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materiality
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Journal Article
Camera Obscura (2009) 24 (3 (72)): 73–109.
Published: 01 December 2009
...Zahid R. Chaudhary This article aims for an account of materiality that helps apprehend race as a material reality while attending to its semiotic, aesthetic, and cultural signification. Through a close reading of Alfonso Cuarón's film, Children of Men (UK, 2006), the author argues that allegory...
Journal Article
Camera Obscura (2006) 21 (1 (61)): 33–37.
Published: 01 May 2006
....
A R C H I V E F O R T H E F U T U R E
Archive of the Future/Archive
of Everyday Practices:
Feminism, Materiality, Temporality
Mary Desjardins
My first exposure to Camera Obscura was in 1979 or 1980, while I
was a master’s student in comparative literature at the University...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 141–143.
Published: 01 December 2021
..., 1989), childhood writings, project files, journals, audio and visual recordings, lectures, interviews, and love notes! These materials provide a deep dive into a vivid pool of queer creativity and unabashed self-love. Filmmakers, artists, and activists can find true sustenance and challenge within...
FIGURES
Image
in The Auto-Tuned Self: Modulating Voice and Gender in Digital Media Ecologies
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 September 2021
Figure 6. I Am T-Pain, I Am T-Pain App, advertising material
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Image
in Appropriate Feminisms: Ambivalence and Citational Practice in Appropriate Behavior
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2022
Figure 4. Maxine introduces Shirin to some new reading material in Appropriate Behavior
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Journal Article
Camera Obscura (2016) 31 (2 (92)): 187–193.
Published: 01 September 2016
...Heather Davis Plastic is a seemingly ubiquitous material, one that is both all too visible and, as such, opaque. Beginning with the use of plastic for sex toys, this essay tracks some of the strange convergences between plastic, as a material, and queer theory. In particular, it follows how...
Journal Article
Camera Obscura (2011) 26 (2 (77)): 33–63.
Published: 01 September 2011
... Irigaray's argument that Heidegger has “forgotten” the pre-Socratic element air in a philosophy that privileges materiality and vision, I examine popular films that feature air, and in particular breathing, as a central trope. Because of an emphasis on the more obviously material aspects of visual images...
Journal Article
Camera Obscura (2011) 26 (3 (78)): 95–135.
Published: 01 December 2011
... reconstruction of the genre and its vintage mise-en-scène evokes both sexploitation cinema as well as the commodified landscape of the late 1960s and early 1970s, embodying itself as a time capsule constructed in retrospect. Viva , in its indulgence in the material artifacts, conventions, and “dated” precepts...
Journal Article
Camera Obscura (2011) 26 (3 (78)): 137–145.
Published: 01 December 2011
... of pop cultural and media forms as resources and creative materials, Biller details the nature of her aesthetic preoccupations with the material ephemera of the “sexual revolution,” as well as its aftermaths. Elena Gorfinkel is assistant professor of art history and film studies at the University...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 129–135.
Published: 01 December 2021
... material from Hammer's 1998 artist residency in a Cape Cod shack without running water or electricity. While there, she shot film, recorded sounds, and kept a journal. In 2018, Hammer began her process of dying by revisiting her personal archive. She gave all of her images, sounds, and writing from...
FIGURES
Journal Article
Camera Obscura (2023) 38 (3 (114)): 35–75.
Published: 01 December 2023
...Lida Zeitlin-Wu Abstract The postwar era in the United States saw an explosion of mass‐produced colors across a range of materials and technologies, as well as increased demand for professional color consultants both within and outside the home. While this period (sometimes called the color...
FIGURES
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Journal Article
Camera Obscura (2010) 25 (1 (73)): 97–129.
Published: 01 May 2010
... masculine performance space was challenged both by the development of a clearer heterosexual/homosexual cultural binary and by the instability of patriarchal structures during the first half of the twentieth century. As such, a queering of fraternity materializes in many Laurel and Hardy films...
Journal Article
Camera Obscura (2010) 25 (1 (73)): 131–159.
Published: 01 May 2010
... the panoptic authority of power. In their integration of writing and images, self-display and participation, present-tense transience and persistent traces, cam sites and other organized forums for cyber-exhibitionism materialize today's archival conflicts between visual and textual control, between...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 1–37.
Published: 01 May 2011
... the ways in which some fashion-themed blogs refuse neoliberal fictions of freedom and digital disembodiment by deploying a radical politics of sentimentality that reembodies fashion and labor histories by publicizing the material realities of race, gender, generation, sex, and class that are typically...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 39–63.
Published: 01 May 2011
...Domietta Torlasco This article interrogates the relation between memory and creation in Monica Bonvicini's installation Destroy She Said and Agnès Varda's film The Gleaners and I , both involving the adoption of digital technology and the simultaneous appropriation of analog materials. It is my...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 137–147.
Published: 01 December 2012
... mission, to examine the “current state of experimental film and media on an international” scale. A number of explicit changes occurred between 1989 and 2010 regarding the material conditions of experimental media — physical, structural, institutional, and economic. The more recent congress examined...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 125–133.
Published: 01 May 2013
... special “In Practice” dossier on WMM sheds light on the formation and early history of the organization and its origins as a community-based filmmaking workshop called the Chelsea Picture Station. Exploring materials such as old newsletters, brochures, notes, and other ephemera from the WMM papers...
Journal Article
Camera Obscura (2018) 33 (2 (98)): 197–207.
Published: 01 September 2018
... a documentary ethic of emergency (which draws on material forms like immediations that are ready at hand but obscure the path to social change) and a documentary politics of urgency and necessity (which maps the social structures, forces, and institutions that perpetuate structural inequality). Copyright ©...
Journal Article
Camera Obscura (2018) 33 (3 (99)): 49–73.
Published: 01 December 2018
... of cinematic realism to the historically disparate stakes of subjectivity in the two films’ production contexts. In Redupers , the film’s protagonist employs photography as a means to build solidarity and assert women’s subjectivity in the face of nearly insurmountable material and social obstacles...
Journal Article
Camera Obscura (2018) 33 (3 (99)): 75–101.
Published: 01 December 2018
.... While some might see Obama’s fantastical, fragmented narrative as a reflection of her novice filmmaking, this article argues that, faced with the material constraints of making a student film, Obama relies on multiple genres and German intertexts (including The Valkyrie , M , and The Murderers Are among...
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