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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2014) 29 (1 (85)): 33–57.
Published: 01 May 2014
... filmmakers to actively engage with each other's work within and across the region, and how this minor transnational network is redefining how we might come to understand the figure of the individual auteur of women's filmmaking. Olivia Khoo is a senior lecturer in film and television studies at...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2013) 28 (3 (84)): 67–101.
Published: 01 December 2013
... Schmid), Fränze (Helen Vita), Cilly (Annemarie Düringer), Trude (Irm Hermann), the Whore of Babylon (uncredited), the waitress (Elke Haltaufderheide), and Mieze (Barbara Sukowa). Across successive episodes, these minor characters offer a version of seriality inside the serial form that is Berlin...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2014) 29 (2 (86)): 149–183.
Published: 01 September 2014
..., following Gilles Deleuze and Félix Guattari, have called “lesbian minor cinema.” Finally, given Deleuze's centrality to my readings of faces as fields of active tension and of Illusions as minor cinema, I demonstrate how the film manifests but also challenges key ideas in Deleuze's three major accounts of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2012) 27 (3 (81)): 137–147.
Published: 01 December 2012
... that support experimental art practices. However, one surprising continuity emerged in discussion at the 2010 congress: namely, the still fraught question of what constitutes adequate representation of minority voices. Despite the widespread tendency to assume that identity politics and representation...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2018) 33 (3 (99)): 75–101.
Published: 01 December 2018
... Are among Us ) as a shorthand, not only for warning against the danger of racist violence in postunification Germany but also for insisting that this trend aligns with a longer German history of violence against the most vulnerable, including women, children, and racialized minorities. Copyright...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2019) 34 (2): 163–193.
Published: 01 September 2019
... of freedom, belonging, and coexistence beyond European and North American contexts. Like Butler, the author relies on a claim about temporality but argues that the plural temporalities of Southeast Asian modernities allow for different relations between minority and majority populations and between...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2014) 29 (3 (87)): 184–185.
Published: 01 December 2014
... Khoo The Minor Transnationalism of Queer Asian Cinema: Female Authorship and the Short Film Format. No. 85: pp. 33 – 57 Jean Ma Hong Kong Mambo. No. 87: pp. 1 – 31 Robert Miklitsch The Red and the Black: Gender, Genre, and the Romance of (Anti)Communism in The Woman on Pier 13. No...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1992) 10 (1 (28)): 152–155.
Published: 01 January 1992
..., develop it, and edit. This took a lot of time-not only in raising the money, but also in waiting for the film going back and forth from the lab. After high school, I enrolled in the School of the Visual Arts for cinematography. I think they accepted me more for my minority status than for...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1986) 5 (3 (15)): 3–5.
Published: 01 December 1986
.... The supposed objectivity of referee procedures (in the name of “professionalizing” the field of film studies) serves as a rhetorical strategy to reinforce or naturalize a scholarly bias against feminist, marxist, and minority discourses, and against theoretical work. Finally, it seems...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 124–130.
Published: 01 December 1982
... two parts: the chic part and a popular cafe. Among the clients of the hotel are several minor technicians (who are part of a film or television crew shooting a huge production some fifty kilometers away). Among them is a Polish actor, serious and reserved. Me writes his...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 118–121.
Published: 01 December 1989
... its representation offer more to us than philosophical material. 5. Linda Dittmar, Janice Welsch and I are compiling an anthology with a feminist approach to film theory, practice and course design. Our intent is to include third world and minority, documentary, avant...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 151–154.
Published: 01 December 1989
... class or of racial “minorities.” And yes, to continue with the question, I do believe that aspects of these readings are specific to women and prompt what might be and has been called “feminine” modes of epistemological and analytical activity. Just as I believe there are feminine modes of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (1-2 (25-26)): 4–7.
Published: 01 September 1991
... class polarization to try to make it seem that the struggle is really about victimized white, middle-class heterosexual men defending themselves against the untoward interests of white women, African-Americans, ethnic minorities, gays and les- bians, and the poor, who are all constructed as...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2006) 21 (1 (61)): 53–57.
Published: 01 May 2006
... have supported scholarship on alternative feminist media; however, this body of scholarship is a decidedly minor one in the field. 4. My most recent, as yet unpublished, work, “Media Praxis: A Radical Anthology Integrating Theory, Production, and Practice,” considers the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 149–153.
Published: 01 September 2016
... Eugene Thacker’s tactics of nonexistence.3 Such ideas underscore the appropriation of identity as a means of control by neoliberal poli- cies and digital surveillance. However, the assumption of a generic subject frequently excludes or neglects to address minority groups. Alternately, a feminist...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 115–118.
Published: 01 December 1989
... them did just that but that a significant minority of them privileged an identification with the female characters- with their stories and with their patterns of enunciation; these films (All Tbat Heaven Allows, Picnic, among others) appeared to be aimed at predominately...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 373–377.
Published: 01 December 1989
... Folklore and Acculturation in Middle America by Joseph P. Goodwin. Indiana University Press, 1989. Writer Sollers by Roland Barthes. Translated and introduced by Philip Thody. University of Minnesota Press, 1989. $12.95. Kafka: Toward a Minor Literature by Gilles Deleuze...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2000) 15 (2 (44)): 105–149.
Published: 01 September 2000
... concluded: “Das Minderheiten-Kino ist mehrheitsfähig geworden” [Minor cinema has caught on with mainstream audiences].10 If the film’s ongoing twice-annual rebroadcast on German television is any indication of its sus- tained appeal, it indeed...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 223–233.
Published: 01 December 1982
... focus on the theoretical implications of different notions of history resulted in some very frustrating debates during the first part of the conference. Not only did the vocal presence of a strong, empiricism-oriented minority freeze much discussion at the level of an introductory...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2017) 32 (3 (96)): 33–61.
Published: 01 December 2017
... to bolster the “new- ness” of sexual identity, while conservative genderings and class dramas go unremarked to purport semblances of shared human- ity. This occlusion of racialized personhood becomes the role of adopted daughter Lily, as seen through a minor character, the pediatrician...