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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1988) 6 (3 (18)): 32–41.
Published: 01 September 1988
... Copyright © 1988 by The Johns Hopkins University Press 1988 Interview with Hu Mei Hu Mei was born in Beijing in 1956. Her father was a musician, and many other members of her family were involved in the arts. Mer performing with the People's Liberation Army Song and Dance Troupe for...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2014) 29 (3 (87)): 149–183.
Published: 01 December 2014
...Juliana Chang This essay explicates how Mei Li (Miyoshi Umeki) and Linda Low (Nancy Kwan), the Asian migrant and Asian American female leading characters in the film Flower Drum Song (dir. Henry Koster, US, 1961), oscillate between embodying the fantasies of American modernity and exposing the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2019) 34 (2): 41–69.
Published: 01 September 2019
...Feng-Mei Heberer This article explores the possibilities for activist intervention through documentary media at a time when rhetorics of rights and recognition are increasingly appropriated into nationalist state projects, capitalist expansion, and a Northern hemispheric vision of the “good world...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1988) 6 (3 (18)): 4–7.
Published: 01 September 1988
...Chris Berry Copyright © 1988 by The Johns Hopkins University Press 1988 ON CONTEMPORARY CHINA Army Nurse (Hu Mei, 1986) Chinese "Women's Cinema": Introduction Chris Berry "Women's cinema" was a term I first...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2014) 29 (1 (85)): 33–57.
Published: 01 May 2014
... filmmaking within Asian cinema, and in particular queer Asian cinema, can most accurately be described as a form of minor transnationalism. Françoise Lionnet and Shu-­mei Shih describe minor trans- nationalism as a specific intervention into dominant conceptions of transnationalism “from above...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1988) 6 (3 (18)): 26–31.
Published: 01 September 1988
... Copyright © 1988 by The Johns Hopkins University Press 1988 Interview with Peng Xiaolian Peng Xiaolian was born in Shanghai in 1953, and spent nine years laboring in the countryside during the "cultural revolution." Like Hu Mei, she entered the Directing Departmentof the BeijingFilm...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1988) 6 (3 (18)): 8–19.
Published: 01 September 1988
... Hu Mei in early 1986; and The Season for Love, directed in late 1986 by Urshana. Assuming you may not have seen these films, I will try to describe them as briefly as possible. Sacrificed Youth is about a Han Chinese girl who is sent down to the countryside to live among the Dai minority...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2005) 20 (3 (60)): 193–231.
Published: 01 December 2005
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2014) 29 (3 (87)): 1–31.
Published: 01 December 2014
... number of contemporary Chinese-language films that invoke the past by way of sonic reference. The film is about a nameless man and woman living in present-day Taipei, played by Lee Kang-sheng and Yang Kuei-mei, respectively, who are drawn into a series of encounters when a hole appears in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2009) 24 (3 (72)): 111–151.
Published: 01 December 2009
... from these forces.20 Writing on the relation between the global and the transnational, Françoise Lionnet and Shu-mei Shih observe: “Whereas the global is defined visvis a homoge- neous and dominant set of criteria, the transnational designates spaces and practices acted upon by border...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1993) 11 (2 (32)): 75–101.
Published: 01 September 1993
... Mui Yim-fong/Mei Yanfang) to do when Chan Chun-bong/Chen Zhenbang (Leslie Cheung Gwok-wing/Zhang Guorong), the twelfth master of a wealthy merchant family, fails to fulfill his Oedipal destiny? What can she do when he fails to appear on the scene to claim her after their...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2005) 20 (3 (60)): 91–127.
Published: 01 December 2005
... cinemas, given the highly reflexive nature of periodization. For me, an event in 1935 Japan crystallizes such reflexivity. On 11 December 1935, the leading film journal Kinema junp¯o (Movie Times) announced the opening of a film series to which it gave support, titled “Mei eiga su¯vunı¯ru...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1985) 5 (1-2 (13-14)): 50–83.
Published: 01 September 1985
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2005) 20 (2 (59)): 73–117.
Published: 01 September 2005