... Obscura 40-41. She is currently coediting an anthology of essays on The Blair Witch Project . Bardo Town Series. Reprinted from Galaxy Magazine (1994) by permission of E. J. Gold. A Taste for Shrinking: Movie Miniatures and the Unreal City Sarah L. Higley Discrepancy of size is a form...

...Brenda Longfellow Chantal Akerman’s last film, No Home Movie (Belgium/ France, 2015), a film that is now impossibly freighted with the news of her suicide, provides a poignant reflection on many of the themes and formal strategies that Akerman has employed throughout her storied career. Shot...

..., Robert- son s diary is also explicitly made for audiences. Although shot in Super 8mm, capturing the rhythms and rituals of the home (baking bread, birthday parties, growing Sweet Mama squash), the small gauge is harnessed for tasks that extend far beyond its I m Washing My Dishes and Making a Movie...

...Diana W. Anselmo This article employs the concept of imitation as a lens through which the author explores the complex relationship established between the fledgling Hollywood film industry and the first generation of girls to be culturally construed as “adolescent” and “movie fans” in the US...

...Liz Clarke; S. Topiary Landberg In this article, the authors argue that the 2013 omnibus film Valencia: The Movie/s (US) presents a unique approach to collective filmmaking in its adaptation of Michelle Tea's queer coming-of-age memoir Valencia (2000). This approach creates a sense of cultural...

...Catherine Williamson Copyright © 1995 by Indiana University Press 1996 Swimming Pools, Movie Stars: The Celebrity Body in the Post-War Marketplace Catherine Williamson In the minds of many people, Esther Williams...

... Festival (TIFF), and festivals and museums worldwide. She is a founding member of Public Studio with her collaborator, Tamira Sawatzky. Her most recent work includes: Public Studio's Road Movie , a six-screen installation on the segregated roads of Palestine that premiered at TIFF 2011; Kino Pravda 3G...

...Debra Zimmerman; Patricia White Debra Zimmerman, executive director of Women Make Movies, talks about the organization on the occasion of its fortieth anniversary with Camera Obscura editorial collective member and Women Make Movies board chair Patricia White. Women Make Movies was formed in 1972...

... In Practice Is Film Theory Queer Theory? Or, Everything I Know about Queerness I Learned at the Movies Theresa L. Geller Lately I have been spending a lot of time thinking about time, par- ticularly time passing and, with it, the passing of people who have shaped my thinking. I...

...Johanna Gosse San Francisco artist Bruce Conner established himself as a major figure in postwar underground cinema with his first film, A MOVIE (1958), a masterpiece of found-footage montage. Yet Conner also shot several films with his own camera, many of which feature a nude or partially clothed...

... to make a movie starring his lover, Johan. Unfortunately, Johan is imprisoned for various reasons and is unavailable to perform in the movie. The film thus becomes Vallois's search for the ideal Johan, rendered through a range of men whom he auditions to play the role. We meet the multiple Johans through...

...Will Scheibel Famously touted as “the most beautiful woman in movie history” by Darryl F. Zanuck, the chief executive of Twentieth Century Fox, actress Gene Tierney achieved major stardom with Fox’s classic Laura (dir. Otto Preminger, US, 1944) following years of being typecast as an Orientalist...

... of working, especially on documentary and installation pieces; her preference for frontal shots; her lack of interest in rules, realism, and character psychology; and her humor. The tribute closes with the filmmaker’s own words on her last film, No Home Movie (Belgium/France, 2015). Copyright © 2019 Camera...

... together, from shooting the stage performance of Letters Home in 1986 to the process of combining images and sounds in Akerman’s final works, the film No Home Movie (France/Belgium) and the multichannel installation piece Now , both 2015. Works mentioned include D’Est ( From the East , France/Belgium, 1993...

... LOOKING ! The Films of Chantal Akerman 1968–2015 (2016–17) in Portland, Oregon, and culminated with CHANTAL? Dialogue between a movie, a cello, and a text , conceived and performed by Sonia Wieder-Atherton in 2018. This essay foregrounds films, installations, and performances that portray the interplay...

...Szidonia Haragos Abstract László Nemes's 2015 production, Son of Saul ( Saul fia ), is one of the most critically acclaimed Holocaust movies to date. The film disrupts canonical notions of visual representation of the special squads of Jewish inmates, or Sonderkommando, forced to work...

...Anthea Kraut Abstract This essay revisits the question of credit and debt in the celebrated 1952 film musical Singin’ in the Rain (dir. Gene Kelly and Stanley Donen, US) to show how white women's dancing bodies participate in the “talent relocations” that the movie both thematizes and suppresses...

... dialogs on Twitter. The article looks specifically at how the multiplatform hybridity of online and embodied participation allows feminist audiences to create collective spectatorial communities. DFF events emphasize paratextual conversation and reimagine how we can relate to movie narratives...

... despite Coppola's prominence as a contemporary maker of style, her insistence on her primary role as maker of movies invites us to read her interpretation of the life of the Austrian dauphine as a commentary on her own experience as a contemporary woman filmmaker, one that has proven to be as problematic...

... projected through mobile exhibition on city buildings, and Eli Rezik's online “web-movies” Living Alone without Me (Palestine, 2011) and Between Us Two (Palestine, 2011) compelled a panel discussion of alternative means of distribution and exhibition. Finally, Alaa AbuAsad's Masturbate bil beit (Palestine...