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monica

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2011) 26 (1 (76)): 39–63.
Published: 01 May 2011
...Domietta Torlasco This article interrogates the relation between memory and creation in Monica Bonvicini's installation Destroy She Said and Agnès Varda's film The Gleaners and I , both involving the adoption of digital technology and the simultaneous appropriation of analog materials. It is my...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2015) 30 (2 (89)): 1–27.
Published: 01 September 2015
... collaboration with Los Angeles choreographer and actress Toni Basil. Shot over a period of two years in Santa Monica, BREAKAWAY draws from Conner and Basil's mutual involvement in both the Hollywood entertainment industry and the West Coast artistic underground through its curious fusion of pop and avant-garde...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 135–150.
Published: 01 May 1979
... married man, Christopher Strong (Colin Clive). Simultaneously, Chris’s daughter Monica is in love with a married man, Harry Rawlinson, Harry finally obtains a divorce, and he and Monica marry. Meanwhile, Cynthia and Chris continue their love affair, and Chris’s wife Elaine patiently awaits...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1999) 14 (3 (42)): 4–29.
Published: 01 September 1999
.... Other relations between men and women are charged with conflict, not eroticism. Figs's girlfriend Monica (Mel Gorham) is more concerned with ensur• ing her regular doses of methadone than going to bed, Joey and Liz fight during the rare time they spend together, Rose (Cathy...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1989) 7 (1 (19)): 134–141.
Published: 01 January 1989
... image, Monica Vitti against a wall. Now, they’ve not only got bodies, but these bodies are somatizing madly. Traube, the woman on the verge in Felix, is so mad she leaves her womanizing boyfriend, Felix, before the film even begins. Unable to cope with the harsh...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2004) 19 (1 (55)): 1–41.
Published: 01 May 2004
... children, was arrested on the day of Tucker’s execution for meeting with her fourteen-year-old student, having already served a six-month prison sentence for having sex, then a baby, with him when he was thirteen; and finally, Monica Lewinsky put the president’s penis in her mouth. While it is beyond...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2013) 28 (3 (84)): 103–123.
Published: 01 December 2013
... stories about her family, refusing one truth and instead opening up contingent possibili- ties so that the novel unfolds, as Monica B. Pearl suggests, “neither chronologically nor through prolepsis and analepsis, but through a layered telling, adding additional information and impressions over...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2007) 22 (3 (66)): 171–178.
Published: 01 December 2007
... Vatsal, eds., U.S. and Latin America, vol. 1 of Women Film Pioneers Sourcebook; and Jane Gaines and Monica Dall’Asta, eds., Europe, Asia, Canada, Australia, vol. 2 of Women Film Pioneers Sourcebook (Champaign: University of Illinois Press, forthcoming). 2. The most...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2010) 25 (2 (74)): 119–159.
Published: 01 September 2010
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 21–31.
Published: 01 May 1979
... Strong and his wife; the lover is Cynthia. The other is Strong’s daughter, Monica, who takes a lover, and her fiance, who will become her husband. Structurally, Cynthia serves a mediating function between the partners and eventually reestablishes the unity of both couples...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1995) 12 (3 (36)): 84–117.
Published: 01 September 1995
... cousin, Monica, and discovers the sordid side of big city life. Monica’s boyfriend has turned her out, and the hapless young woman is now making a living from prostitution. She cynically points out to Saikati that “life is hard for women”48and advises her to try the fast life. The...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2011) 25 (3 (75)): 143–177.
Published: 01 December 2011
... work of activist scholars working in collaboration with indigenous video­ makers from the 1970s onward. Within the discipline of visual anthropology, Ginsburg, Terence Turner, and Monica Frota (née Feitosa) are generally considered heirs to Worth and Adair’s model of “shared...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2001) 15 (3 (45)): 227–265.
Published: 01 December 2001
... of what and how a connoted “lesbianism” might mean. In fact disappointment pervades the correspondence itself, which extends from 1931, the year de Acosta met Garbo at émigrée screenwriter Salka Viertel’s Santa Monica home, to...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2011) 25 (3 (75)): 101–141.
Published: 01 December 2011
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 27–63.
Published: 01 May 2016
... sometimes centuries) prior, and thus enacted a shift that enabled cinema to speak to and for a visible queer community.9 Monica B. Pearl notes, as “AIDS dis- rupted individuals, communities, and the ways that things could be thought of or said or expressed,” filmmakers such as Derek Jarman and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1996) 13 (2 (38)): 4–28.
Published: 01 May 1996
... Santa Monica beach. The distance contests frequently end, the article relates, with Williams tow- ing her male competitors back to shore, "setting them down and putting them on their own just before they reach the breakers and before any busybody on shore can recognize the gentlemen's state. 'This...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2000) 15 (2 (44)): 151–175.
Published: 01 September 2000
... encounters the owner, Brenda (C. C. H. Pounder); her husband Sal (G. Smokey Campbell), who is soon to be kicked out of the house by Brenda; the Hollywood scene painter Rudy Cox (Jack Palance); Brenda’s children, Phyllis (Monica Calhoun) and Sal...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2005) 20 (1 (58)): 33–57.
Published: 01 May 2005
... girlfriend, Alex (Monica Bellucci), was violently raped (the nine-minute real-time sequence is excruciating and has garnered most of the considerable critical attention about this film) by the man they seek but never find in Rectum.4 The film ends with the tender beginnings of Alex’s day, as she finds...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2005) 20 (3 (60)): 129–157.
Published: 01 December 2005
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2001) 16 (1 (46)): 1–45.
Published: 01 May 2001
...- times with the performers looping their own dialogue (for exam- ple Monica Vitti, who met Antonioni in her capacity as a voice actress dubbing the Italian vocal part for one of the three non- Italian female performers in the Italo-American coproduction Il...