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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2012) 27 (3 (81)): 69–98.
Published: 01 December 2012
...Jennifer Fleeger This article argues that each new development in sound technology is accompanied by a mismatched woman — a figure with a voice that fails to gel with the image of her body. Because they are famous for having singing voices that startle listeners with their beauty and dexterity and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2012) 27 (3 (81)): 181–183.
Published: 01 December 2012
... Interregional Business Relations in the Twilight  Series. No. 79: 31 – 67 Peter X Feng Tongue Twisters: The Travelogue Videos of Ming-Yuen­ S. Ma. No. 79: pp. 69 – 95 elle flanders Road Movie: Notes from the Field. No. 80: pp. 165 – 175 Jennifer Fleeger Deanna Durbin and the Mismatched...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2007) 22 (2 (65)): 134–139.
Published: 01 September 2007
... begin to slide toward diva ululations, and a single tear runs down Jones’s face. The semiotic mismatch between Jones’s vocal delivery, the schmaltzy instrumentation, the singer’s glacial body language, and what Andrew Ross has called her “out- rageous adult presence” is devastating.1 Is she a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 169–174.
Published: 01 December 1989
... disjunction and displacement. This dialectic of temporality extends to the encounter of the stranger in oneself, in layers of experience that have been silenced, displaced, fragmented in particular ways. The mismatch between the female spec- tator and the subject of classical...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1981) 3 (1 (7)): 144–150.
Published: 01 May 1981
... The result of these and other faulty framings is a mismatch. Instead of marhng an effective meeting point between two distinct and yet interrelated phenomena-French and American feminism, the edi- tors portray a relationship of reciprocal dependence. They overesti- mate...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1993) 11 (2 (32)): 41–74.
Published: 01 September 1993
... laughing when something horrific happens, to gasp at the mismatch between our affective state and the next image, may be to reproduce, or at least recall the embarrassment, or even shame, of being caught with our pants down, in a breach of social discipline. Tweaking our...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1985) 5 (1-2 (13-14)): 235–249.
Published: 01 September 1985
...: non sequiturs in dialogue, visual and aural split ends, a running over of sound beyond ‘its’ image, a bleeding of the image into another, the cuts which articulate narrative and shot, and mismatch them” (p. 163). For de Lauretis, the important thing about BadEmZng...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2010) 25 (1 (73)): 97–129.
Published: 01 May 2010
... case and, in Har- dy’s, in supporting roles as usually a comic heavy. In this manner, Laurel and Hardy are physical comedians on-screen, often using their oddly mismatched, nonmasculine bodies as instruments of humor. Yet it is important to note that, unlike the vast majority of their comedy...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2014) 29 (1 (85)): 59–79.
Published: 01 May 2014
... and their family homes. If the school provides a clinical, depersonalized space, the family apartments are often overcrowded with mismatched furniture and insignificant objects. Both of these settings create stifling environments in which the movements of both the characters and the camera are...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2017) 32 (3 (96)): 33–61.
Published: 01 December 2017
... his Colombian parents while sharing a kinship with Manny, whose love of luxury and eso- 48 • Camera Obscura tericism seems to mismatch his young, brown body. Gloria feels excluded by Trish and Manny’s shared cultural sophistication expressed through references to art, food, theater, and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1995) 12 (3 (36)): 134–153.
Published: 01 September 1995
... taboo love affair, and it uses a frail work ethic as a lever. Furthermore, it undermines Rachel’s role as a mother. When Fletcher mediates between the two mismatched lovers by talking with Frank and quotes Rachel’s foul language, Frank chastises him. Rachel’s influence directly alienates...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1999) 14 (3 (42)): 50–69.
Published: 01 September 1999
.... While their romantic attachment is presented as a happy confluence of romance and social convenience (after all, they not only share the same house but the same class status) the incestuous overtones of their attachment enforce a sense that Josh and Cher are potentially mismatched. Clueless and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1988) 6 (2 (17)): 169–193.
Published: 01 May 1988
...: the oversized head and minuscule body of the door-to-door salesman, the disembodied head of the genie, the mismatched heads and bodies of Pee-wee’s toy collection, the talking fist with the lipstick mouth and eyes, and Pee-wee’s mask-like face which must be shrunk in one episode so that he...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2011) 26 (1 (76)): 39–63.
Published: 01 May 2011
... artist who paints the most lifelike portrait of his wife and thereby drains her of her vitality until, with the completion of the work, she dies. We know a destiny of death will soon also befall Nana, who will be killed by the pimps who are attempting to exchange her. Here, however, the mismatch...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1981) 3 (1 (7)): 6–29.
Published: 01 May 1981
... dfficulty with terms of comparison which are essential to metaphor (even if these terms don’t appear in the end): how does one juxtapose two film images, with all the sorts of matches, mismatches and optical devices possible, in such a way as to arrive at terms of comparison that are as strict as...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (1-2 (25-26)): 224–249.
Published: 01 September 1991
... displaced from the genitals to the larynx. The allure of the MacDonald-Chevalier comedies had re- sulted in large measure from mismatched voices; the sweet mystery of the MacDonald-Eddy movies would stem from vocal symbiosis. 232 The boudoir antics associated with the earlier cycle are perhaps...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2007) 22 (2 (65)): 39–71.
Published: 01 September 2007
... Stacey writes, “The match or mismatch between self and ideal is constantly reassessed by female spectators” (128). Not surprisingly, most girls identify with Elphaba, naming similarities to themselves such as being a good student, a book- worm, an outsider, being insecure, sarcastic...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 27–63.
Published: 01 May 2016
... comedy — Peggy at one point adopts a gaggle of unruly dogs from the local pound — it never loses sight of Peggy’s ethical mismatch with her surrounding social environ- ment. Though comedic at times, Year of the Dog contains strands of melodrama. And as scholars of melodrama in film such as Wil...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1992) 10 (1 (28)): 206–237.
Published: 01 January 1992
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1995) 12 (2 (35)): 129–157.
Published: 01 May 1995