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melanie

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2004) 19 (2 (56)): 1–45.
Published: 01 September 2004
...Melanie Taylor Camera Obscura 2004 Melanie Taylor is currently researching the life and work of the modernist writer Bryher. Her publications include essays in the edited volume Modernist Sexualities and in the NWSA Journal (forthcoming). Her doctoral dissertation topic was...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 32–69.
Published: 01 May 1979
... . . .Mitch is the mediator, Hitchcock’s main double, in the inves- tigation he is conducting into the desire which speaks in Melanie’s look. “The Birds: Analysis of a Sequence” All of Bellour’s work in film analysis can be seen as an attempt to come to terms...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2002) 17 (1 (49)): 216–218.
Published: 01 May 2002
... Institute, 2001. McAlister, Melani. Epic Encounters: Culture, Media, and US Interests in the Middle East, 1945–2000. Berkeley: University of California Press, 2001. Moore, Robin D. Nationalizing Blackness: Afrocubanismo and Artistic Revolution in Havana, 1920–1940. Pittsburgh, PA...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 165–168.
Published: 01 December 1989
... Wind. I have read Margaret Mitchell’s massive novel and have been looking forward to seeing Scarlett and Rhett, Melanie and Ashley transformed onto the screen. I go with my two best girlfriends. Faced with a Technicolor incarnation of this sweeping melodrama, we cry through much of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1977) 1 (2 (2)): 67–92.
Published: 01 September 1977
.... Shot 1 (following the credits, the names shredded to pieces by bird-figures) . A street in San Francisco: a bus dis- appears to make room for Melanie Daniels followed by the camera. Sud- 78 denly she stops, and looks up. Shot 2, a flock of birds swoops through the citysky. Shot 3, Melanie...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1997) 14 (1-2 (40-41)): 180–198.
Published: 01 May 1997
... anyone to change their colour.”26 The dominant mind vampire in Simmons’ novel, Melanie, is well versed in these techniques. Depriving her conditioned assistants access to television, and cohabiting with them in a closed environment, she severs them from the outside world...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2001) 16 (2 (47)): 177–229.
Published: 01 September 2001
... younger woman (Anne Baxter) who begins as her admirer and pupil. If the themes of envy and (in)gratitude in this film may remind some readers of Melanie Klein’s eponymous 1957 essay,16 the Kleinian implications of the Gubar-Wiegman exchange are reinforced in a letter by “Amanda Cross” (Carolyn...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 160–165.
Published: 01 December 1989
... seeing Scarlett and Rhett, Melanie and Ashley transformed onto the screen. I go with my two best girlfriends. Faced with a Technicolor incarnation of this sweeping melodrama, we cry through much of the film. The next day, I go to see the film again, but this time with my two best male...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 165–171.
Published: 01 May 2008
...: Elizabeth Sifton, 1986), 99. 3. Melanie Taylor, “Peter (A Young English Girl): Visualizing Transgender Masculinities,” Camera Obscura, no. 56 (2004): 11. 4. Laura Doan, Fashioning Sapphism: The Origins of a Modern Lesbian Culture (New York: Columbia University Press, 2001), 112 – 13...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1980) 2 (3 (6)): 90–110.
Published: 01 December 1980
... Freud, ‘The Interpretation of Dreams, The Standard Edition of the Com- plete Psychological Works of Sigmund Freud, vol. 4, pp. 307-308. 13. Sigmund Freud, Essais de psychanalyse applique‘ (Pans: Galhmard, 1933). [English reference not available.] 14. Melanie Klein...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 235–241.
Published: 01 December 1989
... know the increased risks of looking and knowing for women in The Birds where Melanie is reduced to hysterical catatonia and Vertigo- when the film shifts to Judy’s look of knowledge, her death follows-and in Rear Window, although Lisa does get the film’s last look at...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1976) 1 (1 (1)): 104–126.
Published: 01 May 1976
... narcissismby the regression of the libido, Freud tells us, noting that the dreamer occupies the entire field of the dream scene; the absence of delimitation of the body; the transfusion of the interior out into the exterior, added Lewin (other works, notably Melanie Klien's could also be...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2015) 30 (1 (88)): 41–69.
Published: 01 May 2015
... inculcated to get healthy through a highly regulated constellation of consumer prac- tices both within the show’s diegesis and in its extratelevisual medi- atic life. This weird and potentially explosive union of consump- tion and austerity resounds with what Julie Guthman and Melanie DuPuis have...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (3 (30)): 76–91.
Published: 01 May 1992
... Melanie Klein (London: Penguin, 1988) 182. 13. Slavoj Ziiek, The Sublime Object of Ideology (London: Verso, 1989). ...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1994) 11-12 (3-1 (33-34)): 132–145.
Published: 01 May 1994
.... Commercials during the ABC thirtysomething premier had the im- ages of old money wealth (Cadillac again); a yuppie stockbroker taking Actifed; funky characters a la thirtysornethzng’s Melissa (Melanie May- ron) taking spontaneous,photos with a Kodak Impulse camera; parents giving McDonald’s gift...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1994) 11-12 (3-1 (33-34)): 192–211.
Published: 01 May 1994
... characters (Russell befriends Melissa [Melanie Mayron], and Peter works with the pro- tagonists Michael and Elliot at the advertising agency DAA). Melissa very nonchalantly tells Michael (Ken Olin) that his colleague Peter is gay, and Elliot (Timothy Busfield) introduces...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2004) 19 (1 (55)): 43–75.
Published: 01 May 2004
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1993) 11 (2 (32)): 4–40.
Published: 01 September 1993
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1997) 14 (1-2 (40-41)): 243–274.
Published: 01 May 1997
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1986) 5 (3 (15)): 66–85.
Published: 01 December 1986
... for Melanie. “Paranoia and the Film System,” Screen 17, no. 4 (Winter 1976-1977). 12. Raymond Bellour, “Un jour, la castration,” L’Arc, special issue on Alex- andre Dumas, no. 71 (1978). 13. This wholly unremarkable series seems surprisingly capable of taking on a great deal of...