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Journal Article
Camera Obscura (2016) 31 (1 (91)): 153–163.
Published: 01 May 2016
...Elizabeth Coffman; Erica Stein New Day Films was formed in 1972 as a feminist media collective to distribute films addressing gender issues. Forty years later, New Day boasts close to two hundred members and yearly distribution profits of $1 million. This article uses New Day's history...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 5–33.
Published: 01 December 2016
...Marusya Bociurkiw From 1972 to the early 1990s, Canadian feminist media collectives created dozens of social-issue documentaries and television series, producing an ephemeral archive of a vibrant era of political and social change. This article discusses the loss and/or deterioration...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 1–2.
Published: 01 December 2016
... analyses and short-form reflections—that address such topics as collaboration in photography, cinema, and video; utopias and dystopias; history and memory; modes of singleness and of togetherness; technology, embodiment, and intimacy; and feminist and queer collective practices in media and activism...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 1–2.
Published: 01 May 2016
... and short-form reflections—that address such topics as collaboration in photography, cinema, and video; utopias and dystopias; history and memory; modes of singleness and of togetherness; technology, embodiment, and intimacy; and feminist and queer collective practices in media and activism in various times...
Journal Article
Camera Obscura (2022) 37 (1 (109)): 149–175.
Published: 01 May 2022
... of these multiple provisional pasts, presents, and futures. The article points toward the way that narrative and theories of collective storytelling can be used as frameworks for understanding social media platforms. The fandom surrounding One Direction and Harry Styles makes these storytelling strategies...
FIGURES
Journal Article
Camera Obscura (2023) 38 (1 (112)): 81–101.
Published: 01 May 2023
...Tim Ridlen Abstract Finch College was a small women's liberal arts college located on the Upper East Side of Manhattan open from 1900 to 1975. The Contemporary Wing of the Finch College Museum of Art held a number of important exhibitions for conceptual art, experimental media, and film organized...
FIGURES
Journal Article
Camera Obscura (2016) 31 (3 (93)): 153–163.
Published: 01 December 2016
... engages in collective media production from Inuit women's perspectives with an explicit focus on gender. Arnait's video art, animation, fiction features, television programs, and documentaries address issues faced by women struggling for the recognition of indigenous and minoritarian cultures. The success...
Journal Article
Camera Obscura (2018) 33 (1 (97)): 113–137.
Published: 01 May 2018
... spaces and aesthetics for producing collective memory that differently configure spectatorial interaction and social intervention. Counterposing the hyperindustrialized military vision of the fictional reality TV show Drones with the social media–styled memory market TruNode, the film’s caricature...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 175–185.
Published: 01 May 2016
... of
the plurality of knowledge in media.
Performing a Collective Selfie
in Self-Portrait with Three Women
Although the Folk Memory Project is a collective effort, participat-
ing filmmakers mostly pursue their documentaries in an individ-
ual manner, and the stories they tell tend to be very personal...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 147–155.
Published: 01 May 2013
... the world on independent film distribution, marketing, and financing as well as on women's film. Patricia White is a member of the editorial collective of Camera Obscura and the current chair of the Women Make Movies board. Professor of film and media studies at Swarthmore College, she...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 123–151.
Published: 01 May 2016
... as an extended contemplation of the pathways and slipstreams between the individual and the collective once public and private histories have been wrapped up with media technologies—and with art as well as critique—in the ways that this has continually happened since the early 1980s in the US. Richard C...
Journal Article
Camera Obscura (2009) 24 (1 (70)): 37–65.
Published: 01 May 2009
...Jennifer González Contemporary digital artists have been exploring the function of the face and its relation to public space for several decades. This essay offers a close reading of artworks by Keith Piper, Nancy Burson, Keith Obadike, and the collective Mongrel that address the relation between...
Journal Article
Camera Obscura (2022) 37 (3 (111)): 1–29.
Published: 01 December 2022
... music is one of the examples of remix that media studies points out to show that remix is not a recent development in response to the late digital and internet culture. 57 The Persian radif is a musical system that stores collections of different artists’ repertoires. Musicians always refer...
FIGURES
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Journal Article
Camera Obscura (2006) 21 (1 (61)): 1–25.
Published: 01 May 2006
... in 1982. At the same time, by publishing reports
on women filmmakers (primarily avant-garde), film distributors,
and conferences, Camera Obscura maintained close ties with femi-
nist practice, with the groundswell of women’s media organiza-
tions — production collectives, distributors, and festivals...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 125–133.
Published: 01 May 2013
... earliest years.
This contribution grows from my research on the early history of
WMM and its roots as a community media workshop and film
making collective.
After graduating from college in the late 1960s, WMM
cofounders Ariel Dougherty and Sheila Paige worked in the field
of youth...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 88–115.
Published: 01 December 2020
..., a demand for wages for face- work might performatively stimulate a desire for the time and infrastructure to socialize in new forms in a digitally linked world, on nonextractive and collectively managed platforms. There are efforts under way to develop open- source alternative social media networks...
Journal Article
Camera Obscura (2014) 29 (2 (86)): 184–185.
Published: 01 September 2014
... feminist editorial collective has functioned in this way since
its beginnings in the 1970s, a time when many forms of coopera-
tive action proliferated. In this period, collectives formed around
issues of gender, race, and politics, with many organizing around
forms of media production. In the last...
Journal Article
Camera Obscura (2006) 21 (3 (63)): 145–151.
Published: 01 December 2006
...Patricia White Camera Obscura 2006 Patricia White , currently the board president of Women Make Movies, first worked there as an intern in 1984. She chairs film and media studies at Swarthmore College and is a member of the Camera Obscura editorial collective. She is working...
Journal Article
Camera Obscura (1983) 4 (2 (11)): 148–149.
Published: 01 September 1983
... bureaus, special library collections on women, as well as
hundreds of individual media women and media-concerned women in the
Individuals section-listings written by the women and groups themselves with
addresses, phone numbers, contact people and descriptions. Annual updating...
Journal Article
Camera Obscura (2009) 24 (1 (70)): 1–5.
Published: 01 May 2009
...Lynne Joyrich Camera Obscura 2009 This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved. Lynne Joyrich is associate professor of modern culture and media at Brown University. She is the author of Re-viewing Reception...
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