... dimension as a possible antidote to the current state of the world. Copyright © 2021 by Camera Obscura Published by Duke University Press 2021 Agnès Varda video installation cabane still and moving images reveries Figure 1. Exhibition view of Photographs get moving (potatoes...

..., change, and openness in Akerman’s work. Copyright © 2019 Camera Obscura 2019 Chantal Akerman Claire Atherton film editing moving-image installation feminist film French film ...

...Anne-Marie Duguet; Jean Andrews Copyright © 1985 by Camera Obscura 1985 Nostos II (Thietry Kuntzel, 1984) The Luminous Image: Video Installation StedeZth Museum, Amsterdam (1 4 September-28 October 1984) Ame-Mane Dzlgzlet Although most video artists have produced...

... frequently explores this elusive temporal between through the diptychs and triptychs of her installations. Comprising only static images, or moving and still alike, these forms are also often covertly and rapidly inserted into the bodies of her films. The effect of such seeming formalism contributes not only...

... magician’s sleight-of-hand game in which the passerby is asked to bet on which of three cups conceals the ball: we attempt to follow a thread, make connections, antici- pate signifi cant changes, but instead get caught up in the fl ux of images and sounds. The installation begins with three black...

... the great exodus of World War II—a collection of sunny images of houseboat life and joyful games (plus the typical Vardian ironic shock shot of a man exposing himself)—is a sequence in which Varda describes in detail her 2007 installation at the Pantheon in the heart of Paris. Commissioned to commemorate...

... by looking at the form Abramovic´’s installations take as they arrange the moving image into the perpetual repetition of the museum or gallery space. We may note with irony that while Abramovic´ cuts and enacts violence on her body, the image offered as installation proceeds in continuity, without...

... the apartheid roads that crisscross the contemporary Palestinian landscape. An installation across six screens (on three double- sided walls), the lm was shot in stop- motion animation at one frame per second, the effect of which is similar to watching a series of (moving) stills on landscape...

.../her-sex-and-her-medium-exploded-coming-terms-pipilotti-rist/ . 59. Miller, Anatomy of Disgust , xi. 60. Gloria Sutton, “Reception Theory: Difficulty, Dropouts, and Interference in the Moving Images of Pipilotti Rist,” in Pipilotti Rist: Pixel Forest , 114. 61. While...

.... Feminism 101 • 37 70. Moira Roth, “The Voice of Shigeko Kubota: ‘A Fusion of Art and Life, Asia and America . . . ’” in Shigeko Kubota: Video Sculpture, ed. Mary Jane Jacob (New York: American Museum of the Moving Image, 1991), 77. 71. Ilene Segalove, quoted in JoAnn Hanley...

... Krikorian, Vanitas, 1977 A R C H I V E F O R T H E F U T U R E Imagining Future Gardens of History Jackie Hatfield As an artist making expanded cinematic artworks, I have a vested interest in how the history of moving-image practice is written, as well...

... an installation at La Mamelle with six monitors. CO: Could you describe DeadZke? MA: That was one of the original installation pieces and, I think, a really successful one. I put the image of the man running on five monitors down Deadhe...

...), installation at the Contemporary Arts Museum, Houston. Courtesy of Nina Sobell Reflecting on the performative and interactive coordinates of her video practice, artist Nina Sobell states: I became the public and the image in between. I dove into the intimacy of the screen. I made no rules, no requirements...

..., again + citare, to set in motion, summon. From the Indo-European root, kei; Suffixed form, ki-neu - in Greek, kinein, to move: (-KINESIS), , . . ,CINEMATOGRAPH, . . . TELEKINESIS [kei-: from Pokorny’s...

... Guillaume Apollinaire Almost nothing. In terms of representation, narration- the naming of objects or actions -almost nothing. Nostos I, Echolalia: empty spaces without perspective, flat surfaces; here, the left and right profile of the same barely moving body are outlined; there, a few silhouettes...

...Domietta Torlasco This article interrogates the relation between memory and creation in Monica Bonvicini's installation Destroy She Said and Agnès Varda's film The Gleaners and I , both involving the adoption of digital technology and the simultaneous appropriation of analog materials. It is my...

...Lynne Sachs Camera Obscura 2007 Lynne Sachs makes experimental and documentary films, videos, installations, and Web projects that expose the limits of verbal language by complementing it with complex emotional and visual imagery. She lives in Brooklyn and teaches alternative media...

... for publication as part of the Visible Evidence series at the University of Minnesota Press. All images in this article are taken from the museum installation entitled “Bordering on Fiction: Chantal Akerman’s D’est,” at the Walker Art Center, Minneapolis. Collection Walker Art Center, Minneapolis. Justin...

... Varda's 2007 multimedia installation Les Justes , honoring the “Righteous,” individuals who protected Jewish children during World War II. She analyzes how Varda moves between cinematic reconstruction and physical photographs, immortalizing the ephemeral. By addressing the Occupation as a woman artist...

... on the media blitz that subjected all telespectators, willing or not, to the censored image and sound bites of the Persian Gulf War. Kelly created her installation in response to watching news commentators on television who were “watching the troops watch the spectacle of annihilation.”12 Catching...