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mitch

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2017) 32 (3 (96)): 1–31.
Published: 01 December 2017
... Mitch and Cam, has raised the hackles of audiences who see in it a whitewashing of queer life and queer desire. A strain of television criticism posits a conservatism inherent to the narrative structures of the sitcom, and this dynamic would in some measure account for the tension between the program’s...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 32–69.
Published: 01 May 1979
... . . .Mitch is the mediator, Hitchcock’s main double, in the inves- tigation he is conducting into the desire which speaks in Melanie’s look. “The Birds: Analysis of a Sequence” All of Bellour’s work in film analysis can be seen as an attempt to come to terms...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1996) 13 (1 (37)): 31–68.
Published: 01 January 1996
...") Carlson (Jen- nifer Jason Leigh). A further complication, rupturing this apparently tidy binary, is Mitch Myerson (Stephen Tobolowsky), Alli's client who first seems coded as gay through connotation (at least to this spectator), but who ultimately attempts to rape Alli, thus...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2001) 15 (3 (45)): 35–69.
Published: 01 December 2001
... heart was pounding. She’d heard these places could be danger- ous, but her need to be with other women who were like her— like that—was stronger than her fear.” Timidly entering the bar, Laura’s strange and reticent presence intrigues Mitch (Lynne...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1977) 1 (2 (2)): 67–92.
Published: 01 September 1977
... surprised; then , resuming her walk, entering in a shop at the precise moment when Hitchcock comes out of it with two white poodles on a leash. He leaves the store so that Melanie can enter it. It is Mrs. MacBruber's 'pet store' which, moments later, Mitch Brenner will in his turn also...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2017) 32 (3 (96)): 33–61.
Published: 01 December 2017
... same- sex couples and adoptive families are rare or new.27 As Alfred L. Martin Jr. argues, the creative crew and cast’s defense of Mitch- 40 • Camera Obscura ell and Cam’s homonormativity illustrates how such representa- tions “fall on the positive end of a troubling, value- laden binary” in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2003) 18 (3 (54)): 131–175.
Published: 01 December 2003
... discontent, in which upright geologist Mitch Wayne (Rock Hudson) anguishes over his love for Lucy Moore Hadley (Lauren Bacall), the increasingly disappointed and disrespected wife of his wealthy and dissolute boyhood friend, oil heir Kyle Hadley (Robert Stack). Where the Hadleys’ marriage founders on...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1986) 5 (3 (15)): 66–85.
Published: 01 December 1986
...). 11. There are, of course, important exceptions to this standard narrative logic, as Jacqueline Rose has shown, for example, in her analysis of The Birds, in which Mitch’s “successful” attainment of a masculine and paternal iden- tity comes at the price of regression and catatonia...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 5–25.
Published: 01 May 2016
... illustrates one of the projects Mitch- ell explicitly undertakes with this film: “to use the language of sex as a metaphor for other aspects of the characters’ lives.”20 Yet at the same time that the film’s sex acts serve to illustrate or make mate- 16  •  Camera Obscura...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2000) 15 (1 (43)): 1–43.
Published: 01 May 2000
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2011) 26 (1 (76)): 65–93.
Published: 01 May 2011
... Hendrix moment that most dominates our memory — his phantasmagorical, psychedelic, bluesy, experimental, at times funky, American/British rock forma- The Black Visual Experience  •  71 tion with two white Englishmen, the drummer Mitch Mitchell and the bassist...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 1–43.
Published: 01 September 2013
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 104–132.
Published: 01 May 1979
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2001) 16 (2 (47)): 177–229.
Published: 01 September 2001