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Figure 2. As Hideko (Kim Min-hee) helps Sook-hee (Kim Tae-ri) lace up her corset in The Handmaiden (Ah-ga-ssi, dir. Park Chan-wook, South Korea, 2016), the indistinguishable appearance of the backs of their heads alludes to the ambiguity of colonial binaries.

As Hideko (Kim Min-hee) helps Sook-hee (Kim Tae-ri) lace up her corset in ...

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in Symmetry, Violence, and The Handmaiden 's Queer Colonial Intimacies > Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 September 2021
Figure 2. As Hideko (Kim Min-hee) helps Sook-hee (Kim Tae-ri) lace up her corset in The Handmaiden ( Ah-ga-ssi , dir. Park Chan-wook, South Korea, 2016), the indistinguishable appearance of the backs of their heads alludes to the ambiguity of colonial binaries. More
Journal Article

Kyung-Sung: Cinematic Memories of the Colonial Past in Contemporary Korea

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Kyoung-Lae Kang
Camera Obscura (2015) 30 (3 (90)): 27–59.
DOI: https://doi.org/10.1215/02705346-3160641
Published: 01 December 2015
...Kyoung-Lae Kang This essay examines two films, Modern Boy (dir. Ji-woo Jeong, South Korea, 2008) and Private Eye (dir. Dae-min Park, South Korea, 2009), both of which depict Seoul in the 1930s—the period during which Korean colonial modernity was fully shaped—and in so doing draw contemporary...
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Journal Article

Reassemblage : Sketch of Sound Track

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Trinh T. Minh-ha
Camera Obscura (1985) 5 (1-2 (13-14)): 104–111.
DOI: https://doi.org/10.1215/02705346-5-1-2_13-14-104
Published: 01 September 1985
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Journal Article

Women Working

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Christina Creveling
Camera Obscura (1976) 1 (1 (1)): 128–139.
DOI: https://doi.org/10.1215/02705346-1-1_1-128
Published: 01 May 1976
... and in an asylum before teaching Humanities and Women's classes at the San Francisco Art Institute in 1969. RlVERBODY-Made with Shelby Kennedy; 6 min.; B&W; 16 mm; sound. Fixed camera, progression of continuous lap dissolves: 87 nudes of all sexes, sizes, races, and ages, slowly become each...
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Journal Article

Women Filmmakers in West Germany: A Catalog (Part 2)

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Marc Silberman
Camera Obscura (1983) 4 (2 (11)): 132–145.
DOI: https://doi.org/10.1215/02705346-4-2_11-132
Published: 01 September 1983
... would also like to thank Clara Burckner (Basis Film Verleih) and Erika Gregor (Arsenal) for their help and advice. JUTTA BRUECKNER (See Camera Obscura, no. 6.) 135 FILMS 1981 Laufen Lemen [The FirstSteps), 91 min., 16mm, color (for the ZDF TV• network...
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Journal Article

All Around Reduced Personality

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Elisabeth Lyon
Camera Obscura (1979) 1-2 (3-1 (3-4)): 224–227.
DOI: https://doi.org/10.1215/02705346-1-2-3-1_3-4-224
Published: 01 May 1979
...Elisabeth Lyon (Helke Sander) (1977, 98 min., Black and White, 35 mm) Copyright © 1979 by Camera Obscura 1979 224 posium with the same title during the 2 1st international art discussions at the galttrie nachst st. stephan (1975). since 1967 engaged in extended forms...
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Journal Article

Mirror Phase

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Pam Cook, Carola Klein, Elizabeth Cowie
Camera Obscura (1979) 1-2 (3-1 (3-4)): 227–231.
DOI: https://doi.org/10.1215/02705346-1-2-3-1_3-4-227
Published: 01 May 1979
...Pam Cook; Carola Klein; Elizabeth Cowie (Carola Klein) (1978, 46 min., Color, 16 mm) Copyright © 1979 by Camera Obscura 1979 -For your previous films you have more or less worked in a documen- 227 tary mode. All Around Reduced Personality is your first film for com- mercial movie...
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Journal Article

Marguerite Duras: Bibliography/Filmography

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Elisabeth Lyon
Camera Obscura (1980) 2 (3 (6)): 50–53.
DOI: https://doi.org/10.1215/02705346-2-3_6-50
Published: 01 December 1980
.... Le Camion (1977). Distribution by Films Molikre and Bauer Interna- tional, 119 N. Bridge Street, Somede, N.Y. 08876. Le Navire Night (1978). Aurilia Steiner (Ctsarie, 1978, 11 min.; Les Mains nigatives, 1979, 16 min.; Aurtlia Steiner-Melbourne, 1979, 30 min.; Aurtlia Steiner...
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Journal Article

Rapunzel

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Camera Obscura (1979) 1-2 (3-1 (3-4)): 231–232.
DOI: https://doi.org/10.1215/02705346-1-2-3-1_3-4-231
Published: 01 May 1979
... (Asa Sjöström, Susan Shapiro, Esther Ronay, and Francine Winham) (1978, 80 min., Color, 16 mm) Copyright © 1979 by Camera Obscura 1979 The film was shot on super-8mm Ektachrome, then re-filmed onto 23 1 16mm using an optical printer. I filmed in 8mm because the apparatus...
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Journal Article

The Song of the Shirt (Susan Clayton and Jonathan Curling)

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Elizabeth Cowie
Camera Obscura (1980) 2 (2 (5)): 86–97.
DOI: https://doi.org/10.1215/02705346-2-2_5-86
Published: 01 September 1980
... be shown as one continuous program (I3 5 min.) or in three separate programs: Part One (44 min Part Two (33 min Part Three and Postscript (44min. and 15 min Distributed by The Museum of Modern Art, Circulating Film Program, 11 W. ~3rdSt., New York, NY 10019. (212) 9 5 6-4204- Camera...
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Journal Article

Invisible Adversaries

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Peter Weibel, Valie Export
Camera Obscura (1979) 1-2 (3-1 (3-4)): 219–224.
DOI: https://doi.org/10.1215/02705346-1-2-3-1_3-4-219
Published: 01 May 1979
...Peter Weibel; Valie Export (Valie Export) (1976, 100 min., Color, 16 mm) Copyright © 1979 by Camera Obscura 1979 Women Working Invisible Adversaries (Valie Export) (1976,100min., Color, 16 mm) From the dialogue of the film: She: . . .images penetrate me like psychic...
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Journal Article

Books Received

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Camera Obscura (1989) 7 (2-3 (20-21)): 373–377.
DOI: https://doi.org/10.1215/02705346-7-2-3_20-21-373
Published: 01 December 1989
... University Press, 1989. $14.95. Jean Genet and the Semiotics of Performance by Laura Oswald. Indiana University Press, 1989. $32.50. Rereading Russell: Essays on Bertrand Russell's Metaphysics and Epistemol- ogy edited by C. Wade Savage and C. Anthony Anderson. University of Min- nesota...
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Journal Article

Symmetry, Violence, and The Handmaiden 's Queer Colonial Intimacies

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Jasmine Hu
Camera Obscura (2021) 36 (2 (107)): 33–63.
DOI: https://doi.org/10.1215/02705346-9052788
Published: 01 September 2021
...Figure 2. As Hideko (Kim Min-hee) helps Sook-hee (Kim Tae-ri) lace up her corset in The Handmaiden ( Ah-ga-ssi , dir. Park Chan-wook, South Korea, 2016), the indistinguishable appearance of the backs of their heads alludes to the ambiguity of colonial binaries. ...
FIGURES | View All (4)
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Journal Article

Self-Health and Healthcaring

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Stephen Grosz, Bruce McAuley
Camera Obscura (1981) 3 (1 (7)): 128–135.
DOI: https://doi.org/10.1215/02705346-3-1_7-128
Published: 01 May 1981
... (1976). Directed by Denise Bostrum and Jane Warrenbrand; 32 min., color, 16mm. Distributed by Serious Business Com- pany, 1145 Mandana Blvd., Oakland, Ca. 94610. SeIf-Health (1974). Directed by Catherine Allan, Judy Irola, Allie Light, and Joan Musante with the assistance of the San Francisco...
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Journal Article

Contributors

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Camera Obscura (1984) 4 (3 (12)): 164–165.
DOI: https://doi.org/10.1215/02705346-4-3_12-164
Published: 01 December 1984
... Rising (30 min which has been selected for the Olympic Arts Festival Screening in Los Angeles and the Bilbao Film Festival in Spain on December 8, 1984. She is currently developing a science fiction feature film project which deals with a futuristic underground society...
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Journal Article

Thoughts on Birth and Brakhage

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Lynne Sachs
Camera Obscura (2007) 22 (1 (64)): 194–196.
DOI: https://doi.org/10.1215/02705346-2006-026
Published: 01 May 2007
... later with the more diaristic and longer (twenty-nine min- utes) The House of Science: A Museum of False Facts (1991), chosen by Brakhage as one of his favorite experimental films of that year, and then with Biography of Lilith, my own work has explored issues involving the representation...
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Journal Article

Pop, Collaboration, Utopia: Bruce Conner's BREAKAWAY in 1960s Los Angeles

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Johanna Gosse
Camera Obscura (2015) 30 (2 (89)): 1–27.
DOI: https://doi.org/10.1215/02705346-3078303
Published: 01 September 2015
...). She is preparing a book manuscript on Bruce Conner's experimental films. © 2015 by Camera Obscura 2015 experimental cinema rock and roll pop music dance film New Hollywood Figure 1. Still from BREAKAWAY (dir. Bruce Conner, US, 1966). 16 mm film, b/w, sound, 5 min. Courtesy...
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Journal Article

Let Them Wear Manolos: Fashion, Walter Benjamin, and Sofia Coppola's Marie Antoinette

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Heidi Brevik-Zender
Camera Obscura (2011) 26 (3 (78)): 1–33.
DOI: https://doi.org/10.1215/02705346-1415416
Published: 01 December 2011
... sartorial semaphores, as suggested by the importance of fashion in Benja- min’s own writing, is reserved for the male critic himself who, like his hero Charles Baudelaire before him, interprets culture through women’s garments. In Marie Antoinette, Coppola reinforces Benja- min’s notion...
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Journal Article

Children, Art, Sex, Pornography: Jennifer Montgomery's Art for Teachers of Children

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Bill Nichols, Gerald Peary
Camera Obscura (1996) 13 (3 (39)): 34–51.
DOI: https://doi.org/10.1215/02705346-13-3_39-34
Published: 01 September 1996
... sending you these [early] films with some trepida- 36 tion," Montgomery wrote about Home Avenue (1989, 17 min Age 12: Love with a Little L (1990, 23 min and I, a Lamb (1991, 19 min "They are very personal and were really made in a kind of punk underground aesthetic...
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Journal Article

Books Received

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Camera Obscura (1991) 9 (3 (27)): 174–178.
DOI: https://doi.org/10.1215/02705346-9-3_27-174
Published: 01 September 1991
.... The Illusion of Life: Essays on Animation edited by Alan Cholodenko. Power, 1991. $19.95. Close Encounters: Film, Feminism, and Science Fiction edited by Constance Penley, Elisabeth Lyon, Lynn Spigel, and Janet Bergstrom. University of Min- nesota Press, 1991...
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