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media history
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Journal Article
Camera Obscura (2020) 35 (1 (103)): 1–37.
Published: 01 May 2020
... “Silence = Death” relies and yields a rethinking of media history and sound studies as they relate to queer lives. Copyright © 2020 Camera Obscura 2020 duration and identity queerness and queer theory sound and sonic technologies vocality and voice American popular music I visited Vito...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 5–33.
Published: 01 December 2016
... Bociurkiw
One cold winter day in 2007, I received a phone call that initi-
ated a long and winding journey into the half-forgotten history
of Canada’s feminist media collectives. The caller was a woman I
had interviewed years earlier for the labor documentary No Small
Change: The Story...
Journal Article
Camera Obscura (2019) 34 (3): 127–155.
Published: 01 December 2019
..., and subjectivities into the field of postwar media industry studies while revealing how this hidden history invites a rereading of media texts from the period. Copyright © 2019 Camera Obscura 2019 women postwar television 1950s archival screen-writing Figure 1. Pay no attention to the woman behind...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 65–97.
Published: 01 September 2021
..., aesthetic, and gendered genealogies of media-technical modulation. The modulated voice given such extraordinary staging in “Can't Hug Every Cat” is therefore restored to the longer history of voice modulation, which is itself closely tied to the rise of control societies and digital media...
FIGURES
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Journal Article
Camera Obscura (2009) 24 (3 (72)): 111–151.
Published: 01 December 2009
..., left out of histories of media. Feminism in
the latter half of the twentieth century was a multifaceted global
movement with widespread and significant, if incomplete, uneven,
and diverse, local effects. What exactly has been the impact of
feminism on film and media culture? It certainly...
Journal Article
Camera Obscura (2009) 24 (1 (70)): 67–107.
Published: 01 May 2009
...Eden Osucha This essay explores how the early history of the American right to privacy, first expressed in the law as a right to media privacy, reflects the racialization of concepts of privacy and publicity in nineteenth-century visual culture. Where standard scholarly treatments focus...
Journal Article
Camera Obscura (2022) 37 (3 (111)): 1–29.
Published: 01 December 2022
...)used by social media users to produce “junk history.” 21 Victoria Martínez understands “junk history” in the context of the clickbait cultural economy as narratives and images that fail miserably at historical accuracy yet succeed “at demonstrating how easily viral clickbait obscures and overshadows...
FIGURES
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Journal Article
Camera Obscura (2018) 33 (2 (98)): 69–103.
Published: 01 September 2018
...Ana Stevenson The women’s suffrage subplot in Walt Disney’s Mary Poppins (dir. Robert Stevenson, US, 1964) has come to dominate the popular memory of the history of the turn-of- the- century women’s movement. This essay examines how the film’s imaginative portrayal of women’s suffrage, especially...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 125–133.
Published: 01 May 2013
...Kristen Fallica This essay commemorates the fortieth anniversary of the independent feminist film organization Women Make Movies (WMM) by reflecting on its history and relationship to larger currents in feminist media culture. Based on archival research, this contribution to Camera Obscura 's...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 153–163.
Published: 01 May 2016
...Elizabeth Coffman; Erica Stein New Day Films was formed in 1972 as a feminist media collective to distribute films addressing gender issues. Forty years later, New Day boasts close to two hundred members and yearly distribution profits of $1 million. This article uses New Day's history...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 69–101.
Published: 01 May 2013
... of the schoolgirl — for the collocation of chronological and nonchronological times with the heterogeneous spaces of diaspora. But the diasporic archive that is this calendar also illumines for us certain media for ensuring a beloved body's continued presence, the photograph and also the calendar being formal...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 1–2.
Published: 01 December 2016
... analyses and short-form reflections—that address such topics as collaboration in photography, cinema, and video; utopias and dystopias; history and memory; modes of singleness and of togetherness; technology, embodiment, and intimacy; and feminist and queer collective practices in media and activism...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 1–2.
Published: 01 May 2016
... and short-form reflections—that address such topics as collaboration in photography, cinema, and video; utopias and dystopias; history and memory; modes of singleness and of togetherness; technology, embodiment, and intimacy; and feminist and queer collective practices in media and activism in various times...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 123–151.
Published: 01 May 2016
... as an extended contemplation of the pathways and slipstreams between the individual and the collective once public and private histories have been wrapped up with media technologies—and with art as well as critique—in the ways that this has continually happened since the early 1980s in the US. Richard C...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 1–37.
Published: 01 May 2011
... hidden histories, and redefines public culture
in the context of digital media and consumer culture. In so doing,
blogs, as Mimi Thi Nguyen aptly puts it in a recent Threadbared
blog post, “permit us to see what we have not been allowed to see.”52 Here,
she is discussing how some of Wang’s...
Journal Article
Camera Obscura (2013) 28 (2 (83)): 151–175.
Published: 01 September 2013
... brought on by
Female Labor and Digital Media • 153
postfeminist neoliberal culture played an important role in the
history of social media. This era of postfeminism, as Diane Negra
and Yvonne Tasker have argued, first and foremost presupposes
the “ ‘pastness...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 157–165.
Published: 01 May 2013
...B. Ruby Rich This article considers the early history of women-directed media, examining its links to political action campaigns in the 1970s and exploring the aims of women's film festivals, production workshops, and Women Make Movies itself. Acknowledging a personal role in the WMM crisis...
Journal Article
Camera Obscura (1994) 11-12 (3-1 (33-34)): 262–263.
Published: 01 May 1994
... is Associate Professor of English at the University of Arizona and
Film Editor for Arizona Quarterly. Her book, The Cinema of Max Ophuls:
Magisterial Vision and the Figure of Woman, was recently published by
Columbia Univeristy Press.
Pamela Wilson is a doctoral candidate in media history...
Journal Article
Camera Obscura (1985) 5 (1-2 (13-14)): 250–251.
Published: 01 September 1985
... published articles on film and mass culture in such
journals as New German Cn’tique, CinemaJournal and Wide Angle.
Janet Walker teaches media history, theory and criticism, and media
writing at the University of Denver. Her current area of research is the rela-
tionship between social history...
Journal Article
Camera Obscura (2006) 21 (1 (61)): 39–44.
Published: 01 May 2006
... women’s
roles in many media industries, we may recapture a world history that
recognizes cultural imperialism and hegemony, but avoids a binary
divide between a first world and everyone else.
(2) Another direction in feminist film studies involves the wedding of
social history with theories...
