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Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 241–245.
Published: 01 December 1989
... of Wisconsin-Milwaukee Meaghan Morris 1. I can’t say that I really have been interested in “‘the female spectator’ per se,” and my history of engagement with the issue has mostly been one of a bland “keeping up” with what was being said elsewhere, varied by moments of intense negativity. I am...
Journal Article
Camera Obscura (2010) 25 (1 (73)): 29–67.
Published: 01 May 2010
... taken in the throes of war during the US occupation of Iraq, the essay asks, following the lead of Judith Butler, what is visual culture's critical task during times of war? Errol Morris's Standard Operating Procedure points the way. This extraordinary documentary film, grounded in interpretations...
Journal Article
Camera Obscura (2023) 38 (1 (112)): 81–101.
Published: 01 May 2023
... by the museum's curator, Elayne Varian, from 1966 to 1975. This article addresses how ideas of process, reproduction, and documentation were being reconfigured at Finch, especially in film and media art of the 1960s. Robert Morris's film installation, Finch College Project (US, 1969), is emblematic of this larger...
FIGURES
Journal Article
Camera Obscura (1984) 4 (3 (12)): 40–65.
Published: 01 December 1984
...Meaghan Morris © 1984 by Camera Obscura 1984 Identity Anecdotes Meughuz Mom> Identity: “Inside and outside and identity is a great bother. ’ ’ Gertrude Stein, Everybody ’r Autobiography Anecdote...
Journal Article
Camera Obscura (1992) 10 (2 (29)): 150–176.
Published: 01 May 1992
... Issues . Boston: Routledge and Kegan Paul, 1983 . Morris , Jan Conundrum . New York: Henry Holt, 1986 . Nettick , Geri , and Beth Elliot. “The Transsexual Vampire.” In Lonely and a Long Way From Home: The Life and Strange Adventures of a Lesbian Transsexual [mss]. Forthcoming...
Journal Article
Camera Obscura (1988) 6 (2 (17)): 206–214.
Published: 01 May 1988
..., both inside and outside the academy, are temporarily displaced from the field of discourse. If to review the book, even critically, is to amplify this discursive event and to sanction these consequences, then there are good reasons for preferring what Meaghan Morris calls “strategic...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 53–67.
Published: 01 December 1989
... , Albert , and Tom O'Regan. An Australian Film Reader . Sydney: Currency Press, 1985 . Moran , Albert , and Tom O'Regan. The Australian Screen . Melbourne: Penguin, 1989 . Morris , Meaghan . “Identity Anecdotes,” Camera Obscura 12 ( 1984 ): 41 –65. Morris , Meaghan...
Journal Article
Camera Obscura (1990) 8 (1 (22)): 138–149.
Published: 01 January 1990
... to the constitutive effects of discourses and practices. Feminism and Foucault develops this discussion, but it also reprints other early fem- inist writings, notably, Meaghan Morris’s 1979 essay, “The Pirate’s Fianc6e: Feminists and Philosophers, or Maybe Tonight It’ll Happen,” and Biddy Martin’s 1982 essay...
Journal Article
Camera Obscura (1981) 3 (1 (7)): 144–150.
Published: 01 May 1981
... (Winter 1976); Meaghan Morris, “The Pirate’s Fiancee” in Michel Foucault: Power, Truth, Strateg, Worlung Pa- pers Collection no. 2, Foss and Morris, eds. (Sydney, Australia: Feral Publica- tions, 1979); Michele Le Doeuff, “Women and Philosophy” in Radical Philo...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 169–170.
Published: 01 December 1984
..., Denise Staggering Toward Modern Times. Vol. 4, no: 12; pp. 5-17. McCarroll, Luli Dissecting The Bod’ Human: The Sexes. Vol. 4,no. 11; pp. 87-101. Morris, Meaghan Identity Anecdotes. Vol. 4, no. 12; pp. 41-65. Polan, Dana “Desire Shifts the Differance”: Figural Poetics...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 235–241.
Published: 01 December 1989
..., and more recently Meaghan Morris, Patrice Petro, Kathleen Woodward, Cecelia Condit and Roswitha Mueller. I have organized international forums to which I invited additional writers and artists: Claire John- ston, Mary Ann Doane, Linda Williams, Chantal Akerman, Rainer, Mulvey and Potter were...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 164–165.
Published: 01 December 1984
.... Meaghan Morris is a prominent writer on film and feminist theory who is based in Sydney, Australia. Dana Polan is an Assistant Professor of English at the University of Pittsburgh. He has published widely in journals such as The Minnesota Review, bozlnda7y 2, and October...
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 129–160.
Published: 01 May 1997
... turned into a big-screen film by Errol Morris in 1992, and who has appeared at his own request on Star Trek: The Next Gener- ation-as himself, or, rather, as his holodeck construct who wins the poker game against Newton, Einstein, and Data. Allucquere Rosanne Stone explicates my connection...
Journal Article
Camera Obscura (2004) 19 (1 (55)): iii–np.
Published: 01 May 2004
... Alexander, Rey Chow, Danae Clark, Julie D’Acci, Mary Ann Doane, Alexander Doty, Rosa Linda Fregoso, Ana Lopez, Wahneema Lubiano, Anna McCarthy, Meaghan Morris, Linda Orr, and David Rodowick Managing Editors: Emily Davis and Andrea Fontenot Intern: Junko Yamazaki Camera Obscura is published three...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 1–3.
Published: 01 May 2014
... direc- tor offered a fruitful place to begin. Acknowledging the inter­ disciplinary and transnational legacy of the feminist film tradi- tion in Australia, which includes the work of influential scholars such as Meaghan Morris, Lesley Stern, Laleen Jayamanne, Helen Grace, and Barbara Creed, we...
Journal Article
Camera Obscura (2009) 24 (2 (71)): 161–183.
Published: 01 September 2009
... produces an even greater sense of identification. Here the gaze of the player, the avatar, and the virtual camera become one. Morris writes, “If primary identification is the cin- ematic subject’s identification with the act of looking, then the FPS player is unequivocally...
Journal Article
Camera Obscura (2012) 27 (2 (80)): 93–133.
Published: 01 September 2012
... any new war cinematic text that struggles to conjure this ghost and to represent its trauma, as the lms Long Night’s Journey into Day (dir. Deborah Hoffmann and Frances Reid, US, and Standard Operating Procedure (dir. Errol Morris, US, for example, so amply illustrate. The question...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 145–149.
Published: 01 September 2021
... Morris asked Schneemann to play the role of Manet's Olympia for a performance titled Site (US, 1964). The best-known documentation of the piece captures Schneemann gazing impassively at the camera, nude but for the iconic black ribbon around her neck. Here, instead, she is oriented toward the device...
FIGURES
Journal Article
Camera Obscura (2008) 23 (3 (69)): 159–191.
Published: 01 December 2008
..., an American or an English bodybuilder in the principal role (Italian strongmen used assumed names such as “Alan Steel” [actually Sergio Ciani] or “Kirk Morris” [né Adriano Bellini Although the initial set of peplum films was loosely — but clearly — based on literary sources, the bulk...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 373–377.
Published: 01 December 1989
.... The Dead that Walk: Dracula, Frankenstein, The Mummy and Other Favorite Movie Monsters by Leslie Haliwell. UngaKontinuum, 19 8 8. $1 8.95. Lacan in Contexts by David Macey. Verso/Routledge, 1989. $18.95. The Pirate’s Fiancke: Feminism, Reading, Postmodernism by Meaghan Morris...