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Camera Obscura (2009) 24 (2 (71)): 107–137.
Published: 01 September 2009
...Suzanne Gauch Relating the trajectory of a young Franco-Moroccan woman who returns to her native city of Fez and embraces a mystical form of Islam, Farida Benlyazid's 1988 feature film A Door to the Sky has become a mainstay at international women's film festivals and in classes on gender and the...
Camera Obscura (1989) 7 (2-3 (20-21)): 121–127.
Published: 01 December 1989
...) several hundred photographic representations of Moroccan men and women taken by a French psychiatrist-G. G. de Clerambault-at the height of the French colonialist period. Clerambault is famous -to those to whom he is famous-for his concept of mental automatism, and it...
Camera Obscura (1993) 11 (1 (31)): 71–95.
Published: 01 May 1993
... of the irreducible bilingualism that attends the struggle to dismantle neocolonialism; Sembene’s rather traditional linkage of masculinity and control over the voice notwith- standing. In Samia Mehrez’s work on the Moroccan writer Abdelkebir Khatibi...
Camera Obscura (2003) 18 (3 (54)): 41–69.
Published: 01 December 2003
... who make 35mm narrative feature ﬁlms, such as the Moroccan Farida Ben Lyazid, the Tunisian Nadia Fares, and the Lebanese Randa Chahal Sabbagh, trained and work over- seas. But for the most part, few people in Arab countries have access to the technology, training, and funds for ﬁlm production...
Camera Obscura (2007) 22 (3 (66)): 93–127.
Published: 01 December 2007
.... The mass recruitment of Algerian, Tunisian, and Moroccan men to rebuild France’s postwar infrastructure and urban centers dis- rupted the network of interdependent familial relations among regional populations in a manner now inviting critical evaluation...
Camera Obscura (2011) 26 (1 (76)): 131–157.
Published: 01 May 2011
Camera Obscura (2009) 24 (3 (72)): 41–71.
Published: 01 December 2009
... Moroccan prostitute from Tel Aviv at the hands of Mizrahi men and her subsequent redemption by the Western Ashkenazi world, and in particular by the native-born Israeli man (the Sabra). The figure of the Sabra — the new Jewish man, handsome, self-confident, proud, and courageous — which was...
Camera Obscura (2008) 23 (3 (69)): 1–33.
Published: 01 December 2008
Camera Obscura (1992) 10 (2 (29)): 150–176.
Published: 01 May 1992
... many years has maintained another reputation quite unknown to the stream of Moroccan women who pass through its rooms. Dr. Burou is being visited by journalist James Morris. Morris fidgets in an anteroom reading Elk and Paris-Match with something less than full attention, because he is on an...