1-20 of 62 Search Results for

min

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
×Close Modal
Sort by
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2015) 30 (3 (90)): 27–59.
Published: 01 December 2015
...Kyoung-Lae Kang This essay examines two films, Modern Boy (dir. Ji-woo Jeong, South Korea, 2008) and Private Eye (dir. Dae-min Park, South Korea, 2009), both of which depict Seoul in the 1930s—the period during which Korean colonial modernity was fully shaped—and in so doing draw contemporary...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1985) 5 (1-2 (13-14)): 104–111.
Published: 01 September 1985
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 224–227.
Published: 01 May 1979
...Elisabeth Lyon (Helke Sander) (1977, 98 min., Black and White, 35 mm) Copyright © 1979 by Camera Obscura 1979 224 posium with the same title during the 2 1st international art discussions at the galttrie nachst st. stephan (1975). since 1967 engaged in extended forms of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 227–231.
Published: 01 May 1979
...Pam Cook; Carola Klein; Elizabeth Cowie (Carola Klein) (1978, 46 min., Color, 16 mm) Copyright © 1979 by Camera Obscura 1979 -For your previous films you have more or less worked in a documen- 227 tary mode. All Around Reduced Personality is your first film for com- mercial movie...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1983) 4 (2 (11)): 132–145.
Published: 01 September 1983
... acknowledge. I would also like to thank Clara Burckner (Basis Film Verleih) and Erika Gregor (Arsenal) for their help and advice. JUTTA BRUECKNER (See Camera Obscura, no. 6.) 135 FILMS 1981 Laufen Lemen [The FirstSteps), 91 min., 16mm, color (for the ZDF TV...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1976) 1 (1 (1)): 128–139.
Published: 01 May 1976
... asylum before teaching Humanities and Women's classes at the San Francisco Art Institute in 1969. RlVERBODY-Made with Shelby Kennedy; 6 min.; B&W; 16 mm; sound. Fixed camera, progression of continuous lap dissolves: 87 nudes of all sexes, sizes, races, and ages, slowly become each...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1980) 2 (3 (6)): 50–53.
Published: 01 December 1980
.... Le Camion (1977). Distribution by Films Molikre and Bauer Interna- tional, 119 N. Bridge Street, Somede, N.Y. 08876. Le Navire Night (1978). Aurilia Steiner (Ctsarie, 1978, 11 min.; Les Mains nigatives, 1979, 16 min.; Aurtlia Steiner-Melbourne, 1979, 30 min.; Aurtlia Steiner...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 231–232.
Published: 01 May 1979
... (Asa Sjöström, Susan Shapiro, Esther Ronay, and Francine Winham) (1978, 80 min., Color, 16 mm) Copyright © 1979 by Camera Obscura 1979 The film was shot on super-8mm Ektachrome, then re-filmed onto 23 1 16mm using an optical printer. I filmed in 8mm because the apparatus is...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1984) 4 (3 (12)): 164–165.
Published: 01 December 1984
... Rising (30 min which has been selected for the Olympic Arts Festival Screening in Los Angeles and the Bilbao Film Festival in Spain on December 8, 1984. She is currently developing a science fiction feature film project which deals with a futuristic underground society...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 219–224.
Published: 01 May 1979
...Peter Weibel; Valie Export (Valie Export) (1976, 100 min., Color, 16 mm) Copyright © 1979 by Camera Obscura 1979 Women Working Invisible Adversaries (Valie Export) (1976,100min., Color, 16 mm) From the dialogue of the film: She: . . .images penetrate me like psychic...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 373–377.
Published: 01 December 1989
... of Min- nesota Press, 1989. $29.50. Returning to the Scene: Blake Edwards, Volume 2 by William Luhr and Peter Lehman. Ohio University Press, 1989. $14.95. The Stream of Life by Clarice Lispector. Foreword by HElCne Cixous. Uni- versity of Minnesota Press, 1989. $9.95. Redrawing the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2007) 22 (1 (64)): 194–196.
Published: 01 May 2007
...), followed a few years later with the more diaristic and longer (twenty-nine min- utes) The House of Science: A Museum of False Facts (1991), chosen by Brakhage as one of his favorite experimental films of that year, and then with Biography of Lilith, my own work has explored issues involving the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1980) 2 (2 (5)): 86–97.
Published: 01 September 1980
..., Sally Cranfield, Paul Bental, Fraser Cains, Edward Clayton. 1979, B/W, 16mm. The film is in four parts and can either be shown as one continuous program (I3 5 min.) or in three separate programs: Part One (44 min Part Two (33 min Part Three and Postscript (44min. and 15 min Distributed by...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (3 (27)): 174–178.
Published: 01 September 1991
.... $15.95. The Illusion of Life: Essays on Animation edited by Alan Cholodenko. Power, 1991. $19.95. Close Encounters: Film, Feminism, and Science Fiction edited by Constance Penley, Elisabeth Lyon, Lynn Spigel, and Janet Bergstrom. University of Min- nesota...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1981) 3 (1 (7)): 128–135.
Published: 01 May 1981
..., see: Talia Shafir, Mary Wings, and Barbara Hammer, “Copenhagen: Personal Accounts Pfexus (Berkeley), vol. 7, no. 10 (November 1980). Healthraringfrorn Our End ofthe Speculum (1976). Directed by Denise Bostrum and Jane Warrenbrand; 32 min., color, 16mm. Distributed by Serious Business Com...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2015) 30 (2 (89)): 1–27.
Published: 01 September 2015
...). She is preparing a book manuscript on Bruce Conner's experimental films. © 2015 by Camera Obscura 2015 experimental cinema rock and roll pop music dance film New Hollywood Figure 1. Still from BREAKAWAY (dir. Bruce Conner, US, 1966). 16 mm film, b/w, sound, 5 min. Courtesy of the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2007) 22 (2 (65)): 127–133.
Published: 01 September 2007
... reconstruct myself and the relations of identifica- tion and desire that continue to fashion me? So that I can retrieve those lost objects of love and live those relations differently? Per- haps. And of course. But maybe I keep returning to Judy, min- ing my passion for her, because this...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2011) 26 (3 (78)): 1–33.
Published: 01 December 2011
... signals” and “semaphores” that they 8  •  Camera Obscura wear on their own bodies. Rather, the ability to decode sartorial semaphores, as suggested by the importance of fashion in Benja- min’s own writing, is reserved for the male critic himself who, like his hero Charles Baudelaire before him...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1996) 13 (3 (39)): 34–51.
Published: 01 September 1996
... sending you these [early] films with some trepida- 36 tion," Montgomery wrote about Home Avenue (1989, 17 min Age 12: Love with a Little L (1990, 23 min and I, a Lamb (1991, 19 min "They are very personal and were really made in a kind of punk underground aesthetic for a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2000) 15 (2 (44)): 151–175.
Published: 01 September 2000
... accompanied by a shot of Jas- min walking in slow motion, emphasizing her dream like state. Whereas close-ups, dark lighting, and askew camera angles char- acterized the opening shots and made the characters appear unsympathetic, the high angle and medium-long...