...Brenda Longfellow Chantal Akerman’s last film, No Home Movie (Belgium/ France, 2015), a film that is now impossibly freighted with the news of her suicide, provides a poignant reflection on many of the themes and formal strategies that Akerman has employed throughout her storied career. Shot...
View articletitled, The Matrixial Borderspace: The Complex Inscription of Trauma in Chantal Akerman’s No Home <span class="search-highlight">Movie</span>
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Journal Article
“I’m Washing My Dishes and Making a Movie”: Anne Charlotte Robertson and World-Making as Women’s Work
Available to Purchase
Camera Obscura (2020) 35 (3 (105)): 60–87.
Published: 01 December 2020
...), the small gauge is harnessed for tasks that extend far beyond its I m Washing My Dishes and Making a Movie : Anne Charlotte Robertson and World- Making as Women s Work Anjo- marí Gouws Camera Obscura 105, Volume 35, Number 3 doi 10.1215/02705346-8631559 © 2020 by Camera Obscura Published by Duke University...
View articletitled, “I’m Washing My Dishes and Making a <span class="search-highlight">Movie</span>”: Anne Charlotte Robertson and World-Making as Women’s Work
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Journal Article
Choreographing Homosexual Desire in Philippe Vallois's Johan
Available to Purchase
Camera Obscura (2013) 28 (3 (84)): 125–157.
Published: 01 December 2013
... to make a movie starring his lover, Johan. Unfortunately, Johan is imprisoned for various reasons and is unavailable to perform in the movie. The film thus becomes Vallois's search for the ideal Johan, rendered through a range of men whom he auditions to play the role. We meet the multiple Johans through...
Journal Article
Pop, Collaboration, Utopia: Bruce Conner's BREAKAWAY in 1960s Los Angeles
Available to Purchase
Camera Obscura (2015) 30 (2 (89)): 1–27.
Published: 01 September 2015
...Johanna Gosse San Francisco artist Bruce Conner established himself as a major figure in postwar underground cinema with his first film, A MOVIE (1958), a masterpiece of found-footage montage. Yet Conner also shot several films with his own camera, many of which feature a nude or partially clothed...
Journal Article
Let Them Wear Manolos: Fashion, Walter Benjamin, and Sofia Coppola's Marie Antoinette
Available to Purchase
Camera Obscura (2011) 26 (3 (78)): 1–33.
Published: 01 December 2011
... despite Coppola's prominence as a contemporary maker of style, her insistence on her primary role as maker of movies invites us to read her interpretation of the life of the Austrian dauphine as a commentary on her own experience as a contemporary woman filmmaker, one that has proven to be as problematic...
Journal Article
More Than “Just Talk”: The Chelsea Picture Station in the 1970s
Available to Purchase
Camera Obscura (2013) 28 (1 (82)): 125–133.
Published: 01 May 2013
...Kristen Fallica This essay commemorates the fortieth anniversary of the independent feminist film organization Women Make Movies (WMM) by reflecting on its history and relationship to larger currents in feminist media culture. Based on archival research, this contribution to Camera Obscura 's...
Journal Article
Remembering “Punto de Vista: Latina” in Two Voices
Available to Purchase
Camera Obscura (2013) 28 (1 (82)): 135–145.
Published: 01 May 2013
...Catherine L. Benamou; Bienvenida Matías This is part memoir, part historical reflection on the creation of “Punto de Vista: Latina,” a transnational distribution and local exhibition project of films by and about Latinas during the reorganization of Women Make Movies in the early 1980s...
Journal Article
The Confidence Game
Available to Purchase
Camera Obscura (2013) 28 (1 (82)): 157–165.
Published: 01 May 2013
...B. Ruby Rich This article considers the early history of women-directed media, examining its links to political action campaigns in the 1970s and exploring the aims of women's film festivals, production workshops, and Women Make Movies itself. Acknowledging a personal role in the WMM crisis...
Journal Article
Working It: Gene Tierney, Laura , and Wartime Beautification
Available to Purchase
Camera Obscura (2018) 33 (2 (98)): 161–195.
Published: 01 September 2018
...Will Scheibel Famously touted as “the most beautiful woman in movie history” by Darryl F. Zanuck, the chief executive of Twentieth Century Fox, actress Gene Tierney achieved major stardom with Fox’s classic Laura (dir. Otto Preminger, US, 1944) following years of being typecast as an Orientalist...
Journal Article
Tribute to Chantal Akerman
Available to Purchase
Camera Obscura (2019) 34 (1 (100)): 91–97.
Published: 01 May 2019
... of working, especially on documentary and installation pieces; her preference for frontal shots; her lack of interest in rules, realism, and character psychology; and her humor. The tribute closes with the filmmaker’s own words on her last film, No Home Movie (Belgium/France, 2015). Copyright © 2019 Camera...
Journal Article
Our Way of Working: A Conversation with Claire Atherton about Chantal Akerman
Available to Purchase
Camera Obscura (2019) 34 (1 (100)): 13–29.
Published: 01 May 2019
... together, from shooting the stage performance of Letters Home in 1986 to the process of combining images and sounds in Akerman’s final works, the film No Home Movie (France/Belgium) and the multichannel installation piece Now , both 2015. Works mentioned include D’Est ( From the East , France/Belgium, 1993...
Journal Article
CHANTAL? A Dialogue with Sonia Wieder-Atherton
Available to Purchase
Camera Obscura (2019) 34 (1 (100)): 197–217.
Published: 01 May 2019
... LOOKING ! The Films of Chantal Akerman 1968–2015 (2016–17) in Portland, Oregon, and culminated with CHANTAL? Dialogue between a movie, a cello, and a text , conceived and performed by Sonia Wieder-Atherton in 2018. This essay foregrounds films, installations, and performances that portray the interplay...
Journal Article
Daughter of Saul, or Saul Leanya : The Gendered Place of Atrocity in László Nemes's Son of Saul
Available to Purchase
Camera Obscura (2021) 36 (2 (107)): 99–125.
Published: 01 September 2021
...Szidonia Haragos Abstract László Nemes's 2015 production, Son of Saul ( Saul fia ), is one of the most critically acclaimed Holocaust movies to date. The film disrupts canonical notions of visual representation of the special squads of Jewish inmates, or Sonderkommando, forced to work...
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