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1
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 176–192.
Published: 01 May 1979
... Copyright © 1979 by Camera Obscura 1979 Excerpts from an Interview with
The Legend of Maya Deren Project
The Camera Obscura Collective
The Legend of Maya Deren, a three-volume documentary biography of
the late filmmaker, writer and ethnologist, is being...
Journal Article
Camera Obscura (2013) 28 (3 (84)): 1–31.
Published: 01 December 2013
...Lucy Fischer More than fifty years after the death of experimental filmmaker Maya Deren on 13 October 1961, this essay attempts to grapple with her complex legacy. While numerous scholars have already provided in-depth studies of Deren's films, writings, and biography, this article seeks to take...
Journal Article
Camera Obscura (2023) 38 (2 (113)): 1–29.
Published: 01 September 2023
...Maya Sidhu Abstract This article demonstrates how the interwar French suffragist organization la Femme nouvelle used the platform of the newsreel to make political claims through its collaboration with Pathé’s newsreel magazine Actualités féminines or Women's News . Through the filming...
FIGURES
Journal Article
Camera Obscura (2021) 36 (3 (108)): 89–103.
Published: 01 December 2021
... was given to Deborah Stratman, whose film Vever (for Barbara) (US, 2019) combines the work of two of her artistic predecessors, Hammer and Maya Deren. Making use of the footage Hammer shot in 1975 as well as passages, images, and sound from Deren's work, Stratman creates a film that underlines several...
FIGURES
Journal Article
Camera Obscura (1977) 1 (2 (2)): 137–145.
Published: 01 September 1977
..., more often in her correspondence and lectures.
A group of four women has been working since 1975 to research the
life and interview the family and friends of Maya Deren. Our work will
make available the materials given by the film-maker's mother, Mrs.
Marie Deren, to the Boston University Library...
Journal Article
Camera Obscura (1980) 2 (2 (5)): 116–118.
Published: 01 September 1980
.... Vol. I, no. 3-4;pp.
IS7-17s.
Interview with Babette Mangolte. Vol. I, no. 3-4;pp. 198-210.
Interview with The Legend of Maya Deren Project. Vol. I, no. 3-4;pp. 177-191.
Review: mlf. Vol. I, no. 3-4;pp. 233-237,
Cine-Femmes...
Journal Article
Camera Obscura (2007) 22 (1 (64)): 194–196.
Published: 01 May 2007
... of their firstborn baby, a quasi mirror on
the genesis of all of our lives, have revealed to me an ever-evolving
cultural fascination with birth and the body.
In 1995, I gave birth to my first daughter, Maya. Two years
later, my second daughter popped out. Images and sounds from
both pregnancies...
Journal Article
Camera Obscura (2003) 18 (3 (54)): 99–117.
Published: 01 December 2003
... it to psy-
choanalytic feminism, as well as to films and to theories of other
feminist film and video artists such as Maya Deren and Chantal
Akerman.
Well-documented, Abramovic´’s performance art has had
an audience far beyond those who actually have attended her per-
formances at galleries...
Journal Article
Camera Obscura (2013) 28 (3 (84)): 169–170.
Published: 01 December 2013
... – 33
Lucy Fischer
Afterlife and Afterimage: Maya Deren in “Transfigured Time.” No. 84:
pp. 1 – 31
Katherine Fusco
The Actress Experience: Cruel Knowing and the Death of the Picture
Personality in Black Swan and The Girlfriend Experience. No. 82:
pp. 1 – 35
Alexander R...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 246–247.
Published: 01 May 1979
... for teachers, consisting of case studies of films
made by women and including Meshes of the Afternoon (Maya Deren)
and La Souriante Mme. Beudet (Germaine Dulac).
Freude is a film distributor and makes movies on the left side.
Nancy Huston is a Canadian who has been living...
Journal Article
Camera Obscura (2002) 17 (2 (50)): 218–219.
Published: 01 September 2002
....
ed. Maya Deren and the American Avant-Garde. Berkeley:
University of California Press, 2001.
Petrie, Graham. Hollywood Destinies: European Directors in America,
1922–1931. Detroit, MI: Wayne State University Press, 2001.
Phillips, Patrick. Understanding Film Texts: Meaning...
Journal Article
Camera Obscura (2005) 20 (3 (60)): 234–235.
Published: 01 December 2005
...
For example, the archive might contain statements regarding the
following:
• Anthology Film Archives Maya Deren screening room
• Specific films: for example, Dorothy Arzner’sMerrily We Go to Hell,
Maria Luisa Bemberg’s I, the Worst of All, and Marziyeh Meshkini’s
The Day I Became...
Journal Article
Camera Obscura (2005) 20 (3 (60)): 236–237.
Published: 01 December 2005
...
For example, the archive might contain statements regarding the
following:
• Anthology Film Archives Maya Deren screening room
• Specific films: for example, Dorothy Arzner’sMerrily We Go to Hell,
Maria Luisa Bemberg’s I, the Worst of All, and Marziyeh Meshkini’s
The Day I Became...
Journal Article
Camera Obscura (2005) 20 (2 (59)): 198–199.
Published: 01 September 2005
...
For example, the archive might contain statements regarding the
following:
• Anthology Film Archives Maya Deren screening room
• Specifi c fi lms: for example, Dorothy Arzner’s Merrily We Go to Hell,
Maria Luisa Bemberg’s I, the Worst of All, and Marziyeh Meshkini’s
The Day I Became...
Journal Article
Camera Obscura (2005) 20 (2 (59)): 196–197.
Published: 01 September 2005
...
For example, the archive might contain statements regarding the
following:
• Anthology Film Archives Maya Deren screening room
• Specifi c fi lms: for example, Dorothy Arzner’s Merrily We Go to Hell,
Maria Luisa Bemberg’s I, the Worst of All, and Marziyeh Meshkini’s
The Day I Became...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 5–13.
Published: 01 May 1979
... by Germaine Dulac, Agnes Varda,
Maya Deren, Vera Chytilova, Leontine Sagan, Esther Shub, Barbara
Loden, Shirley Clarke, Dorothy Arzner, Ida Lupino and others. When
you hear these names now, it seems obvious that a lot of women have
made films. But, when we began, this was not at all evident...
Journal Article
Camera Obscura (2006) 21 (3 (63)): 153–156.
Published: 01 December 2006
... not alone in actively seeking to preserve the films that
remain and to make them available through digitalization and
through projected centers for the study of women’s cinema. The
Women’s Film Preservation Fund has helped preserve the work
of Maya Deren, Mary Ellen Bute, Storm de Hirsch, Gunvor Nel...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 84–87.
Published: 01 December 2021
... Village hearkened back to Maya Deren's era while welcoming younger artists and scholars, including Sarah Keller, who slept at the studio as she researched her book Barbara Hammer: Pushing Out of the Frame (Wayne State University Press, 2021). In an interview in Pancake's film, Hammer defines the “genius...
Journal Article
Camera Obscura (1986) 5 (3 (15)): 176–179.
Published: 01 December 1986
... Press. Sydney, Australia, 1985.
The Legend of Maya Deren: A Documentary Biography and Collected Works
edited by Veve A. Clark, Millicent Hodson, Catrina Neiman and Francine
Bailey Price. Anthology Film Archives. New York, 1985. $22.50.
The Light on Her Face by Joseph Walker, ASC, and Juanita...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 99–131.
Published: 01 December 2016
... the subject of stern critique in the 1940s.
Maya Deren, for example, writes in diary entries from February
and March 1947 of her consternation over Gregory Bateson’s use
of cybernetic concepts in anthropological analysis, particularly in
regard to the use of a single technical vocabulary...
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